Thread of Truth

THE BASIC RULES COULD HAVE SAVED THEM IN "TAROT"!

Wed, 03 Dec 2025 02:52:55 GMT

IS THIS TERRIBLE SCRIPT SALVAGABLE? -MY FIRST NEGATIVE REVIEW

I like to think I’m not the only reviewer who’s noticed the severe decline of quality writing in films over the last four or five years. It makes the job disheartening for serious writers. Finding cinematic gems worthy of my time and attention are getting fewer and farther between. Don’t get me wrong. “Tarot” is no such gem. In fact, it’s some of the worst writing (and acting) to come out of 2024. If that’s not insulting enough, it completely mishandles the rules of Tarot. That is saying something because Tarot is as subjective as any other form of art.

Yet, somehow these so-called writers find a way to insult the very fundamentals of Tarot. Directors and screenwriters Spenser Cohen and Anna Halberg have already gone on record admitting they never bothered to read the book “Horrorscope”, even though they claim the movie is based on it. Author Nicholas Adams is also credited as a writer, which… only leads me to believe this is another Mortal Instruments situation. Another author sells out to Hollywood with a terrible script and infuriates their fanbase.

Let’s all just agree right now: In no way is the movie Tarot based on the book regardless of the author’s involvement.

CAN TAROT AND HOROSCOPE MERGE?:

Meh.

The only evident connection between the two works is the word Horoscope appears in the film. In the loosest possible way. While the Horoscope Tarot spread does exist, it isn’t common. There are thousands of spreads to explore. It certainly doesn’t make the readings more accurate or dangerously powerful. Exposition is a delicate process. Overdone, it becomes a dreaded infodump. Underdone, the lack of information leaves the audience/reader confused. Then, there’s the Tarot script, which seems like the writers loaded the scene in Chat GTP asking for a spooky tarot read, but the computer doesn’t understand the difference between Tarot and Horoscope. So, it merges the two in the clumsiest way possible.

“I use the deck to read the stars.”

I'm sorry. What? That tells us nothing.

She says what she does, but her performance of the reads says something differently. Her reads are based on what she knows about each querent. Since all participants are part of a close inner circle, it stands to reason that she’s not reading the cards at all. She’s reading the people.

How do I know that? Because that is all Tarot is. I have been a student of Tarot for over five years. Not because I believe in it, but because I am committed to understanding how it works. Here is what I know: Tarot has been misused and misappropriated in every film and tv show where I’ve ever seen it included. Including this one, the film called Tarot. Most screenwriters use Tarot as a plot device: foreshadow through fortune telling. It’s lazy writing, and never before have I seen lazier writing than the tarot-reading scene in this film.

Real tarot is not designed to tell the future. It doesn’t even answer questions. It reads people (their turmoil, struggles, and questions) and guides them in the right direction (through insight and advice). That in mind, let’s assume that Haley Martin is full of it, and her reads are as legit as the claim that this film is based on a book with zero supernatural qualities. (Horrorscope is a crime thriller, NOT a supernatural horror.)

Why, then, does the demon in the deck start to kill her friends? Because it’s the one thing about Tarot that the movie almost gets right. While there is no official rule against reading from another person’s deck without permission, there shouldn’t have to be. Because common decency and basic ethics already cover those rules.

A DIFFERENT POINT-OF-VIEW:

Imagine the scenario from the point-of-view of the angry spirit attached to this Tarot, also known as the Astrologer. Isn’t it hard enough being a single, working mother in the 1790s? Harder still for that woman to be branded a witch by the controlling, powerful duke who employs her? The moment she gives that monster an answer he doesn’t want to hear, he smears you to an entire superstitious community, inciting them to murder your child.

Heartbroken, abandoned, and with nothing left to live for; Astrologer uses her greatest strengths to plot her revenge against the men who unjustly destroy her life. Then, she expects to rest.

However, she leaves behind her one-of-a-kind, hand-painted tarot deck. It cannot be destroyed, so it cannot rest. The task of painting 78 different cards by hand is no easy feat, which takes time and illustrates intense artistic skill. She put love and time into painting her deck because she loves her craft. She is dedicated to it, so dedicated that no amount of power and money from an abusive misogynist is able to intimidate her from telling the hard truth. Other people may not understand her deck, but it’s not their place to judge it. It's not their deck to read.

SHOW SOME RESPECT:

It may not be an official rule not to read from another person's deck, but a few suggestions of Tarot come to mind here. When learning Tarot, a reader's first deck must be a gift, likely from their teacher. This gives a beginning reader time to practice and acclimate until they are ready for choosing their own deck. This second deck (and every deck after) must speak to the reader, and a relationship forms, a bond so strong that no other reader can interpret the deck as well as the owner.

The Astrologer’s relationship with this “old, strange deck” isn't simply forged. She forges the deck itself. That is a bond so strong that she remains connected to it even in death. It stands to reason that anyone who reads from the deck would incur her wrath, not because the Psychic is a bitter, unforgiving demon. Because whoever would disturb and criticize her this unique artwork also disturbs her unrested spirit, bringing an ancient curse upon themselves. Reports of unexplained deaths of anyone who comes across this deck litter history leaving behind a single survivor.

By reading from this deck, Haley dooms each querent, including herself, to the same fate. Each death mimics the cards laid out in their “Horoscope reads” (groan). However, there is a gross misunderstanding as to the motives are explained this group of dumb college kids by a biased survivor. The cards DO NOT predict the demise ahead of time. As stated earlier, Tarot and/or Horoscope don't predict the future. As Haley's voice echoes in the minds of each victim before they die, this is the Astrologer’s way of mocking them with the details of her insultingly bad reads. As the groups mock the Astrologer, she then mocks them in return.

Is it right? No. Murder is never acceptable. However, it humanity is gifted with the ability to learn from past atrocities. This cursed group is after all in college. They ought to be learning. Yet, the most effort they put into their research is googling stuff on their phones and driving to secluded places in the middle of nowhere. With teenagers this woefully misinformed, it’s a wonder they were accepted into college at all. Let alone survived a vindictive, unforgiving spirit… Some of them anyway.

Sure, the most effective amount of research they do is to interview the Astrologer’s lone survivor. However, she is traumatized, biased, and obsessed with the deck of cards. They should take everything she says with a grain of salt and fact-check her accounts. Instead, they immediately go back to the house of horrors to find the deck and do the most offensive thing of all. They attempt to destroy it with a ritual they googled on their phones. Can you hear my eyes rolling through the page?

Haley's supposed to be the tarot expert in this group, but she clearly has no idea what she's doing. She never did. If she were a Tarot expert, she would know exactly what to do to satiate the cursed deck. Curses don't exist, but let's assume for the sake of the story that they do. Tarot has rules about how to properly and respectfully neutralize a negative deck, none of which involve fire. Get off your phones.

MAINTENANCE RULES:

Reset: When destruction is off the table, the next rational thing you can do is to hide the deck away. “Keep out of reach of children.” No one will ever read from it again if no one can find it. No reads = no slaughter. It’s a simple and uneventful solution, but the best solutions often are. For example, let's discuss deck maintenance. There are resetting rituals meant to clean a deck from chaotic and negative energy after multiple reads. Even when a deck changes reads, the deck must be RESET.

Haley failed to do a basic reset before reading from a deck she knows nothing about. Who owns the deck? Where did it come from? Where has it been? What morbid, dark person painted it? How many people read from it before? Did any of them reset the deck? The first thing she should do is reset it before conducting her readings. It’s an act of respect to the deck, and this one action might have saved her friends.

Charging: Just as a deck can be cleansed of negative energy, it can also be filled with good energy. A reader can achieve this with a cleansing crystal like selenite or by the light of the full moon.

Storage: There are multiple ways to store a Tarot; none of which involve abandoning it in the cold, dusty cellar of a rental house and leaving it for anyone to find. That is the opposite of hiding away a cursed deck. The deck was discovered in its original pine box, so we can safely assume maintenance and care have been minimal over the centuries.

Once a deck is cleansed and charged, it can then be wrapped in silk or stored in a pine box preferably near the reader's bed. This maximizes the deck's exposure to its reader. While we sleep, our decks absorb and match our energy. Tarot deck have personalities that often match it' readers.

My husband's decks are often optimistic people pleasers, while my own decks are more literal and direct. It's a strange quirk, but damned if I haven't seen it for myself. Tarot decks do indeed have personalities. The Astrologer's deck certainly takes negative energy and a hostile personality to a new level. However, with proper care, maintenance, and storage, one wonders if the deck would become less vindictive and slowly detach itself from the Astrologer over time.

VICTORY:

In the end, how does Haley, the amateur, defeat the all-power Astrologer? Not through Tarot. She comes to accept that destroying the deck is impossible. The biased hermit little rocks do nothing to detach the vengeful spirit from the cursed deck, and she dies in an epic fashion. It's far too late to begin a maintenance routine because the negative energy is far too powerful. In her final desperate hour, she attempts to communicate with the Astrologer herself through the deck.

“Sometimes, it just means death.”... No, it doesn't.

As always, her interpretation is laughable nonsense. Death does mean rebirth. Every time. However, there is something legitimate in the reading that saves her, qualities buried deep in every reading she gives. These qualities is ultimately what saves her.

OBSERVATION and EMPATHY

That is what Tarot is all about. Take it from a seven-year tarot student. After all my study, memorization, and countless practice reads, I have cracked the code. Tarot connects people. The cards don't hold any power. People do. We must take charge of our own lives. That is the lesson to which every reading leads: You are in control. No one and nothing else.

Ultimately, that is what Haley must learn to defeat the evil spirit that haunts her, not necessarily the Astrologer. She must face the trauma and grief that plagues her long before the curse does. Will her own grief cause influence her life, control her actions, and affect her beliefs? In the end, she must question her belief that fate is fixed and unyielding. Instead, she must come to realize that we are all the masters of our own fate.

She finally uses the cards as intended. They are a tool we use to connect with people, but it is Haley who does the connecting. She speaks to the Astrologer on equal ground, empathizing with her loss and sharing in her grief. It is the first time in centuries since her daughter's murder that anyone shows the Astrologer any compassion. Only then does she let go of her rage at the world. She can finally move on, and her spirit's separation from the deck is complete.

Three survivors walk away from this crazy experience. One can only hope they become all the wiser for it. Haley learns that she is the master of her fate. Her ex Grant learns to be more open with his feelings. That's always a weak arc. However, if anyone deserves to see the vulnerable side to an emotionally stunted person, it ought to be a significant other. Haley deserves a partner who can show her affection. We all do. Learning to open up give the couple a chance at a happy relationship.

As for Paxton, the fool… He doesn't need to learn anything. His reading urges is to be less stubborn and impulsive. However, that is not what he does. His obsession with true crime teaches him to listen to his instincts, and his instincts tell him to seek the safety of his dorm. He is the only person to survive independently from the group. Not due to impulse. Driving to strangers homes, entering creepy basements, and reading from violent tarot are impulsive actions. Staying on campus and keeping the company of a trusted roommate is self-preservation. That is how he survives and what leads him to “come through” for Haley and Grant later. Poetically, the “fool” is the one person who doesn't need a lesson from this story.

CHECK OUT MY NEW CHANNEL!

What does Tarot mean to you? Is it scary and dangerous? Is it heresy? Do you value its potential insight into your life? Are you an active Reader, or are you interested in starting? For me, it is art. Those who design unique deck are artists, and we should support artists. For more information on my exploration of Tarot and its art, check out my new YouTube channel. We primarily review and share our Tarot deck, many of which are designed by incredible artists.

NETFLIX GIVES EDGAR ALLEN POE A MODERN TWIST.

editorcara@gmail.com (Cara Buckley) — Sun, 11 May 2025 04:55:45 GMT

WHO IS VERNA? THE DEVIL OR DEATH?

"The Fall of the House of Usher" is by far one of the most enthralling miniseries of Netflix history. Given the reckless volume of content this particular streaming service likes to put out, it's hard to find the gem amongst all the grey rocks. Well, here it is. Creator Mike Flanagan strings together eight/nine of Edgar Allen Poe's dark stories into a dark and brutally honest commentary on life, money, and corruption in modern America. Given the events of 2025 so far, it's more important than ever to address the overall theme of the show.

First, we must answer the question pressing on the minds of every member of the Usher family: who is Verna?

Is she the devil? She certainly makes deals like one. She lies like Satan, claiming that souls, Heaven, and Hell don't exist. Anything to keep Salvation away from God's children. She references coming "up top" as if admitting she resides in Hell, even though Satan actually wanders the Earth and has been this whole time. Only after Judgement will he be banished to Hell, and he'll be no king. He'll be punished like the rest of the unrepentant sinners. Satan doesn't exist outside our realm, in Heaven or Hell, or "outside Time and Space." He's right here, right now. Dominating the Earth while he can before Judgment Day; before he faces judgement just like the rest of us. Verna cannot be the Devil. She's honestly too smart for that. The Devil is more likely a client of hers.

Verna, on the other hand, works with purpose and authority. She's no wanderer. She speaks with direct, objective terms. Aside from the aforementioned lie and her many aliases, she is brutally honest (in a way that matters). She has one goal: collect. In fact, she's obsessed with body counts. The higher, the better. This is why she makes deals with specific kinds of people. In Madeline Usher’s case, a downright sociopath and her corruptible sheep of a brother. That's where the recruiting comes in. One of Verna's many abilities is to see the potential in young people, but not for the better. When presented with the proper circumstances, certain people's paths can become lethal. Those are the kinds of people Verna targets. She offers them unlimited wealth and immunity. In return, they give her bodies. As many bodies as she can possibly collect. That immunity allows them to live to their fullest potential in service to her. To Death. Much like Rio in "Agatha All Along", Verna is Death.

Arthur Pimm meets her. Even the Usher family's level-head lawyer/assassin acknowledges her divinity. On the infamous excursion that leads to death and possible cannibalism, more privileged and wealthy people embark on a death-filled crusade with zero accountability. Verna is there. Pimm sees her and into the world's truth. The confesses that the world is hollow. Underneath the Earth's surface ("outside time and space") is where divine beings dwell. Including Verna. Including Death. Pimm never makes a deal with her, even in the end, but he sees her. He knows the truth behind her identity and purpose. So much so, he issues a warning to the Usher children about their future gruesome fate. Perhaps, he believes he can help the children avoid it. It's a valiant, if not hopeless effort. In the end, his witness of two separate blood baths set forth by Death is enough for him to reject any offer she must make. Consequences catch up with Arthur Pimm, but he accepts them with a clean conscious.

Where human justice fails, the divine eventually intercedes. (Deuteronomy 32:35)

What kind of world have we become? Who are we as a people where the violent, gruesome death of an entire family serves as satisfying justice for the rest of us? For some, the most powerful and corrupt, Death may be the only answer. But Verna is not Justice. She would be a separate entity all together. Death takes what she creates. Her deal with the Usher twins begins with one murder, and it ends with slaughter. Millions of lives taken. She doesn't just admire killers; she feeds off their kills.

Justice is served (C. Auguste Dupin).

Judgement comes (Annabel Lee).

Death claims us all. Not even the richest and most powerful people are immune.

Death is the only force in the world immune to power, money, and corruption. She doesn't take bribes, she's immune to gaslighting, she scoffs at politics, and she doesn't discriminate. In the end, she comes for us all, and that shouldn't be frightening to those of us with nothing to fear. However, she certainly strikes fear into the hearts of the most corrupt people, the ones who resist her. The ones who would trade their soul for so many more in exchange for a little more time. The real question is, what do they do with the time they have? Change the world? I don't think so. They, like all flawed humans, become lazy in their complacency. Their dangerous lethal drug made them wealthy beyond their wildest dreams. That kind of money kills our drive for productivity. We are at our most creative and productive only when we feel the most uncomfortable in our lives.

Necessity is the key to invention. Verna's offer kills that necessity and, therefore, the invention. Their original goals only come back into play after it's their turn to die. Rod is diagnosed with a deadly disease. For the first time in decades, the Ushers feel necessity again. 'Changing the world’ comes too little too late. Computer algorithms, medical technology, even naturopathic wellness. All of these goals are noble. In the right hands, they could absolutely change the world for the better. In the wrong hands, in Usher hands, they never materialize. Noble goals don't pay. At least not the way lethal, addictive drugs do. This entire series is an illustration of greed and complacency at its worst, and Death weaponizes it to her benefit. She is a reasonable genius.

THE CAREFULLY CHOSEN SURVIVORS

Death is not a serial killer. She doesn't take pleasure in taking so many lives. It's her job. With it comes responsibility. Her job is to preserve balance. With the lives lost, lives are also saved or spared. As stated in several other stories, franchises, and lore, Death provides a sacred balance. She is "the natural order of all things." From death comes life. That life springs from the Usher Family survivors. The spouses and significant others are close enough to the Usher family to understand its corruption, but they chose to enjoy the benefits of its influence and power. They can't enjoy it forever. When Death comes for the bloodline, the significant others need not always apply.

Granted, there are a couple unlucky ones who survive the massacre. Alessandra Ruiz is murdered for daring to stand up for what's right. Her ethics come late, but better late than never. Annabel Lee succumbs to her grief over the loss of her children's souls. She also stands up for her convictions, and she loses. Yet, she dies with absolute integrity intact. Most of them are lucky enough to at least make a clean break, and they do. These exes are capable and independent people with shiny spines. They can walk away without consequence and move on with their lives.

The true survivors, however, are the ones who counteract Usher Family legacy. They take the trauma from grief, greed, and narcissism, and they turn it into purpose. Real purpose. Good purpose. Change-the-world purpose. Throughout the series' extensive number of flashbacks, the Usher twins make a considered point that their greatest wish is to "change the world." But they fail to specify whether that change is for the better or worse. Their change is certainly for the worse. Their 'innovative' drug takes millions of lives and ruins even more. In order for Verna to provide balance to their devastating "changes”, the time comes for someone to step up and save lives in return. Millions of lives saved for millions of lives lost.

Enter Juno and Morella Usher. Their mere survival is miraculous. So much so that Verna must be involved. She doesn't just allow them to survive the Fall of the House of Usher. No. She chooses them to move forward because their survival makes them strong. Their experiences with the abuse motivate them to help others instead of hurting them. The Usher twins use their trauma to hurt people, while their victims use their trauma to help. Their efforts don't undo the damage caused by their abusers, but it breaks the cycle. The corruption is wiped away before it has time to infect the survivors, and the survivors must seize their opportunity to take over at the right time.

That's exactly what Verna allows. Two survivors rise from the ashes of her slaughter, and those survivors bring balance through the lives they save. She prunes the rotten, corruptible souls in order for good seeds/advocates for LIFE to thrive.

Death has an incredible gift to look into people's souls and see their potential, and she chooses these people to serve her purpose. Particularly killers and saviors. It's evident in the way Verna studies people. While her speeches are eloquent and wise beyond years, her silence also speaks volumes. Her reactions to people when she sees them for the first time are telling. She sees the twins' potential for slaughter, but a single look at Morella stops Verna dead in her tracks. She sees Morella's potential for saving lives. In that moment, Verna marks her for life, even urges her to walk away from disaster so that she may survive to serve a higher purpose.

That is the true role of Death. That is sacred balance.

HOW 'WEDNESDAY' EVOLVES AS AN AUTHOR BY LIVING HER OWN MURDER MYSTERY.

editorcara@gmail.com (Cara Buckley) — Mon, 28 Apr 2025 22:47:53 GMT

Jenna Ortega ( You Season 2; Beetlejuice, Beetlejuice) knocks her performance as Wednesday Addams out of the park in Season 1 of “Wednesday” with a delayed second season set to premiere in 2025. Written and directed by Tim Burton, this brilliant mystery series lives up to expectations. Dark, brooding, and filled with black stripes; there is no better man for the job. This series is made for Burton, and the character is made for such a dark and eccentric director. In fact, it leaves many fans wondering why Burton hasn't explored more mysteries in the past. At least, I do. This teenaged version of Wednesday is as apathetic, brilliant, and homicidal as ever, void of any friendship or positive emotions. Her only drive in life is for success. Yet, there is something nefarious hold her back: her own damn self. Throughout Season 1 of Wednesday, this brooding teenager that she may not be as ready for independent life as she initially believes. If she has any hope of succeeding in life and in writing, she has plenty yet to learn. Cue Nevermore Academy. Let's explore.

I'll start by saying this. The writing ethic of Wednesday Addams is more than admirable. I straight-up envy her. Her discipline is unmatched. She writes for one hour every day. No exceptions. No excuses. She's more than aspirational author and “exemplary” student; she is a genius. She knows it too, and there in-lies her greatest weakness. Her genius makes her arrogant. So much so that she doesn't even believe in the necessity of a good education. Why finish high school when she knows everything she needs to know? Or does she?

Wednesday is an aspiring author. She obsesses over her mysteries and writes every day. She claims she already knows everything she needs to know in order to be a successful author. News flash for Wednesday: there is still plenty to learn. Especially for a writer. Writing is the hardest job in the world, but it's also the best job in the world. Because a writer is blessed with the opportunity to grow. A writer is always learning, forever evolving. Time and again, Wednesday expresses her resistance to the most basic lessons. There should hardly be a day that passes when a writer does not improve from the day before. It takes more than practice. Discipline and focus are also necessary traits in a skilled writer. Lest the desire for writing falls away.

Nevermore Academy marks the final institution in a long line of schools with which she is willing to burn bridges. Her introduction in Episode 1 opens on her private musings about the uselessness of school, all her personal opinion that marks the beginning of her educational arc. Simply put, she thinks that school is a waste of time. Her next step is to employ a creatively violent technique to get herself expelled. So, it is clear from the beginning how desperate she is to sabotage her own "educational journey". Yet, her "exemplary grades" reflect high intelligence. School work is easy for her if she is able to maintain a high GPA without effort or respect for the process. All the while, she writes and finishes several novels with another in progress. She has plenty yet to learn, but she must first come to that conclusion before learning can begin.

A less vindictive person would understand the advantage of a high IQ. A common sensical strategy would be to breeze through school with straight As and get that (worthless) piece of paper in record time. Life would be easier with a diploma than without. She could move on to become an Undergrad and beyond. With writing as her chosen field, a higher degree can only help her. Who wouldn't want that for themselves? Why the need to self-sabotage? There is no shame in being a brilliant, talented loner, but Wednesday is walking a fine line between introverted and anti-social. No one likes an arrogant, judgmental know-it-all.

Because a formal education isn't the only thing she lacks. she also needs to develop her social skills. Her opening outlook on the public school system shows she doesn't recognize the most important advantage of a public school: making friends and working with others. It's an important lesson for all of life, but especially for a writer. Realistic, believable dialogue is a crucial part of a novel. However, Wednesday has no social skills, and she doesn't respect editors. Simply put, without a "well-rounded" education, consistent therapy, and a healthy social life; Wednesday Addams has no hope of excelling ass a writer. She needs to stay in school. Nevermore is her best shot and last hope.

As her alumna mother says, "Finally, you will be with peers who understand you."

Her life becomes a mystery, and she can't help embracing it. Mystery is her deepest desire. She loves to solve puzzles. Both in fiction and in life. A court order gets her there, but the thrill of a real-life mystery keeps her there long enough to establish a meaningful connection to her school mates, teachers, and other members of the community. Only then does she have hope to solve her mystery, learn her family secrets, and finish the school year without any further expulsions. she almost doesn't make it thanks to her complete lack of personal insight. Her unwillingness to connect with people limit her ability to write dynamic, compelling characters. Her editors know this, which is possibly why they recommend professional help. Her reaction to that one note is disproportionate to the situation. Many of her reactions are. she resorts to violence, other than using her words, and she winds up in therapy anyway.

We don't know much about her writing aside from what Dr. Flam (Knives Out) divulges about her manuscript during their first therapy session. she writes about herself: a young, misunderstood detective suffering from a strained relationship with her mother. As much as Wednesday denies it to herself, she's doing what all writers do. Write what you know. How fortuitous that she finds herself in her own mystery; and of course, she jumps head-first into it. What better way to learn her genre than to live it?

It's hard for an anti-social person to be a writer. Empathy, social awareness, and open-mindedness is the gateway to writing dynamic characters. What does Wednesday's editor advise? That she seek psychiatric help. Something tells me her character lacks three-dimensional qualities, and her main character is a Mary Sue. She doesn't herself as faulty, so how could her heroine? That's bad writing. It's the kind of education she needs in order to become a better writer. Not to mention, a better person.

That is what Nevermore has to offer this anti-school student: experience, friendship, empathy, and heroism. After a excruciating wait, Season 2 will premiere in 2025. What trouble will Wednesday unearth in the new school year? Will she come face-to-face with her killer ex again? Who is this new stalker? Lots of questions to answer. Lots of fun in store.

HOW CRUELLA'S STORY ISN'T SO BLACK AND WHITE.

editorcara@gmail.com (Cara Buckley) — Tue, 13 Feb 2024 00:14:52 GMT

The truth shall set you free.

"Cruella", is the second original Disney remake since the premiere of Maleficent . I'm a fan of empathetic villain stories. Not everything is as black and white as Cruella's hair. There are three sides to every story: the two accounts and the truth (lying somewhere in the middle). We all dance in a field of gray. Everyone has a story in which they identify as the hero. Just as easily, we all star as a villain in the story of someone else. That's just life.

'So, what is Cruella's side of the story leading up to the events of “ 101 Dalmatians "? The entitled, fur-obsessed, wealthy, and powerful fashion designer is certainly the villain of the story, but which character fills that description? According to Cruella's personal narrative, that villain is not her. Instead, the villain of her story is her boss/competition/mother. Certainly, one or more of these categories relate to the audience. Who hasn't had a nightmare boss? Those of us with narcissistic mothers can certainly relate. One would suspect that Disney made a list of real-world villains and checked every box for the Duchess. They need someone worse than the infamous Cruella DeVil (aka Estella). Boy, does Disney deliver.

TWO MOTHERS; TWO PATHS

Given the clear duality of the film’s antihero, Emma Stone’s character goes by the two names of Estella and Cruella. Estella is a well-behaved child who grows into a young woman always keeping her head down. Estella is the product of upbringing. Her adopted mother, Catherine, raises her as best she can, even though her resources are very limited. She is kind and patient. She supports her daughter, but only to a certain extent. She also fails her daughter by shaming her into suppressing her nature both inside and out. ‘Keep the hat on and your head down.’

Catherine is also the reason Cruella, Estella’s alter ego, has a name in the first place. The nickname Cruella speaks for itself. She plays by an entirely different rulebook. The biological daughter of an inspired, wealthy fashion designer, Cruella knows her purpose from a young age is to be the next major fashion designer. She’s not as ruthless and brilliant as the Baroness. She’s more, which is bad news for abandoning her mother. Because narcissists don’t like losing the spotlight, even when competing with their own daughters. The product of biology, Cruella is a woman acting on her true nature.

Cruella (2021) tells the story of two different battles fought for one purpose: Cruella’s survival. 1 - She fights the Baroness for her place in the fashion world. 2- The inner battle between Estella and Cruella. In order to become the next big fashion designer, she must outshine her professional rival. She’ll never do that as Estella. Estella tries to play by the rules of society and takes her mother’s advice to keep her head down. She even dyes her hair to fit in. Where does it get her? The first thankless job that comes along after ten years of stealing to survive. Cruella, on the other hand, peaks her head out after Estella has too much to drink. One night of inspired vandalism gets her into the House of Baroness, the most celebrated designer in London. That’s only the beginning of Cruella’s rise to fame. The higher the rise for Cruella, the greater the fall for the Baroness and Estella.

Estella begins her fashion journey by working for the Baroness, as much a narcissistic boss as she is a narcissistic mother. You know what they say. Keep your friends close and your enemies closer. Without that “opportunity”, Cruella would not have seen the truth through a forest of lies that had defined her entire childhood. Estella’s entire identity is built on lies. The truth of her blood relations is only part of it. Her mother, Catherine, isn’t the only person holding back her creative potential. She has mostly the narcissist to blame for that. At so young an age, she becomes the victim of a vicious smear campaign that traumatizes Estella so badly that Cruella (and all her creative potential) goes into hiding for ten years. Catherine is murdered in front of her. Yet, she is too young to understand it. It’s easier for her undeveloped mind to blame herself for her mother’s death, not the “psycho” who blows the whistle. With age and experience comes wisdom. Spending more time around the Baroness at work gives her more insight into the matter. The more Cruella investigates, the more lies she unearths. They shatter her entire world, and the false identity of Estella fades away. Until only Cruella remains.

THE SMEAR CAMPAIGN

It’s quite remarkable how influential our narcissistic abusers can be upon the world. With a single lie, they can wrap the entire world around their little finger and wreak havoc in the lives of everyone around them. Yet, they still manage to convince the world to believe in the wrong villain, even the victim can come to believe it with a proper application of gaslighting and emotional blackmail. Often, the victims are the first to believe their own smear campaign. The world can sense people with low self-esteem. They make themselves easy targets. It is the fruits of their underpaid, unappreciated labor that makes the world go ‘round. Much like Estella’s job at the department store. She is used, abused, and cast out. In walks the Baroness, and the cycle begins all over again. Used, abused, and cast out.

Cruella, on the other hand, would never allow anyone to treat her so terribly. Cruella is not a victim in spite of the world rejecting her for her unusual appearance. Because she knows she is brilliant, creative, and worthy of love. Every setback is an opportunity. Every obstacle can be leapt. She knows what she wants, and she takes it. The world is cruel and unfair. Cheaters thrive. Honest, hard-working people are crushed.

The Baroness flat-out admits it, “You’re helpful to me… As soon as you’re not, you’re dust.”

Although she doesn’t need to say it, does she? It is evident in her every action. Especially in her hiring practices. She only hires desperate, meek people because they are the easiest targets of whom to take advantage. They’re the real designers. They do all the work, but their fear keeps them in line. All the while, the Baroness takes all the credit for designs she wouldn’t even remember in a couple of years. (no wonder I love it. It’s mine.) She views her employees as empty, soulless machines she can milk dry and discard as soon as there is nothing left to exploit.

Consider this: She hired the grubby girl in the servant’s uniform after proving some potential. The Baroness sees more than potential; she sees an easy target. Cruella is not an easy target because she exudes confidence, a narcissist’s worst nightmare. Thus, Cruella would never get a job offer, only a trespassing charge. The more of a professional rival Cruella becomes, the more she threatens the Baroness’ fragile ego. The Baroness hires meek Estella, all the while declaring war on the confident Cruella. She doesn’t even recognize Estella’s face on Cruella because she never looks a peasant in the eye.

THE TRUTH SHALL SET YOU FREE

It is Cruella who begins the journey to finding the truth of her past. All she needs to do is follow the path set in front of her led by a little, red pendant. In that pendant hides a key. That key unlocks the truth, and the truth shall set her free.

The symbolism of the necklace.

The little, red pendant appears in her life at an early age. First around her adoptive mother’s neck claiming a family heirloom, but it’s lost on the night of Catherine’s murder. Estella drops it as she runs away and plunges into a life of trauma and guilt over the lie that she’s to blame for it. The pendant is lost as is the truth; both are lost to her for ten years. Only when she gets close to the truth (without even realizing it) does it reappear. This time around the neck of the Baroness who also claims it as a family heirloom. Because it is a family heirloom. Her heirloom, not theirs.

She is the connection. She is the link. As long as Estella/Cruella has her eye on the necklace, there is hope that she finds what she’s really looking for. She chases the necklace like Alice chases the white rabbit, and both wind up in a world of madness. First, she discovers that Catherine is murdered by her narcissistic employer, which would be enough to shatter anyone’s day. But it gets worse. She then learns that a narcissist is the one who gives birth to her. She shares a DNA connection with the person she hates most. It shatters everything, including the last hope that Estella will survive.

THE DALMATIANS’ FATE

“ 101 Dalmatians ”, both versions, revolve around the infamous story that Cruella DeVil attempts to skin the coats from 99 Dalmatian puppies and make a coat out of them. That sort of desire goes beyond narcissism. It’s monstrous. Such is the depiction of Cruella DeVil from the point of view of the Radcliffes. One side of the story seeded from a fleeting idea in a moment of anger. However, a fleeting idea does not a monster make. We all have those thoughts in moments of anger or helplessness. Our anger makes us human.

The real question is would she really do such a thing? Could she? Did she? In Cruella’s version, the answer is no. With the Baroness in control of the papers, the city-wide story drops of Cruella, the “puppy killer”, dying in a fire after her unhinged fashion show. Neither is true, and only her closest friends (and real family) are willing to believe it. All three Dalmatians are found alive and well. The Baroness displays them at her final party. Yet, all of London is still willing to believe her lies.

It’s a shame the dogs can’t speak on her behalf and squash that side of the story once and for all. Actions ought to speak louder than words. In a perfect world, they do, but narcissists make the world far from perfect. What does that say about all of the sheeple hanging on a narcissist’s every word like it’s scripture? It’s easier to listen to gossip than to sit up and pay attention to the three living Dalmatians in front of them. They can’t even be bothered to seek the second side of the story to make an informed decision.

Not only are they alive, but they also return to the Baroness in better shape. Dogs have an uncanny ability to absorb the traits of their owners. Baroness is a ruthless killer. The Dalmatians absorb that from her. It’s what makes them vicious. Cruella takes them, and they mellow out. They never kill again. She may want revenge, but that doesn’t make her a killer. That’s evident in the decade of guilt she spends wallowing over the death of her mother. She feels responsible for an accident she never intended.

Cruella doesn’t kill. She’s too creative to kill. Her revenge is brilliant, complex, and impossible to predict. An uninspired, idea-stealing narcissist, on the other hand, is very easy to predict. They have one mode: destroy others; preserve themselves. The Baroness gleefully admits her intention throughout the film, and she is right about one thing. It would take an “idiot” not to see her murder attempt coming. A genius, on the other hand, not only prepares for the worst-case scenario, but she would also use it as a defense weapon. Cruella doesn’t actively take the Baroness down. She actively defends herself. The Baroness takes herself down.

WHAT’S NEXT?

The film ends as it should for a prequel/origin story. Cruella steps into the beginning of an illustrious career and more money than she knows what to do with. We don’t see her again in the events of “101 Dalmatians” for many more years. Which means she still has the potential to become the villain we come to know. Given her lifetime of confusion and abuse, it’s very likely she’ll continue the cycle of narcissism. Unless she gets professional help. Therapy is the only proven way to keep a victim from becoming a perpetrator and/or perpetual victim. It’s how narcissists breed.

Perhaps, that is what she means when she tells Cruella, “I’ll get even.”

It’s up to Cruella not to oblige. Otherwise, she really will become just like the Baroness. Thus, the cycle will begin all over again...

HOW 'DEATH BECOMES HER' ILLUSTRATES THE DECLINE OF WRITING SINCE THE 90S.

editorcara@gmail.com (Cara Buckley) — Wed, 18 Oct 2023 12:32:40 GMT

Say what you will about 90s digital effects. They didn’t age well, but we were still learning. What did age well was the writing. Film makers cared about quality stories then because we had not yet come to rely on CGI to carry a film. Like today. Mediocrity plagues the writing world, and it’s only getting worse. Specifically, that AI abomination, Chat GPT. Only the most incompetent of “writers” would find themselves excited about an uninspired robot doing their work for them.

Fortunately, our outcries have been heard, and the writers of Hollywood are safe. For now. I know. The robots are not responsible for any of our poorly written stories over the last few years. Humans wrote those scripts. This is true. The crux of the problem there is that those humans had been underpaid and unappreciated. Believe me. There is nothing more detrimental to an artist’s creative process than the feeling of hopeless dejection. It’s high time we fought back. With the writer’s strike finally resolved, I can only hope that means the quality of future scripts will rise once more.

In the meantime, I spend my days enjoying the films from a better decade. A time when quality mattered and the economy wasn’t shot to hell (by an old, closed-minded generation so selfish that they still can’t bring themselves to retire #boomerssuck). The 90s are but a shadow of a memory in our minds. Those of us who appreciated those simple days desperately look for ways to remember them.

What better way than through its art? Modern films have become so forgettable and mediocre that the likelihood of me choosing to rewatch one is slim to none. When I’m in the mood for some guaranteed entertainment, I am most likely reach for a film made in the 90s when writers took their time to think through a proper story, a process that requires lots of times and multiple drafts.

Quality over quantity, always.

There are few better examples to this lesson that horror-comedy, Death Becomes Her. Now a beloved cult classic, it follows the story of two competitive frienemies learning the very consequences of rushing their way to success. All for the purpose of showing up the other. With every valuable year that passes, they come no closer to better, healthier lives. Instead, they pour everything they have’ into skin-deep beauty and the appearance of success. Deep down, they are completely vacant of substance. Simply put, they fail. At health. At love. At life. At anything… real.

Too much of their valuable time is spent racing each other to the finish line than building a real legacy and making a positive contribution to society. Even Hellen’s bestselling book is a lie, simply written to cover the truth of her cosmetic quick fix. That book, Forever Young, and its lavish launch party were small pieces to a bigger revenge plot against a woman who’s never been her real friend. These two women have been “friends” for most of their lives. They most likely meet in grade school. From that moment, they engage in a petty competitive relationship that breeds a dangerous obsession.

What both women pretend is a lifelong friendship is a toxic relationship between an image-obsessed narcissist and her codependent victim. However, she doesn’t remain a victim for long. A healthy person would recognize the starlet as a toxic personality, walk away, and allow her to continue a miserable existence. Friendless and alone. A healthy person would cease contact after the first betrayal. Helen is not a healthy person. She is obsessive. Specifically, she is obsessed with Mad.

Her behavior is unusual from the beginning. Why continue to bring her significant others around this notorious homewrecker? Mad has an aggressively obvious pattern of behavior. She steals at least three of Helen’s husbands and fiancé. That should be enough to kick that friendship to the curb unless…. there is something else that Helen hoped to gain by continuing to engage. It has nothing to do with the men for whom they compete.

She claims to have loved all three men, but talk is cheap. Especially between this pair.

Ernest is the third man in this pattern, and it breaks Hell. Not because she loves these men. Not because she wants to keep them. It has nothing to do with passing any test. She brings them around Mad as a part of their twisted game. Each of Mad’s victories marks a failure for Helen. Does the fact that Ernest is a plastic surgeon strike anyone as a coincidence? Helen chose a fiancé with a profession that screams temptation to the image-obsessed starlet. Neither one of them cares about him. They simply love the competition with each other.

And it destroys him. The empty, loveless marriage with Mad costs him everything: his health, career, and self-esteem. Nearly a decade of life he can never get back. Better late than never. It’s only a matter of time before the two women come to blows, quite literally. As the truth of their intentions comes boiling to the surface, they unintentionally provide him with clarity. The truth sets him free. Rightfully so, he walks away. They do nothing to stop him because they have everything, they want in each other.

In the end, Helen gets what she wants. Not a relationship with Ernest, but instead an eternity with Mad. She drinks the same potion as Mad. She relies on her looks rather than her talent like Mad. She lies her way to success like Mad. She even attempts to steal the other’s husband. Just like Mad. Hellen claims to hate the woman, but that’s simply not true. Otherwise, she wouldn’t do any and everything in her power to become Mad. By the time Ernest is done augmenting their looks, the pair looks indistinguishable. Birds of a feather, indeed. With his usefulness expended, they agree to let him go. Whether or not they live up to that promise is something else entirely, but that’s just another sign that he’s the victim of narcissism. From both of them.

Still, he manages to escape leaving behind his money, mansion, and depressing work. The toxic women are welcome to it if it means he can be free. It is only when he is free that his life can finally begin. He’s 50 by then, but better late than never. He finds happiness and love with a new partner. They have a family. He makes friends and travels. He accomplishes everything he could never do while shackled to Hell and Mad. It's a short life, but it is rich and happy. What do Hell and Mad get in the end? An eternity of emptiness. With each other. Hellen Sharp gets her wish to be like the object of her obsession, and she’s as miserable as ever.

Be careful what you wish for.

WHAT DOES THE OPENING SCENE SAY ABOUT FEMALE LEAD IN "101 DALMATIANS" (1961)?

editorcara@gmail.com (Cara Buckley) — Thu, 07 Sep 2023 02:02:58 GMT

The 90s version of “101 Dalmatians” explores the in-depth relationship between the highly narcissistic Cruella DeVil and “sweet, simple” Anita. While the 1996 live-action version displays Cruella’s brief, “professional” relationship with the dog-loving sweetheart, the original film does even less to explore her. Anita’s introduction occurs through the eyes of two lonely bachelors who care more about her (and Perdita’s) appearance than her backstory and personality. At least, Pongo cared more in the moment.

Such understated character development would be a problem. However, the rules of storytelling were different sixty-two years ago. “101 Dalmatians” (1961) is still an incredible story told through the eyes of the dalmatians while their “pets” are merely hang on for the ride. That said, there is a subtle hint as to who Anita and Perdita are before meeting their doting partners. The clues are all present in that fateful first meeting with the Radcliffe gentlemen. It’s very subtle, indeed, and it’s all explained in the opening of the film. We don’t understand it until later when we meet Cruella DeVil and see the disturbing codependency between Anita and the puppy-hating villain.

Let’s explore.

“101 Dalmatians” opens on Pongo miserable in his bachelor life, so desperate for a mate that he starts to window shop for girls. One for Roger and, more importantly, one for him. It goes without saying, pets in this world are mirrored reflections of their people in both look and personality. What Roger gets in a lady, so does Pongo. As luck would have it, along comes the lovely pair. In appearance only. What Pongo does not realize until it's too late is that this apparent perfect pair is not so perfect on the inside. They come with a lot of baggage.

Pongo drags Roger outside to meet them. This is where things get interesting. It’s their first look into the ladies’ conduct and, by extension, their psychology. Whether this afternoon is typical or atypical for them is unknown. Perhaps, Anita was looking for a change in her routine and found the park just as Pongo was looking in their direction. Perhaps, Anita would escape to that park every day with her beloved Dalmatian to get some quiet and read her book. It’s a common act of escapism for victims of toxic people.

Take a guess from whom Anita is escaping at the quiet park. The need for peace and quiet would explain Anita’s annoyed first impression of Roger and his renegade dog. As eager as Pongo is for a perfect first impression, he fails miserably at it. Anita looks at the pair and sees Roger for who he is: an unkempt slob with an undisciplined dog. Pongo’s playful nature contrasts with Perdita’s blind obedience. They’re very different people with very different parenting techniques. It’s no wonder Anita tries to walk away.

However, Roger’s selflessness saves the day. He offers her his jacket and handkerchief without question, which appeals to Anita. If she is as well off and stuck up as she initially appears to be, she wouldn’t have a sense of humor about the whole clumsy situation. So, it begs the question. What changed? What about Roger’s simple act of kindness appeals to Anita enough to elope with a man she barely knows?

Knowing the toxic influence in her life and nothing about her family, an argument can be made that she chooses Roger for the same reason she was out for a walk that day. Not exactly husband shopping, but all she wants is a peaceful break from the chaos in her life. Specifically with the chaos of Cruella who proves that she is entitled and lacks any sense of boundaries, while Roger is anything but. He is kind, selfless, creative, hard-working, and chivalrous. His goodness shines to her because of the void in her best friend where goodness should be.

Where Anita sees the goodness, so does her like-minded dalmatian. Perdita comes to deeply love Pongo, but more importantly, she relies on him for protection. Perdita know in her heart of hearts what her peace-keeping human denies. Cruella is a threat to animals. Her cruelty no doubt originates with Anita’s defenseless dog. No doubt, Perdita seeks all much solace in the park as Anita. Only for her, she seeks solace from real danger. Hence, the difference in their reaction to the men. While Anita becomes annoyed, Perdita is intrigued. I’m sure Pongo is a good-looking stud, but she also sees a strong fellow dalmatian who can protect her from the imminent danger in Anita’s old friend.

What a horrible life to live: to wake up every day wondering if a shameless animal killer would be barging through the door determined to have her skin. Imagine the fear. Imagine the terror. She lives with it every day. Then, along come two kind men. With them comes relief from that fear. While Roger and Pongo are unable to keep her at bay, they are more than capable of sensing the dark cloud hoovering above their wives. Neither one of them is prepared to tolerate it. Pongo does everything in his power to protect his family. More than that. He listens to her. He believes her words. He validates her feelings. He stays by her side while she struggles with her depression.

The time comes for Roger to step in when Cruella barges into their home for a second time. So determined to buy the Dalmatian couple’s newborn children, it’s hard for anyone to deny her motive in the later kidnapping. Roger stands up to her. He tells a narcissist “No”, and it goes as well as any related confrontation with a narcissist. She flies into a rage and makes a very clear threat. “You’ll be sorry… I’ll get even.”

Narcissistic rage is never easy to endure, which is why Anita is such a well-trained peacekeeper. It’s also why Roger is inclined to retreat during her first visit and stammers while confronting her after the puppies are born. She’s a frightening woman and does not accept defeat well. Especially when she realizes she’s lost control of a lifelong victim. So, she resorts to sneaky, criminal behavior. The puppies are kidnapped, the final fifteen of an extensive collection of fur babies. Given her ruthless determination, she probably succeeds in hunting down every last dalmatian puppy in London.

This film is no mystery in genre. Everyone knows that Cruella is the culprit behind the kidnapping. She’s simply guilty, but how can they prove it without identifying her accomplices? Sadly, in the human world (even today), justice rarely prevails against people with money and power. They remain free to prey on and bully the less fortunate. That’s exactly what happens with Cruella. She is immediately cleared by Scotland Yard after a flimsy investigation. Yet, Roger, Pongo, and Perdita remain suspicious. As well they should.

Alas, the dogs must take matters into their own hands… paws. Pongo, the optimistic and outside-the-box thinker, compliments his wife’s insight and discipline. She sees Cruella’s narcissism and follows her instincts to avoid her. When avoidance is no longer possible and Perdita is on the verge of giving into depression again, Pongo takes charge as the idea-man, and she follows. Together, they rush to save the puppies. Side by side.

The investigation they conduct in the midst of their rescue leads them down a deep rabbit hole of a downright sociopathic conspiracy. Cruella’s plan to make Dalmatians into a fur coat rings true, but that’s not the scariest part about it. Look carefully enough, and we can see how premeditated her devious plan really is. The puppies describe the stolen fifteen as “the little ones” indicating they are much younger than the other 84. How long had she been collecting? Long before Pongo and Perdita’s puppies are born. Let’s go farther back and say that the plan begins brewing the moment Cruella lays eyes on Perdita. She wants to wear her best friend’s dog.

Pongo’s not the only one who thinks of her as “the most beautiful creature on four legs”.

Deep down, Perdita knows. She can sense the danger. Dogs are notorious for that sixth sense after all. That’s why she lives her life in fear of the ugly, old hag. Who better to play the hero of the story than a fellow victim? She validates the children. She believes their story because she’s already lived it. It motivates the mother to protect all 99 puppies and lead them home. Refusing to let a single one fall behind. All with Pongo by her side. His validation inspires her validation. If that’s not a partnership, I don’t know what is.

In the end, what seems to be a glaring plot hole or a serious character flaw comes to make a heap of sense. Love at first sight does not exist. However, chivalry, kindness, and friendship do. Above all, escapism is a necessity for a desperate victim to survive narcissistic abuse. However, action is what we need to conquer it. The more people we must support us, the more we are to succeed.

LEIA'S CRUCIAL DEVELOPMENT IN 'OBI-WAN KENOBI'

editorcara@gmail.com (Cara Buckley) — Thu, 11 May 2023 07:38:45 GMT

KENOBI IS A TEACHER FOR ALL SKYWALKERS.

Carrie Fisher received her Hollywood Star last week on May 4th (Star Wars Day). It is a truly fitting day for the woman who portrays the most inspiring rebel leader of our time and beyond. It really begs the question. Wtf, Hollywood? What took you so long? Sadly, neither lady would ever see their concrete achievements in person. Leia would never be queen of Alderaan, and Carrie would never see her name on a coveted space on Hollywood Blvd. It’s all incredibly tragic.

Where exactly does her journey begin down the road of determined, unfaltering rebellion? To forsake her marriage and the Jedi Order in the name of the greater good, she always seems to know her purpose. In the book, “Leia: Princess of Alderaan”, we see her grow as a leader and politician, and she officially joins the rebellion. However, even as a sixteen-year-old junior senator, she harbors contempt for the Empire, desperately seeking ways to thumb her nose at its officials. She sees the devastation of each planet the sith-run leadership leaves behind. Homelessness. Slavery, Slaughter. It’s all so horrendous. Leia never lets her royal station affect her empathy for those less fortunate. She is a true leader. The rebellion survives because of her.

But that’s the book. The origin of her passion sparks within her at a much younger age, and the last man in the galaxy willing to help becomes her only guide. Obi Wan Kenobi is broken and defeated at the time we see him in this series, ten years following his near fatal duel with his former apprentice. The grief of losing his best friend and brother leaves him with faith and even less hope. He won the duel, but he lost the war. Now, the Empire reigns. The so-called “Chosen One” turns on everyone who believes in him. That level of betrayal is enough to leave any Jedi as broken as Kenobi.

He is certainly not the well-adjusted teacher eager to help Luke in A New Hope. First, his faith in the Force and devotion to the Light must be restored. It will take a very special person to it. That person isn’t Luke. It’s not Uncle Owen, his fellow survivors, or Vader’s return. No. It’s Princess Leia Organa. Very special, indeed.

The Skywalker twins, not just Luke, are the galaxy's last hope, both gifted in their own way. With the Empire hunting all Force sensitive people in the galaxy, they are in tremendous danger. Palpatine is looking for all the experiments he can get, no matter the station of the Force wielders. Poor farmer Luke and Princess Leia would wind up two more bodies in a lab. Vader would never know his children survived, and he would never know redemption. The twins' anonymity is vital for their survival.

This is Kenobi’s new purpose: keep the twins safe. Not just to protect, but also to teach them. The lessons begin with Leia. She’s not the only teacher in this relationship. He teaches her as well. This proves to be a difficult task for Kenobi with the spoiled child who is both sheltered and stubborn. That’s a dangerous mix when the Empire’s forces are scouring every planet for both of them. Leia doesn’t understand that danger lurks around every corner. So, the lessons come hard and fast. Simply put, trust no one. Especially Imperials. The Empire is evil. Period. Who better than a bitter, untrusting Jedi to teach her that lesson? He’s the one who looks that evil in the eyes.

However, the Clone Wars have left him too jaded. If he is to be an effective teacher again, he must first learn to trust again. In the ten years of his exile on Tatooine, he keeps such a close eye on Luke that he never leaves the desolate planet. He works a crappy day job for scraps and keeps a close eye on Luke. Nothing more. All he knows is the brutality of Tattooine’s Imperial occupation. He never leaves until the Organas call to save Leia. He doesn’t know of the Rebellion brewing in parts of the galaxy. His mission forces him out of his routine, and he meets the Rebellion. It is the first time in ten years that he learns he can trust someone.

Leia’s blind optimism isn’t completely misguided. Her gift of insight, though unique, is not yet honed. She can look into a person’s very soul. She can hear their darkest thoughts and feel their deepest feelings. Even with Kenobi, she recognizes his barrier as a vulnerability. It’s an incredible gift, but she doesn’t catch everything. It makes her too trusting. She needs time to perfect her abilities. Kenobi returns her home to give her that time.

He realizes that Leia is just as important to the future of the galaxy as Luke. They should be treated with equal regard. This character development ties brilliantly into “A New Hope” when she calls him for help one last time, and he doesn’t hesitate to answer. In fact, it’s no coincidence that he brings Luke along for the ride. He’s one of the few people left in the galaxy who knows of these teenagers’ connection. So, he sets them up to meet for the first time and join the rebellion together. Luke and Leia can lean on each other after Vader takes him down. As one final act of defiance against his former pupil, he takes their secret with him.

Kenobi is clearly an intelligent man. He uses knowledge as an ally from beginning to end, meticulously choosing each moment to reveal it to his students. It is knowledge that serves Leia in her fate as a rebel leader. . Her sheltered upbringing, though rich with bookish education and diplomatic experience, is simply not enough. She needs experience. She needs to travel. She needs to see the state of the galaxy under Imperial rule. Without it, she runs the risk of growing into the same entitled, spoiled brat as her infuriating cousin. Her kidnapping sets her on a path to see and experience it all.

'THE INVITATION' SHOWS US THE DEFINITION OF A TRUE FAMILY.

editorcara@gmail.com (Cara Buckley) — Thu, 20 Apr 2023 19:22:55 GMT

THE LOVE OF THE DEAD MEANS MORE THAN THE DISAPPROVAL OF THE LIVING.

The theme of blood runs deep in "The Invitation", and I'm not just talking about the implied vampirism. Brilliantly executed, the film never once identifies the monsters as "vampires" or names him "Dracula", a design choice that keeps us, the viewers, on track with the overarching theme: blood and family.

Before continuing, let me take a moment to correct a globally misunderstood proverb. Everyone I know says it incorrectly before everyone I know promptly gets an earful about how wrong they are. Here it is.

WRONG: “Blood is thicker than water.”

CORRECT: “The blood of the covenant is thicker than the water of the womb.”

WRONG: “Family comes first.”

CORRECT: “God comes first.”

CORRECT: “Relatives are blood. Family is a choice.”

Marinate on that. Fact check it if you like. Just never tell me that unloving blood relatives are more important than loving friends. That mentality is toxic, abusive, and just plain wrong.

Evelyn Jackson learns this crucial lesson the hard way when she receives the results of her DNA test. After the death of the only parent she knows, this graduate student and waitress finds herself struggling to make ends while finishing her Masters in Fine Arts. Even with a best friend that always has her back, she still feels a void in her life. Imagine her surprise when her wealthy, too-good-to-be-true cousin invites her on a free trip to England to meet the ‘family’. Yet, there is something very odd about these relatives. It becomes immediately clear to her that she doesn’t fit in. She doesn’t belong with them.

The hardships of her New York life gives her a necessary thick skin against the spoiled rich families who blindly follow this story’s devil. Evelyn, on the other hand, is more like her great grandmother and mother. No one tells her what to do. A modern woman, self-sufficient and independent. She’s a fighter, as stated by her mother’s most loving message. Because even the strongest fighters sometimes need a reminder.

Evelyn travels to England to learn more about the Alexander family history. Perhaps, she bites off more than she can chew with the family’s dark secret, but the lesson is invaluable. The wealthy, privileged men may have sold their souls, but she is an Alexander woman. Much like her great grandmother, she is unruly and defiant. This proud revelation is the piece of the puzzle she needs to rise above her circumstances, both in England and New York.

So, what happens when an old-fashioned gaggle of men try to force a modern woman into an arranged marriage? Nothing good for the old men. Especially the centuries old vampire with an affinity for collecting wives. (EW.)

The Master (aka Dracula), like all chauvinistic old men, don’t appreciation the times. They’re threatened by a woman with power and independence. Evelyn is a student and a hard worker back home. Even though she struggles financially, she is fulfilled. She studies a subject she loves. She has dreams of success. There not even a prominent man in her life. She is dedicated and focused.

For a creature like Dracula, that does not even compute. He becomes confused and angry that this woman, this harem candidate, would refuse a part in his narrow minded world. I can answer that: easily. Let’s get with the times. This is no Cinderella romance.

This is a woman’s hero’s journey where she discovers that the love of a friend surpasses the obligation of blood. Even though her mother passes on, her mother’s love is still within her. She also has the love of her best friend who is there for her through everything. Every exam. Every terrible job. Every day she’s out of reach in England. She stands by her side through it all.

That is love. That is family. Not those DNA matching, privileged men who try sell her off as a bride to a gross old man. Seriously. What century is this? Because the love of her mother and best friend, she fights her way to survival and returns home a stronger person. She finds her inner fighter.

What is a family? It’s anyone you damn well please. Don’t let any toxic blood relative tell you otherwise.

A LOOK BACK ON THE RED FLAGS IN SEASON 2 OF 'YOU'

editorcara@gmail.com (Cara Buckley) — Fri, 10 Mar 2023 07:45:08 GMT

Guinevere Beck is dead, and Joe moves on. Life is unfair like that. Yet, Karma still comes for him, slithering right under his nose like a serpent. As proven in Season 1, Joe is clearly not the super sharp judge in character he thinks himself to be, especially in a city about which he knows frighteningly little. One might argue he never stood a chance. In fact, he meets his match. In the worst possible way.

Why can't Joe see people? Really see them. This is the underlying theme of Season 2. Underneath the charm and talent (or nontalent) are shallow, selfish, and people. Of course, we're all damaged one way or another, but He should know. He has been around it his entire life. His stalker obsession started with his mother. However, his abusive father and shallow exes pale in comparison to the Quinn family: wealthy, famous, privileged and a shocking level of psychotic. Not even Joe is prepared for it.

For once, Joe is not the more dangerous person in the room. He doesn't even make the top five. The Quinns, their friends, his neighbors... Everyone has their own special brand of damaged. Then again, broken attracts broken. Love's is the most deceptive one of all. She plays "perfect" very well even though the signs are there. With one husband already dead and her brother showing signs of strong codependency, Joe finds himself in over his head. In fact, he should know better.

He even marvels in one of his internal monologues how Love could be so 'perfect' in spite of her family. The short answer is that she is not. As stated in the Season 3 review (yes, I'm out of order), she's a narcissist and a master manipulator. That is how she reels in Joe. They're both liars about who they are.

TRUTH TELLERS SILENCED

FORTY – The failed writer.

Forty wears his damage on his sleeve. It's practically a badge of honor for him. While it makes him a social pariah, he is real. The world knows exactly what he is. He is an untalented addict. His biggest problem, apart from drugging people without their consent, is his inability to accept his lack of talent. He makes a fool of himself breaking into an industry that doesn’t want him. He doesn't have it .

“ It is a combination of talent and work ethic." (Agent Tina, You )

He has none of either trait. He’s a bad writer. Yet, his army of flying monkeys, Joe and Love included, dilute him into thinking otherwise in order to coddle his feelings. It sends him down the wrong path, and he wastes his life away pursuing a life he will never have.

There is a far worse secret he and his family are hiding. It consumes him to the point of self-destruction. It’s why he can’t write or shake his addictions. Why would he want to stop the drink and drugs? It’s the only thing numbing the pain. His parents don’t respect him, and his sister coddles into an unhealthy codependent relationship. Deep down, he knows he’ll never be good enough. Nothing he accomplishes will ever be good enough. So, why bother?

Yet, what Forty lacks in talent, restraint, maturity, and worth ethic he makes up for in insight. Simply put, he knows his family. He knows his sister. He knows the secret. No matter how much Joe and the Quinns tiptoe around him, he sees everything. That would make him a really good writer if he would just focus. He’s a lot like Beck in that way.

Instead, he looks for cheap and easy ways to impress his parents. Enter Candace.

CANDACE – The risk-taking truth-sayer.

Candace is the luckiest of Joe’s targets. At least, she was. She survives his so-called love and gets away clean. New name. New life. Safe from him. He believes she’s dead and buried. All she needs to do to keep it that way is stay off the radar, but Joe is like a black hole. She just can’t stay away. Not because she is a stalker ex, as he claims. Oh no. That accusation is simple projection on his part. She feels a duty to her fellow woman to protect any more violence. It’s a very understandable compulsion.

Experience is life’s greatest teacher. She knows all about Joe’s dark side, and she’s the only one to live to tell the tale. Thus, she faces a choice. Does she remain in hiding and stay safe or risk her life for the truth? Surely, she understands the risk, and her methods are questionably amoral. In the end, we must ask ourselves if the risk is worth the results.

She is no writer, however. There’s no time to write. She’s in a rush for her justice, least Joe disappears on her again. So, she dives right in to speaking, sometimes shouting the truth. Unfortunately, that doesn’t work. Her emotions make her look hysterical, and she loses all credibility. Because of her rush, her plan fails, and she dies unheard. There are so many ways she could seek justice from a distance. If only she stayed away from him.

DELILAH - The real writer. Good for Joe.

Delilah has more tact than Candace. In fact, she is the only successful writer in this crazy hodgepodge of LA nutjobs. This apartment manager doubles as a gossip columnist. She's a strong, no-nonsense woman with a serious ax to grind, and she's the only person in Joe's life who can see people as they are. And she is courageous enough to share it with the world.

However, her choice of platform leaves her lacking. She writes mere gossip, even taking bribes to stay silent on certain scandals. While it is sad that she has a price, her two jobs are the only income she has to her name. Not to mention, she does have a sister to look after and protect. That’s the thing that truth tellers have in common: the need to look out for others like them.

She even tries to help out Joe with some of her good, old brutal and direct honesty. Alone and starving, he passes out on his apartment floor. She is there for him, while Love sits across from his apartment with a new boyfriend. Love doesn’t care about him in that moment.

It’s Delilah who picks him up off the floor, feeds him, and offers him some realistic advice. She’s a refreshing rarity in Joe’s world; a world full of of liars, manipulators, and failed dreams. She works hard and writes well. Her final published piece is her personal testimonial, and the world learns her truth. Sadly, she too perishes before truly experiencing the vindication of speaking her truth.

LOVE – The Great Liar, not a Writer

Love is the only target of Joe's obsessive eye that isn't a storyteller. She's different from the musician and writer. Perhaps, that was a subconscious choice. He's tired of the grueling work that comes with women who speak out for a living.

Writing and performing are designed to inspire a side audience, but Joe doesn’t like to share. Love's job him more directly, and cleanup doesn't seem to surpass the washing of dishes. He is so focused on reaping the tasty benefits of his new victim that he fails to consider the sinister implication of her work.

Love is not a truth teller. Even her name is a lie. Her parents name her after a feeling of which she is completely incapable. I don’t believe any narcissist or psychopath is capable of love.

The famous Quinn family coverups ruin people's lives. The closer her victims to her, the more she sucks away their potential. Thus, their purpose. It's all about display and presentation with her work and life. Joe sees perfection because it's what she wants him to see. Her life is a performance just for her, but that telescope of his can't pic up her true self. They are so alike. Too alike for their own good.

The theme of the season is manipulation, and writing aspirations merely scratches the surface. Love is the worst manipulator of all. As further explored in Season 3, she proves herself to be a psychopath and narcissist, more dangerous than Joe. However, Season 2 is her love bombing stage, and Joe doesn't see her true colors until it's too late. He finds himself shackled to a psychopath for the duration of Season 3.

It now appears as if she has returned. Let's watch Part 2 of Season 4 to find out.

AN ELEMENTARY TEACHER TAKES AN OBSESSIVE FRAUD TO SCHOOL IN 'GLASS ONION'.

editorcara@gmail.com (Cara Buckley) — Thu, 23 Feb 2023 07:35:53 GMT

It stands to reason that Writer-Director Rian Johnson, a devoted fan of Agatha Christie , would have a gift for excellent mysteries. His incredible Knives Out franchise proves his devotion to the fascinating genre: mystery. I love a good mystery. Both Knives Out films deliver. His Poirot-like detective, Benoit Blanc, bears a genuine gift of sniffing out the truth through a series of unusual investigative techniques. Though the two films appear to be mirror images of each other, that's not entirely a bad thing. The world could use more of Rian Johnson's unique, challenging mind. I, for one, welcome it. Simply put, Blanc is the kind of genius that any underdog, regardless of race and class, would be happy to have as an ally.

The adventures of Glass Onion take him to Greece where he finds himself uncomfortably unwelcome. Awkward is an unnatural look on the otherwise confident sleuth. What we must remember is that he is not an awkward man. He is instead a brilliant and devoted detective. He loves his cases. He loves his work.

Greece may prove to be his most challenging case yet where he finds a case within a case within a case. It’s case-ception. At the heart of it is a despicable man who would go out of his way to ruin the lives of everyone around him. Certainly, end them too. All to protect his ill-gotten billion-dollar fortune that he “earned” off the backs of his inner circle.

WARNING: SPOILERS AHEAD

Myles Bron is defined as "genius" by all of his friends. In reality, he is a genius in one way. Only as a master manipulator, he can worm his way into people's minds, motivating them, with his ideas, obsessions, and lies. Most of all, he drives them with his money. As long as they gain from his power, they will vouch for him in horrible ways. Until suddenly, they find he's put lives at stake. As dangerous as it is, manipulation is a work of genius and not to be taken lightly.

However, Myles is also vain, arrogant, greedy, and extremely unsubtle. In fact, he loves having an unexpected guest because it gives him the chance to brag all day to a fresh set of ears. It is Blanc's easiest interrogation.

These are traits that lead to his downfall because they give him away to the objective eye of outsider Benoit Blanc. Johnson hides the truth of his fraud in plain sight: Myles' shameless lack of subtlety. He even admits to Blanc that he pays other famous experts for the puzzle boxes and the mystery game. No part of that weekend or his home is a product of his mind. All because he has no ideas of his own.

In all my experience, a narcissist conducting fraud is one of their most offensive and frustrating infractions against their victims. Still, Myles makes standard fraud look downright benign as he mocks the memory of his brilliant former partner, Andi.

ALIBI OR SOMETHING MORE?

The murder mystery weekend on his secluded private island in Greece. What could be more exciting? Plenty. And they all beg the experience to be Myles-free. Otherwise, his childish need for attention will suck the joy out of the room. His behavior throughout the weekend in question takes the cake, and his entourage hates every second of it. Hence, their desire to leave the island as soon as possible. It’s not the ruined mystery that puts everyone into such a rotten mood. It’s Myles and his reckless decisions that puts their careers in danger.

But it gets worse. Myles’ behavior goes beyond endangerment because lives are already lost. There is no end to the amount of destruction he is willing to leave behind in order to launch his precious fuel, including murder. Two lives ended and one more attempt. Meanwhile, he doesn’t feel an ounce of remorse over it.

Instead, it’s one more opportunity to play the victim and demand more attention onto himself. It’s clear his “murder mystery” weekend is meant to cover his tracks. He sets up his usual get-together with all his usual invites, including his victim, to make himself look innocent. How could anyone suspect him of killing Andi if he didn’t know she was dead? He invited her to his island, after all.

There’s more to it than a simple alibi. In true fraudulent narcissist fashion, he set up his own playful mystery party to steal the thunder and attention that a murder brings. He plays the victim in the most despicable way. Not once but twice. Each impersonation directly follows a real murder. First, he pretends to be murdered after poisoning Andi as a sick joke. The second time occurs moments after killing -- again with poison. Once again, he plays the victim to keep the blame off of him while accusing his own friends of attempted murder of him. Never mind the dead body on the floor as long as Myles meets his insatiable need for attention.

Delusion and arrogance run strong in the personality disorder, which Myles has in spades. Indeed, this is a dangerous mix. Myles allows Blanc to stay for the weekend under the assumption that his prepaid mystery is too clever for the famous detective. Pathetic. Even Blanc solving the mystery game is ultimately for show, his performance does suggest his enjoyment in proving Myles wrong. He owns that game and wins that iPad.

More importantly, he happily solves the case hiding beneath the game. Peeling back the layers of the intricate onion represented in Myles’ “rich asshole house”, an idea also stolen from Andi’s past. None of these secrets, puzzles, and clues elude true genius. Blanc exposes all of it.

Simply put, Blanc the real genius that Myles wishes he could emulate. He solves all murders, real and fake, but he also provides Helen with the guidance to exact proper justice against the undeserving billionaire. Sweet, satisfying justice. For a narcissist like Myles, image is everything, as are name and reputation. He makes that goal abundantly clear.

"I want be responsible for something that gets talked about in the same breath as the Mona Lisa." (Myles Bron)

Be careful what you wish for. Because you just might get it. For two angry people whose job it becomes to research you inside out, they were happy to oblige. Helen gives Myles the one thing he wants most with the guidance of Benoit Blanc. In that one extravagant weekend, they burn his life to the ground.

They all try to warn him that his obsession is dangerous. Intelligent people listen. They keep an open mind. Idiots like Myles don't. They get an idea in their heads and can't let go. The only way to teach them is the hard way. Let's not forget. Helen is a teacher and a fine one too.

It is not easy to teach a lesson to a narcissist, but she does it. With style and flare. More importantly, she teaches the world how dangerous Klear, this psychotic obsession of Myles, can be. It doesn't much matter if Myles learned his lesson. He loses everything anyway. The world, on the other hand, has a fighting chance. That's what matters.

Andi and Helen Brand save the world from Myles Bron. God bless the underdogs.

SWEET REVENGE IS BEST SERVED HOT IN "THE MENU".

editorcara@gmail.com (Cara Buckley) — Mon, 16 Jan 2023 08:43:03 GMT

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Work long enough in customer service, it's enough to drive anyone mad. Let's face it. There is no pleasing the unpleasable. The higher the standards of work, the more money that work may demand. This is Chef Slowik's greatest mistake. His clientel is chronically unhappy, and the entire staff at the exclusive Hawthorne restaurant goes insane trying to please their unpleasable clients.

However, one lowly customer slips through the cracks, escorted through the doors by her wealthy, but niave and young benefactor along with nine other infuriating diners. The mysterious Margot, an anorexic prostitute, finds herself a fish out of water on this excluded, inescapable island. As the night goes on, the courses shift from excentric to downright terrifying. By the time these eleven customers realize the fate that await after dessert, it's too late to save themselves.

Chef knows she doesn't belong there. So does she. Still, she tags along for the money and a free dinner. However, Chef knows something she doesn't know. She must helplessly watch as the mysterious conception for the Menu is slowly revealed as well as the painstakingly selected guest list.

The conception is the fate of the restaurant and everyone in it: DEATH BY FIRE .

First, the restaurant would burn.

Then, the island would return to its natural state and thrive without a human presence stripping it of its resources.

Chef honors the island for the sustenance it produces. However, he no longer honors the people who eat it. It then becomes his mission erase the "takers" and "eaters" from the equation.

Chef speaks of it constantly throughout the night. It's amazing how the best critic in the world didn't pick on the concept. Then again, she is too busy criticizing every plate brought to her. For all those fancy words and intellectual analysis, she completely misses the foreshadows of her dark fate. They all miss it, except for Margot, customer that doesn't belong.

The entire night is a tense dance of knowledge between the chef and his surprise guest. He knows things, but so does she. Their secrets are their power over the other. Margot's real name and profession are mysteries, sure. Her reluctance to reveal them tells him that she belongs with the staff, the people who aim to please and doomed to fail. He sees himself in her. That dynamic is her only hope to escape the island with her life in tact.

First, she must unearth his secret, the one the hides behind the silver door. His past. His background. She finds the last time he felt joy in his craft, smiling while serving his food. It's heart-breaking to see because he is so young. Since then, the of pleasing everyone slowly presses down on him until he finally snaps.

She must also accept that his madness is too strong. He is to far gone, and there is no hope in reasoning with him. Therefore, she speaks to him on a level that he can accept. As an independent customer (cut free from the demands of her benefactor), she sends the food back to the kitchen. Not literally, of course. It's all cleaned up by then.

Rejecting the food is rejecting the concept. Then, she makes a very special order. She orders the same food that brought him joy to cook so many years ago. By tapping into that lost feeling, Chef Slowik becomes easier to manipulate. This opens up one last exchange. She gives him the gift of joy, and he spares her life.

They understand each other on a level that no other rich, entitled customer can understand. Margot is different from all the others in the dining room. More importantly, she's intelligent enough to use that understanding to her benefit. She leaves the island with a renewed appetite for food and life. The trial of the night refines her, even though the fire does not.

THERE'S NO LIMIT TO THE LESSONS FOR DOCTOR STRANGE.

editorcara@gmail.com (Cara Buckley) — Thu, 10 Nov 2022 06:19:12 GMT

WHAT IS THE CRUCIAL DIFFERENCE BETWEEN WANDA AND STEPHEN?

WHAT MAKES A HERO VS. VILLAIN?

Marvel takes a drastic turn with the Doctor Strange sequel. The franchise riddled with humor, sadness, and blood-pumping action surprises its die-hard fans with graphic horror that will leave you on the edge of your seat. Two Avengers with little prior connection come head-to-head in a battle that not only tests the strength of their power, but also their resolve. The power of the Darkhold dangles in front of several multiverse versions of Doctor Strange, but will the MCU's Strange succumb to the temptation as they do?

Strange begins his new journey post- Endgame by facing the consequences of his sacrifice. He is surrounded by people who judge him for giving up the Time Stone and causing the Blip. He is isolated and friendless in his Thanos-free universe. The constant judgement leaves him in a state of self-doubt, loneliness, and depression. It's never easy to take the role of making the tough decisions. Doctor Strange made the toughest one of all, and no one understands it. Despite what Wanda believes, he becomes a public enemy. Just like her.

They have much in common. Both have "the power of gods". Their gifts give them the ability to alter time and reality. They understand the universe with a clarity of which most people can only dream. It's not enough. What good is such power without connection. Without love. They crave it. However, only the villain allows that desire to consume her. The hero knows he must carry on in spite of his suffering.

What makes a hero or an enemy? This film does a fantastic job blurring the line between Doctor Strange as a hero and Scarlett Witch as a villain. On the surface, the two Avengers appear the same, but that is simply not the case. In a nutshell, Doctor Strange values life. Let's remember is first a doctor, the profession of saving lives. In his debut, Doctor Strange , we see him rushing to save a patient with a bullet in his brain. The rest of his character development is learning selflessness. He becomes a humbled hero, willing to sacrifice himself then just as he sacrifices himself in Avengers: Infinity War . Everything he does is for the good of others.

Wanda, on the other hand, does everything to serve herself. Her debut has her on a campaign for revenge, and she only switches sides when she loses her brother. Her fight with Thanos in Avengers: Endgame is also bridled on revenge after he murders Vision in front of her. She then goes on to enslave Westview as an escape from the reality of her loss. Sheer denial that hurts the inhabitants of an entire town. Eventually, that ruse must end. So, what does she do when leaves Westview? She hides herself away into another fantasy in a desperate attempt to regain the loss of two children she never really had. She would rather steal them from another version of herself than embrace her gifts and become the best version of herself: a hero. Instead, he continues down a path of self-service willing to torture and kill anyone who gets in her way.

The witch and the doctor are very different, indeed. Strange wholly embraces his gains and losses. Though his losses cause him great pain to accept: his hands, profession, his love. He does it. It's what sets him apart from his enemies, but also from himself. America Chaves takes him on a journey through the multiverse where he meets other versions of himself. In both cases, his other selves succumb to the temptation of Darkhold and become self-serving. Therefore, he is able to see what sets him apart. That the choices he makes are indeed heroic. Even when half the universe is blipped. The difference is that he knew the dead would come back. His sacrifice is not permanent because of his faith in Iron Man .

The murders committed in Wanda's campaign, however, are permanent. Not to mention needless, selfish, and not for the betterment of man. She is unwilling (maybe unable thanks to the Darkhold) to let go of her loss. This leads to her downfall. Sometimes, the best way to prove a point is to give the stubborn opponent what she wants. Brought her knees by two children and the mirror they hold up to her face. For the first time, she is able to see herself as the villain she becomes.

Her original plan is to find her boys in another universe, kill their mother, and lie to them about who and what she is. She tells herself if they never discover the truth that she can relive her idyllic fantasy with an obedient family. However, parenthood is not that simple. Children know their mothers. They would be able to tell which Wanda is which, and they do immediately.

Deep down, she knows this is not true. She's already hurt so many people: Westview , Kamar Taj, the Illuminati, Doctor Strange, her alternate self, and so many others. The lie she plans to perpetuate with "her boys" is undone before the plan is complete. The boys' favor is lost is a heartbeat. Terror replaces the love she craves, and the truth of her failed plan pulls her back to reality.

In the process, Stephen learns to accept love from others. Afraid of connection, the woman he loves reminds him to face his fears and seek love. Even if he is rejected, at least he can try. If not, he knows the consequences that awaits should he continue down his path alone. The darkness will consume him, as it does with the Scarlett Witch and two other version of himself. Such a lesson puts his first one to shame.

MORE THEORIES:

WHO IS THE REAL LEADER OF THE SANDERSON COVEN IN 'HOCUS POCUS 2'?

Sat, 29 Oct 2022 11:14:19 GMT

What happens when Whinny ignores her love for reading? A continuation of my past review of 'Hocus Pocus'.

There has been plenty of stigma around this film so far, and it's only been a week. Something, something. Crazy homemakers. Something, something, witchcraft. Something, something, evil coming through the screen. First of all, settle down, Martha. Similar things could be said about any movie if your look hard enough. That's certainly not what Thread of Truth or Hollywood Jesus is about.

Surface-scratching conservatives look for things to criticize. Meanwhile, I look for things to celebrate. Positivity through a story. That's what Christ did, so it's good enough for me. While the wannabe writers of my time post their intolerant, religious rants on Facebook, I have work to do. Here it is.

Fortunately, the meaning behind Hocus Pocus 2 aligns perfectly with its predecessor, Hocus Pocus (read here first). A new trio of witches rises to replace the Sandersons, just as the three sisters replace their predecessors. What do all these women have in common (other than magic)? They are all guided by the same leader. Not Satan. Not a puritan priest or anyone's parents. No. The real leader of the Sanderson trio was Book the whole time.

THE SANDERSONS' PREDECESSOR

"Magic has a way of uniting things that ought to be together."

It all begins in the Salem flashback. The superstitious town branded the three young orphans as witches before Book enters their lives. Daughters of the village apothecary, their only crime is being progressive, educated, and experimental. As scientists often are.

What people fear, they create. Because the Sandersons are different and don't fit in, they are treated with disdain. The village turns against them, forcing them to seek sanctuary in a dangerous setting: the Forbidden Wood. Betrayed and vulnerable, the young girls encounter a medieval witch. She's certainly not the Devil, a plague on a museum display is not guaranteed to be completely accurate. When has history ever been a perfect retelling?

The witch spares their lives and gifts them the book when she recognizes the power residing in Winifred. Her anger makes it potent. Their like-minded anger at the treacherous world makes the sisters worthy candidates to carry on the witch's legacy until the time comes for witches to rule Salem. Freely. Openly. Without fear. Until then, it is Sanderson's responsibility duty to carry that legacy and pass it on to the next worthy coven. That Coven would not come until 2022.

THE SANDERSONS' REPLACEMENT

"One day, Salem will belong to (witches)."

The Medieval witch's prediction that Salem would become America's epicenter of witchcraft comes true, which leaves many contenders to replace the Sandersons. Plenty of crystal enthusiasts and aspiring spell casters roam the magic shops in town. Yet, few have the passion, while others remain superstitious. Only one group of friends; Becca, Izzy, and Cassie; have the power.

This young trio is just like the Sandersons. Becca turns sixteen on the Halloween night that the Sandersons return. Lore indicates that a witch gets her powers at the age of sixteen. As Winifred receives her powers and Book on her birthday, so does Becca with her two best friends. The teens spend the night fighting the witches, resisting the evil they bring upon Salem. In the end, they are the only ones that can stand up to their magical counterparts.

While these two covens spend Halloween night chasing each other around Salem, Book is paying attention to these promising, young witches. Becca proves herself with her loyalty to her coven, passion for the craft, and inner power. Most importantly, she is willing to read the instructions. She intrigues Book, but he must wait for the moment the Sandersons fail their test.

MAGICAE MAXIMA - Book's Final Test

"Doomed is the witch that uses this spell."

When does Book deem a coven no longer worthy of its wisdom and move on? In my first review of "Hocus Pocus", I explain the importance of reading, and Winifred's intelligence makes her powerful. She loves reading and learning. She loves her book. As long as the relationship between Book and Winifred remains strong, her coven remains worthy of its wisdom.

Book leaves her for the new coven, but only because she abandons him first. She stops reading and misses the strong warning label for The Power Spell. Her thirst for ultimate power consumes her love for knowledge. The Power Spell is not a real spell. It's a test. If a witch fails that test, she suffers the loss of her coven and Book's loyalty.

MULTIPLE, UNHEEDED WARNINGS

"My doing has been my undoing. My folly. My fate."

When a witch casts Magicae Maxima, she becomes all-powerful. The major indicator is glowing purple eyes. Winifred is not the only one who has them. Her predecessor, the Medieval witch, has them too. She knows about the consequences of the Power Spell due to personal experience.

With her coven gone, she is forced into a lonely existence. Who knows how long she suffers alone in those woods before passing along the legacy? What is the point of power with no one to share? It could be hundreds of years. With access to the Life Potion, she waits as long as she needs, but she does not enjoy it. She must wait for a worthy protégé before joining her coven in death. She must pass along Book.

After gifting the book to the Sandersons, she warns them against the Power Spell. It's vague as hell, but Winifred does make the promise. A promise is a contract, and Book does everything he can to remind her of that promise, including a warning page in big, bold text. It's her choice not to read it. Just as it is her choice not to keep her promise to her predecessor.

Becca understands the consequences. This time around, she sees the outcome firsthand and takes part in the remedy. Sadly, the Sandersons are not granted the same opportunity. One can only hope that it resonates with this new coven better than the witches before them. Becca can be wiser. She will not skip over the warning label. She will listen to Book.

THE UNSPOKEN TRAGEDY OF 'THE WHITE LOTUS'.

Thu, 13 Oct 2022 19:00:54 GMT

Eight VIP guests on vacation. Only one is reborn.

The story of three sets of guests attempting to vacation in Hawaii. The idea is to escape the stress of life, but they all fail. This show depicts incredibly our human error in dealing with stress because every one of them takes their stress with them on their vacation. How can a person hope to unwind while surrounded by toxic people? When they're toxic to others?

The staff of the resort is mostly impacted while hosting this endless stream of rich, white, entitled babies. That level of toxic behavior takes a toll. Eight miserable years in customer service with a similar customer made me suicidal. "The White Lotus" does an amazing job of bringing the ugliest side of customer service to life. In no way is it an exaggeration for comedic effect. It's real, ugly, and in no way funny.

The series also begs the concept that hotels, resorts, and cruises are all a fantasy. The comfort and decompressing are all on the surface. Beneath it, everyone is just as miserable as ever. All they're doing is stalling their never-ending despair to which everyone must eventually return.

In the end, nothing ever changes.
Unless we make it so.

IMPORTANT NOTE: Content is triggering for customer service workers. Proceed at your own risk.

The miseries of customer service and the divide between the haves and the have-nots are self-explanatory. I'm comfortable letting those well-crafted themes speak for themselves. Instead, let's explore the unwritten tragedy from within the newlywed VIP couple. Rachel Patton (Alexandra Daddario), the aspiring journalist turned wealthy trophy wife, not only fails to enjoy her honeymoon at the White Lotus, but also a full-fledged reality check. Which then leads to an identity crisis.

With the courting and wedding concluded, there is no more need for either spouse to put their best foot forward. The masks come down, and the real entitlement begins. Shane's entitlement is clear enough. He is born into privilege, never wanting, and used to getting his way. When the inner Karen comes raging out, no one should be surprised to see it. Rachel, on the other hand, has a far more subtle (blink and you miss it) sense of entitlement, and she's slow to expose it. Still, it's there.

She pretends not to know her husband. She pretends to be surprised by his behavior. She pretends to be the humble, grateful guest with an understanding background. Let's be honest. She knows exactly what she signs up for as Shane's "arm candy" from the beginning. She marries him to sell out, but it takes a pep-talk from her mother-in-law for it to finally sink in. Thus, it comes as no surprise that she is willing to stay with her spoiled brat of a husband in the end because she always intended to.

This early marital disagreement launches her into her own weird fixation that distracts her from her beautiful honeymoon as much as her Karen husband. Her feeling of hopelessness leads her to acquire the opinions of the other guests where she sees the difference between the two women she could become. She first reaches out to Nicole Mossbacher to whom to tell her struggles, and Nichole's advice comes from a place of strength and self-respect. A serious career woman never gives up. She doesn't rely on her husband's money. Rachel should never stop writing if she wants a serious career in journalism. This advice is logical and practical. Any strong woman would take it.

However, Rachel is not a strong woman. She doesn't even approach Nichole for advice. Not really. That conversation in Episode 2 is designed to brag about Rachel's writing, one article. "10 Top Woman..." including Rachel M. Rachel is looking for praise over this one "puff piece". Her portfolio is so littered with clickbait and puff pieces that her Top 10 Women piece is her greatest claim to fame, which is why it's the only one she references over the course of her week at the resort.

She ultimately uses it to worm her way into notoriety with the powerful demographic of VIP guests. It's not enough to impress that top woman because the pep talk turns dark as soon as Rachel drops the title. This is the first time we see an honest critique of the quality of Rachel's work. It's not good. She comes off as a rushed, lazy writer. Since we already know she's also easily distracted, this doesn't bode well for her career. Rachel walks away from that encounter with more of a reality check than she bargained for and a dim opinion of Nichole's character: from idle to “bitch” and weirdo overnight. All because Nichole gave one honest opinion of Rachel as a writer. That says more about Rachel's character than Nichole's.

I always say: If you don't want an honest answer, don't ask the question.

This marks the first major red flag over Rachel's final decision over her career. However, she first meets lonely heart Tanya McQuoid. This older wealthy woman is much more like the family she married into, specifically her mother-in-law. With money to burn and time to travel, Tanya finds her life void of meaning. The purpose of her journey to the White Lotus is to let go of toxic influences and release bad habits. When presented to Rachel at the shared boat incident, funeral/romantic dinner, Tanya is a mess. She shows Rachel with her miserable, manic behavior that all the money in the world CAN NOT buy happiness. If Rachel gives up her work/passions, she will eventually end up just like Tanyal. Ouch.

These two extreme examples of Rachel's future don't go unheeded. She has a moment of clarity near the end of her honeymoon, and that leads to the couple's first real fight where Shane's ugliest side comes to the surface. He becomes threatening, paranoid, and violent. This is Rachel's third look into her future. She realizes that her relationship is potentially abusive. It's only a matter of time before he focuses his violence upon tables and hotel staff. He kills a man, for Christ’s sake. That's highly alarming.

Why, then, with these horrifying red flags in front of her does Rachel choose to stay with her terrible husband? Because she intended to from the beginning. She knows her role as a wealthy trophy wife from the beginning. She knows her career is going nowhere because she doesn't have the skill. She knows she doesn't have the tenacity to better her writing.

There was never a choice for her. No forks in her road. There is only one option: to make her marriage of convenience work. Rachel Patton's honeymoon at the White Lotus is no vacation. It's certainly not the beginning of a happy, successful life as it is for Nicole M. Instead, it gives her a brutal reality check of the life ahead of her. That choice is made the moment she says, "I do".

Just like that, she forfeits her purpose.

RACHEL: DESPERATE FOR APPROVAL

SEASON 2 IS COMING THIS MONTH.

IS LOKI THE LEAST APPRECIATED MARVEL (ANTI)HERO?

Fri, 23 Sep 2022 11:16:02 GMT

There is a much bigger picture forming in the MCU and thus creating an infinite number of possibilities for future films and shows. In the beginning (14 years ago), Marvel was clever, well-paced, and meaningful. These days, it's getting down-right exhausting, and there is still no end in sight. This realization begins with the first season of Loki and spreading throughout the Spider-Man and Doctor Strange sequel (not to mention "What If").

That said, Loki is a very enjoyable show because of its unique storyline. Unlike the rest of the franchise, it stands on its own. It takes a dead man and gives him a second chance. It sets him on an independent journey free of the Avengers, Thanos, and time itself. Much like the character of Loki, the show doesn't conform. That quality is what makes him so invaluable against his new enemy, one far more terrifying than any other villain yet introduced in the MCU. Thus, the villain Loki must fill the vacancy of hero. Can he do it?

The Sacred Timeline already proves he is redeemable. If he can do it once, he can do it again. The potential lies within him. All he needs is the opportunity. Not only is Loki hero material, but he is also the only person in the universe capable of facing off with the Time Variance Authority (TVA) and He Who Remains (HWR). Loki is unique, so unique that every version of him survives the TVA’s futile attempts to wipe him from existence.

THE GRAND ILLUSION

What truly makes Loki unique is his incredible insight. He sees through the TVA from Day 1. The master of illusion knows one when he sees it, and he’s right despite the adamant objections of its many agents. The TVA is in fact an illusion designed and built by HWR to control the timeline to feature only his. He hides behind his mechanized puppet and giant guard-dog cloud, controlling everything from the end of time while his brainwashed lackies do all the work for him. No one knows who he really is or their real purpose.

Only Loki and his female counterpart, Sylvie, find the underlying cause of this elaborate ruse. While the TVA see both Loki’s as two more variants to prune, HWR has other plans for them. Their unity is unprecedented, and it sets into motion the dangerous return of all timelines. Every move the pair makes is predestined, robbed of free will from the beginning, but Loki’s don’t like being told what to do, especially not from all powerful cult leaders.

Because the TVA is exactly that: a cult. Its on a constant stream of lies fed to a brainwashed staff that justifies the annihilation of every other timeline in existence. They even have a series of mantras to repeat every time an agent’s resolve begins to crumble. “For all time.” “Friends across time.” “Allies ‘til the end.” They certainly don’t get out much with one guy completely oblivious to the existence of basic wildlife. That’s because every one of their memories are wiped before their initiation into the institution. After that, they exist only to serve.

That kind of servitude doesn’t sit well with Loki. He sees the warning signs immediately and senses something is very wrong with the TVA. Only no one believes him because they are too brainwashed and gaslit to see it.

LOKI’S GLORIOUS PURPOSE:

The most egregious of the TVA’s actions and the core reason that every Loki variant refuses to conform is this. The Sacred Timeline dooms his purpose. His glorious purpose. He becomes nothing more than a pawn to the rise of others, forever cast in his brother’s shadow. While Thor remains the Golden Child in his father’s eye, Loki never has the chance to win Oden’s favor. The tragedy only grows from there.

Deep down, Loki knows he can be more than that. Hence, his obsession with Glorious Purpose. Every variant of Loki sees it. They all hate having existed in Thor’s shadow. They long to change it, but the TVA doesn’t allow it. Every time one of them tries to change their path or achieve their greater purpose, they become variants. They are punished for wanting to be better than the path laid before them. That’s not a crime. It’s human nature.

Try telling that to a cult leader or narcissist. Victims exist to serve, and the ones who dare stand up to it become outcast. Loki is no different than any other Black Sheep in from a toxic family. When all he wants is love, acceptance, and validation from the only father he knows. Again, not a crime.

There’s only one thing standing in his way. The Time Variance Authority. Loki is smart, stubborn, and unwilling to sit back and allow himself to become the side character in someone else’s story. No matter how hard the TVA tries to stop him, he is too unique to be stopped. As is his female counterpart. Together, they become the fiercest adversaries this cult has ever seen. Not even HWR can stop them.

SYLVIE, LOKI’S LIKE-MINDED PARTNER

“You can’t trust, and I can’t be trusted.”

Let’s begin with Sylvie’s arc with her “crime” against the Sacred Timeline. It appears that form doesn’t matter here. Loki is after all a shapeshifter. He can take any form he likes, and that doesn’t disrupt the flow. Race, gender, and species do not matter. There is, after all, an allegator version of him.

Instead, let’s focus on her little game before the agents appear. She plays the hero who saves Asgard. Her crime is her reverence for her home, which begins because her parents are honest with her. That leads to another crucial difference between Loki and Sylvie. Loki is raised on a lie, while Sylvie learns of the adoption much sooner. That early honesty builds trust. Loki, however, lives over a thousand years in ignorance, and the revelation breaking point that leads him down his villainous path.

Meanwhile, Sylvie’s crime is love. Love for her home. Love for her family. Loki’s crime is escaping certain death. The Sacred Timeline dooms Loki to become a villain and die. Over and over and over. That’s a terrible purpose. So, who can blame the variants for resenting it. (I know I always did.)

Sylvie represents the alternate path for Loki in the case he is not redeemed. His path leads him to redemption twice. Her path turns her into a worse person than he. Mobius calls him "just a little pussy cat." She slaughters countless people. There is nothing mischievous about her. She is a monster, murderer, hypocrite. She trusts no one. She cares about no one. She thinks everyone is a liar.

Her actions lead to the end of the timeline. Even after her revenge, she finds herself alone and bitter. after pushing Loki away. Without redemption, this is what Loki could become. What's the difference? Love. In both timelines. He loves his brother. He loves Sylvie. That love leads him to the necessary redemption. Though his journey is the most complication of all the Avengers, he is still a hero in the end.

HE WHO REMAINS (KANG)

As mentioned before, HWR cannot fight or control the Loki’s. Their insatiable purpose keeps them from backing down. They even refuse to die. All Loki’s are exceptionally strong, stronger than Loki and Sylvie realize. So, what’s an ancient scientist with no battle training to do? Negotiate. He offers Loki and Sylvie his job. It’s an uncharacteristically generous offer, but it becomes rapidly evident that HWR is an eccentric man and hard to predict. His proposal throws the couple off guard. Loki is perplexed, but Sylvie doesn’t believe a word. Both are understandable reactions.

Is there another reason he makes his proposal? I think so. Loki and Sylvie are an unprecedented pair. Two variants of the same person can not only coexist, but they are also stronger together. It’s unheard of, especially to HWR. He acknowledges this as an asset for the TVA. Loki and Sylvie are bad alone, but they are a wonderful team. They even each other out like a prime example of a yin-yang. Even the Reylo community is spinning over this new power couple.

Whether or not the TVA is the lesser than two evils and holding back a terrible fate, the question of free will is still a bigger issue. How many people/variants does HWR murder and wipe from existence to hold back his own variants? Who among the versions of himself is the worst? He becomes the very monster he fears. Whether or not he means well, it doesn’t give him the right to wipe out entire universes. This villain has more blood on his hands than Thanos, all because he is afraid of his own variants (or is he?).

The point here is that HWR might be a little jealous of Loki. He can coexist with his variants. In fact, they survive together at the end of time while everyone else die around them. There’s something very special about Loki that HWR cannot figure out, and it makes him crazy. Perhaps, it’s the reason why Loki can never achieve his glorious purpose. The Man Upstairs has a vendetta against him, but that’s finally over. The multiverses are back. Loki’s future is nothing but untapped potential. I, for one, can’t wait to see where his glorious purpose leads him.

We’ll see in Season 2, which is set to release in Summer 2023.

PSYCHOPATH ESTHER LEVELS UP IN THIS CHILLING 'ORPHAN' PREQUEL. (Spoiler Warning)

Mon, 29 Aug 2022 22:34:18 GMT

Everything that makes her such a frightening manipulator begins here.

Note : This review will reference both Esther’s. The main character played by Isabelle Fuhrman, the Esther imposter , will be known by her legal name Leena . This will distinguish her from the missing child she impersonates, the real Esther Albright .

Those who have seen Orphan know how this story ends by how the original begins. Esther starts in an Estonian asylum, comes to America posing as a child, and slaughters her way through a series of families. Therefore, Orphan: First Kill would need a dramatic twist to keep the audience guessing. There's no doubt about Esther's secrets, but what about her new family? With a random google search, Esther finds the photo of a missing child similar enough to her. That's not all she resembles. The home she infiltrates harbors its own share of dirty secrets. Can our charming little psychopath handle their level of crazy?

It can't be easy to make a prequel 13 years after the fact, which is enough time for Orphan star Isabelle Fuhrman to grow, from a child into an adult, out of the role. However, she is such a brilliant actress that no one else could fill the role. Thus, Director William Brent Bell used a mix of practice effects and two child body doubles to pull it off.

With this cinematic wizardry in use, intriguing plot points can easily slip through the cracks. Not only do we learn how she gets to America, but we also witness her development as a con artist. With each family she scams, she becomes more cunning and manipulative to mask her brutally violent episodes. That manipulative streak doesn't come as naturally as the violence. This is a trait she learns from her first American mother, Tricia Albright.

After her methodical escape from the mental facility, she searches for a new country to begin again. What better place than targeting a wealthy family in "the Land of Opportunity"? She picks the profile of a look-alike missing child, which seems like an easy mark. However, the Albright family is anything but easy to con.

SPOILERS AHEAD

Tricia turns out to be just as evil as her surrogate daughter, while the original Esther lies dead at the bottom of the well, all thanks to her psychotic brother and narcissistic mother. She would rather hide the truth about her murdered daughter to protect Gunnar, her obvious favorite child. The only person in the family who is distraught by the case of the missing child is the family's patriarch, Allen. Knowing nothing of the evil lurking under his own roof, he would have no insight into another evil walk through the door. Instead, he welcomes Leena without a second because he is so desperate to complete his family again. Or perhaps, he's tired of being left alone with two people so devoid of love that he would welcome a stranger to feel that love again. It's amazing what the desperate can overlook. Such a dynamic appears perfect for Leena to infiltrate. So she thinks.

Instead, Leena finds a bigger farce than her con. Tricia claims that family means everything to her, but that is simply not true. Her family is very unwell with a depressed patriarch and a violent son. Instead, she cares more about control and public image. Underneath the surface of a caring, attentive mother, there is an abusive monster. With Leena on the scene, she has a fresh scapegoat on whom to unleash her rage. It doesn't take long at all to show her true colors to the murderous dwarf, and a battle of wits begins. A master manipulator declares war on a brutal murderer.

There is no doubt which woman comes out of this struggle victorious. We know how this ends as referenced in Orphan (2009). The entire family dies, and the house burns to the ground along with all its dark secrets. This is more than a victory or the beginning of a pattern for Leena/Esther. Her first American family inadvertently teaches her how to develop her scam with the Albright family in Orphan . She realizes that she needs to step up her brutality if she wants her scam to succeed in America.

By the time she moves on to the Colemans, she adopts many of the Albrights' manipulative traits. As her sign language lessons prove in Orphan , she is a very quick study. Here are parallels between Tricia's behavior in Orphan : First Kill and Esther in Orphan . What better teacher for a psychopath than a narcissistic manipulator?

HIDING TALENTS

The first mistake she makes with the Albrights is that she dumps her talents on them immediately. Desperate to impress them and establish a place in the family, she forgets one crucial setback. She makes herself so perfect that it draws unwanted attention, particularly from Gunnar and Detective Donnan. Her obvious expertise also turns her into a show pony. Tricia exploits Leena's talents in order to show off. Anything to look good to her friends and neighbors. Even though Tricia never encourages such skills in Esther before she is murdered.

It then stands to reason that Leena would play her cards close to the chest in Round 2 with the Colemans. She does better to play piano and paint at a 9-year-old level to keep suspicions at bay. Kate Coleman only catches onto her because of the adult behaviors in Leena that slip out along the way.

KILL THE INVESTIGATOR AND HIDE THE BODY

Detective Donnan's investigation of her nearly blows her cover, which puts him on Leena's death list. She loves to kill but never cleans up after herself. Just look at the trail of bodies she leaves behind her before and at the asylum. Tricia isn't about to leave the detective's body around for anyone to find. She's better at covering her tracks than Leena. Together, they hide the body, after which Leena never leaves a body lying around again.

In Orphan , Sister Abigail comes sniffing around just like Detective Donnan, and Leena does what she does. She beats the nun to death with a hammer and enlists the littlest Coleman, Max, to help her hide the body. She covers her tracks independently, and it buys her time to unravel the Coleman family. That's not the only stalling tactic she uses.

MANIPULATING THE THERAPIST

Leena is a wonder manipulator in Orphan . When the Colemans take her to therapy, she passes with flying colors and projects the problems onto Kate. This is a tactic that Tricia teaches her while the Albrights begin family therapy. Manipulating the therapist is not a trait she had before, or she may not have been committed. She hones that ability when she arrives in America. Because of the wonderful Albright performance, Leena is able to move on to another family after the fire at her doctor's recommendation. The Colemans might never have had to suffer if not for Tricia Albright.

BLACKMAIL

Leena nearly leaves the Albrights immediately after she arrives, but her longing for Allen compels her to stay. It's a decision she comes to regret because it gives Tricia time to discover and exploit her secrets. Like any narcissistic mother, the woman has no sense of boundaries. She rifles through Leena's belongings and finds the Bible (a book containing all of her secrets). This violation of privacy exposes Leena's identity and her origin. This is blackmail-worthy information leaving Leena vulnerable.

Tricia blackmails her into staying put. Leena is left feeling trapped and exploited. That's never a good place to be, even for a psychopath. So, she learns to never let that happen again. That Bible is the only clue to the institution out of which she slaughters her way. Kate's discovery would land her right back into a vulnerable situation. Not only does she guard that Bible like a hawk, but she also finds Kate's diary and exploits her secrets. The miscarriage, drinking, and near-fatal accident that leaves her youngest child deaf are all in that book.

It's a classic "get her before she gets me" mentality. Trust me when I say that level of betrayal and violation only needs to happen once. Leena doesn't stop at blackmail. In order to keep her identity a secret, she also resorts to public disgrace. Kate's credibility must be destroyed.

DESTROY HER CREDIBILITY

Image is everything. No one questions the wealthy and sharply dressed family. Leena has no money. She doesn't come from privilege. She comes from an asylum, and that's what the Albrights hang over her head. They call her crazy and throw her afflictions in her face so she would lack credibility. She's more direct in her attempts to seduce Allen Albright, but Tricia picks up on it immediately. So, she learns to be more subtle and patient with the man, all the while, destroying the credibility of the woman.

That's what Leena does in Orphan to Kate Coleman, pushing her buttons until she snaps and exploiting her weaknesses until Kate snaps. In a fit of uncontrollable rage, she slaps Leena in front of a hallway of medical health professionals, and they drug her into a coma. Her credibility is gone and so is her access to her family. She is unable to protect them.

DON'T TRUST BROTHER

It's kill or be killed with big brother Gunnar Albright. He kills his sister Esther over a petty sibling rivalry. When the child's look-alike comes along, he judges, bullies, and attempts to kill her too. Fortunately, she kills him first. Self-defense is new to her but killing is not. His arrogance and entitlement lead to his undoing, a brutal death he never sees coming.

She carries that confrontation into her next family with another contemptuous older brother. He also judges and bullies her. He even exhibits violent tendencies by shooting a bird in front of Leena. These parallels trigger the trauma of her time with the supremely selfish Albright family. This makes her violent against her new brother.

CONCLUSION

The difference between Tricia and Kate affects their victory over Leena. Kate and Gunnar's narcissism causes them to grossly underestimate their house guest. More importantly, Tricia claims to care about her family, but anyone can see that's a lie. All she cares about is covering her own ass. Kate, on the other hand, does care. She would do anything to save her family, which includes jumping through a skylight to save her youngest child.

What does Tricia do with her youngest child? She tosses away her body like garbage. Leena fails in her attack on the Coleman family because she underestimates Kate's capacity for love. She mistakenly looks at Kate and sees Tricia. She sees every mother figures she's ever known. Kate may be the first loving mother she encounters. That may be the biggest tragedy of all. Would Leena's mind and soul be spared if she had a family that cared? Instead, Leena dies never knowing love.

WHAT'S THE MEANING BEHIND THE ANTICLIMACTIC ENDING OF LIFETIME'S 'DIRTY LITTLE SECRET'?

Thu, 16 Jun 2022 10:40:10 GMT

Lifetime is making a big deal about a recent hoarding drama starring Melissa Jone Hart. She's a big name among millennials as tv sweethearts Clarrisa, Sabrina, and a handful of Hallmark Christmas movies. Dirty Little Secret is a very different role for her where she plays a verbally abusive mother of three with extreme OCD and hoarding tendencies. Of course, this is nothing new for long-time fans of TLC's Hoarders and Hoarders: Buried Alive. In fact, compared to those real cases, the case of Hart's Nurse Joanna seems mild.

That's not the only thing setting apart Joanna's hoarding from some of those real cases. Because many of those reality stars seek help and turn their lives around. Hoarding is treatable, but there is something more nefarious in Joanna's head that is not treatable. The signs are hard to spot due to the Hoarding because they apply to both diagnoses. What's worse, the people outside the secret see her as a caring hero when she is anything but a hoarder, narcissist, and master deflector.

AVOIDANCE

Let's start there. Joanna is praised at work for going above and beyond. She sits with patients for hours talking with them during her long shifts. However, this is not out of love. She works hard at the hospital to avoid her problems at home. She hates the conditions she brings onto herself, especially with her asthma, but she's too sick to tackle it alone. Nobody knows what the house looks like, so they naturally assume the best in her. As long as the nurse checks her temper at the door and her daughter keeps a smile on her face, there's no reason for anyone to suspect the abuse occurring at home. As long as it stays a secret, no one will require her to change. She will never change.

ISOLATION

It's easier to walk away. That's what they do. Joanna's husband, sister, and two oldest children leave as soon as they're able. Unlike her optimistic youngest, they realize there is no helping or changing a narcissist. They give up and cut her off. The problem is that they give up on Lucy too. Everyone leaves the kids alone with a clear abuser without even the courtesy of a welfare check. So, the children resort to the one thing they can do when stuck in an unchanging situation. They do what the adults before them do. Age up, and move out. The last person to make that decision is her youngest daughter Lucy when she decides to explore college across the country.

The only adult in this story to express real concern for Lucy and try to help her is her guidance counselor. She can sense that something is wrong because Lucy shows the concerning signs of an abused child. Isolated, controlled, "distracted", and burdened. Her advice really drives the issue home for Lucy.

"You shouldn't have to worry about whether something you do or say might upset someone."

If that's not narcissistic abuse, I don't know what is. Everyone else learns to ignore or avoid the issue because they know Joanna will not change. Her denial is too strong.

DENIAL

Everything is temporary. Everything is "someday". Meanwhile, nothing is done to fix the hoard. It's the family's dirty little secret. As long as no one knows about it, no one will inspire change. However, the excuses for "someday" run dry. Lucy is nearing 18 and about to graduate college. Deep down Joanna senses that she's about to lose her last source of supply. She faces the day she'll be alone.

Does she handle that with grace? Does she accept that her children are all grown up? Does she seek help for her problem? Nope. In true narcissist fashion, she becomes manipulative and controlling instead. She refuses to allow Lucy to apply to college, denying that she's growing up and calling her "Baby Girl". This is manipulation to keep Lucy in her control, but the tighter she squeezes, the faster Lucy slips away.

What Lucy doesn't realize is that she's just as much a part of the hoard as the unpacked dishes and dirty blankets. Narcissists don't see their children as independent humans. They see property. They see sources of supply. Clearly, Joanna isn't very good at manipulating because she successfully drives every member of her family away from her. Until the time for denial ends, and she is left alone with her hoard.

REFUSAL TO SELF-CARE

Victims of hoarding always share their fear of the worst outcome of their loved one's hoarding behavior: to come home and find the hoarder dead, or that an uncontrollable fire burns everything to the ground with the hoarder trapped inside. "Dirty Little Secret" explores both of these consequences.

What causes those consequences for Joanna stems from her inability to care for herself. Many hoarders admit they reach an ultimate low because they've given up on themselves after a tragedy strikes. Joanna's traumatic event occurs on the day her husband walks out on her. Thus, she stops making an effort toward health and appearance. She builds walls around her to feel secure and safe.

However, the same hoard that makes her feel safe is also slowly killing her. The filmmakers do not expand on this thread, but something toxic in the house is aggravating her asthma, more so than the stress. When the inevitable day comes to face her problem, she tries to tackle the mess alone. The more stuff she disturbs, the more dust/mold she inhales. With no medicine or caretaker, the toxicity in the house becomes fatal.

The hoard attacks the hoarder. The nurse fails to heal herself. The clingy parent alienates herself from her family. She is a woman so grounded in her mental illness that no one can help her break free. Thus, she perishes in her hoard because of her own stubbornness and pride.

This is a difficult conclusion for many to accept. There is no redemption, no emotional reunions, and no happily ever after. Joanna's family is the same as her home: a big mess. In fact, the death of a narcissist is often the only way a victim of their abuse can find freedom. Otherwise, Lucy would have to go no contact with her mother and two neglectful, enabling siblings. With the death of one person, another is reborn. Lucy is finally free to follow her dreams because there is no way her mother would let her go.

A COLLEGE "DROPOUT" FOOLS THE NATION IN MEDICAL FRAUD.

Wed, 25 May 2022 05:51:33 GMT

ANOTHER WONDERLY-BASED, HORRIFIC TRUE STORY OF ELIZABETH HOLMES HITS STREAMING (HULU).

Streaming gives us another incredible true story based on a Wonderly podcast. First, Peacock covers Dr. Death and Apple TV gives The Shrink Next Door. Now, Hulu presents the story of Elizabeth Holmes (played by Amanda Seyfried), the infamous fraud who lied her way up to the top of Silicon Valley with her Sci-Fi take on medicine. This story begs the question: What were they thinking?

That's a difficult quest to answer until one knows the dark mind of a narcissist/psychopath. In the case of Theranos, it seems so many people missed the glaring red flags. What mattered to the old, white men of Silicon Valley was her appearance. Last I checked it takes a lot more dyed hair and a pretty face (is she though?) to run a business. Whether that CEO be young/old, man/woman, pretty/ugly, it doesn't matter. A CEO needs to meet qualifications, earn the skills, and do the work.

The concept was pure fantasy, which is why most of her professors, scientists, and science-based companies would not support her when she first founded the company. Her supporters were "old, white men" with a limited understanding of science. Instead, they were swept up in the glamor of the technology of Theranos. Sure, she had an attractive idea, but she could never guarantee that it was a possible idea. Today, we explore the aspect of narcissism that makes the case of Theranos of fraud so popular: false promises.

At what point does she become a fraud?

I think the process is so gradual that it's hard to pinpoint the exact moment. Yet, the process begins in college when the idea for her machine begins. She spends her time as a student with a chip on her shoulder. She is smart and ambitious. There's nothing wrong with that. We all get ideas on occasion. Most of us explore making our ideas a reality. More often than not, our ideas fail, but we learn and adapt. We move on. At least, we should move on. Holmes, on the other hand, doesn't accept defeat. Does that make her ambitious or just plain stubborn?

Elizabeth Holmes had none of that to her name, not even a four-year degree, which was damaging to her credibility. Her background (or lack thereof) made it clear to people that her medical device would never work. It defies the laws of physics. We see them in the Dropout. She begins her fundraising campaign with company leaders related to health and science. Their understanding of the field enables them to see through her and pass on the investment. Or "lost a chance to disrupt a seven-billion-dollar blood-testing industry."

The story should end here, but Holmes cleverly adapts. She reaches out to powerful old men who don't know a thing about science. They missed out on something all right, and I bet they are extremely relieved that they did. Theranos is worth nothing because it is based on a fantasy. By assembling an ignorant board, she ensures that no one would question her again. They would hand her millions of dollars on a promise that she could and would never keep.

I can speak from personal experience about how often a narcissist willingly breaks their promises. So desperate for supply/power (or both) that they'd say anything at the moment to get their monetary supply. Her goal is to be a billionaire, and she technically achieves that, but only because the powerful men of Silicon Valley hand it over. Yes, it amounts to billions of dollars. The problem with calling her a billionaire is that she does not earn it. She's no better than a thief and a fraud. Sometimes, I wonder if narcissists are allergic to work.

SO MUCH WORK...

No one in this story explains it better than Professor Phyllis Gardner (played by Laurie Metcalf). She lays it out for Elizabeth in the pilot while she's a sophomore in college.

"You don't get to skip any steps. You have to do the work: your work, other people's work. You have to do so much work that they have to admit you did it, that nobody helped you. You have to take away all their excuses. And if you get anything - anything - wrong, they'll destroy you. And they'll be so happy to do it."

This speech makes Phyllis Gardner the hero of this series. Her brutal honesty may cause a narc injury to Holmes, but she is 100% right. Life is work, struggles, and betrayal. A reasonable person would listen to the professor. Holmes didn't. In fact, she skips so many steps that her business becomes a guaranteed failure before it begins. Scientists like Gardner can see her for the fraud she is and the downfall of Theranos long before it happens. It is the inevitable conclusion for every fraud, con artist, and narcissist. It's all just a matter of time.

APING HER HERO, STEVE JOBS

Elizabeth Holmes also had a disturbing obsession with Steve Jobs. One might think this is a case of an extreme celebrity crush, and maybe it is. Partly. Her obsession is a case of mirroring. She dressed like him, poached his employees, and used the same contractors like him. Not to mention the fake baritone voice. She changes her entire persona in hopes to gain more respect. Her problem is that she demands respect with manipulation and intimidation. Instead, she should command with her actions. All she would have to do is deliver.

She latches onto a young, successful billionaire because she wants what he has: money and fame. However, he has one thing she does not. It's the key to Apple's success: follow-through. He delivers again and again. She does not. Her product is a continuous failure. The only success she can claim is how long she manages to hide the failure. If she spends as much time on the product as she does filing lawsuits and running background checks, who knows. Maybe, her company would have gotten somewhere.

There is truth in transparency. Not intimidation, threats, and lawsuits. The harder Holmes tightens her grip, the more control she loses over her employees. A narcissist's biggest fear is exposure. She would resort to anything to keep her despicable secrets.

This leads me to the true heroes of the story, the two people who refuse to cave to her intimidation.

ERIKA CHEUNG, THE REAL HEROINE OF THE STORY

Gardner makes a big deal about women needing a proper role model in the scientific community because the culture is rigged against them (just like so many other places). Elizabeth Holmes is the imposter, so who is the true role model. She comes in the form of a timid, young woman, Erika Cheung (played by Camryn Mi-young Kim). She comes to Theranos a young, ambitious intern. She is fresh out of college, but still has much to learn about her field. That also means she has a lot to lose, and Elizabeth certainly tries. Fortunately, Cheung is much stronger than she appears to be.

Having survived the same trauma as Holmes (according to the drama series), Cheung never gives up. She never quits school, even when she feels like giving up. Thankfully, she doesn't. Something inside her keeps her going. Because she has character, drive, purpose, and a moral center. These are all things that Elizabeth insists on having, but does not.

Because she never lets the predators of the world stop her, she reaches her full potential. She takes all the right steps just as Gardner says. Cheung earns her degree, applies for an internship, and works very hard. Most importantly, she speaks up when she witnesses Theranos' unethical behavior even at the threat of very expensive lawsuits and the end of her career. Still, she does the right thing by reporting Theranos to the proper authority. With one email, she shuts down Elizabeth's whole fraudulent company.

Now, she is the Co-Founder and Executive Director of EIE, Ethics in Entrepreneurship . She takes her experiences in life and turns them into something incredible. She (unlike Elizabeth Holmes) does something good for the world. No fraud. No false promises. No lies. Cheung is a survivor and a true inspiration.

DOCTOR MIKE REACTS.

Allow me to give you a word of advice as someone with personal experience with narcissists in the workplace. Never work for one. No matter how desperate you are. You may think you're helping your career at the moment, but you're not. It's not worth the strife of zero validation, a series of demotions, crap pay, and all the blame. You'll be breaking your back for nothing. Next thing you know, it's been eight years of misery when all you must show for your hard work is a stack of medical and therapy bills. The sooner you cut ties with a job like that, the easier it will be to acclimate back into the world.

Look for the signs. Stand up for truth. Never be intimidated.

TIM BURTON'S PROLIFIC WORK IN 'DARK SHADOWS'.

Thu, 12 May 2022 07:07:26 GMT

See how the 10-year-old film relates to Johnny Depp's ongoing defamation claim in court.

Johnny Depp plays a character who makes a big mistake. He's a good man, but clearly a terrible judge in character, both the character and actor. Their fatal flaw is that he falls for the wrong woman, a scorned ex who abuses, gaslights, and defames her victim. In the case of Johnny Depp's life, this woman is the mentally ill and mediocre actress, Amber Heard. In the case of Barnabas Collins, it is a psychopathic, murderous witch, Angelique Bouchard.

Granted, this is the real world. There are no vampires, ghosts, werewolves, or witchcraft. What we have in this world are humans, and humans are far more terrifying than any fictional monster. Abusive women like Amber Heard are one type of humanity's monster.

Because not only are they vicious and violent, but they are also masters at hiding their abuse behind the stereotypical vulnerability stamped onto the female gender. It's quite the convenient strategy for them, isn't. Amber Heard is no exception. This high-profile trial that's sucking up media attention proves without a doubt who is the abuser and who is the victim.

I wait every day for the outcome of this trial, hoping and praying that she will pay through the nose for her crimes. Defamation is absolutely one of them. She is also guilty of physical and emotional abuse. She nearly drove the man to suicide, and she doesn't even care. Regardless of the legal outcome here, she is thoroughly exposed. The court of public opinion has ruled against her. Her behavior is branded on the internet forever, and she will never live it down. Meanwhile, crowds of devoted Depp fans rally outside the courthouse in support of him.

Let's explore the parallels of "Dark Shadows" to Johnny Depp's life ten years later.

It's a shame Amber Heard couldn't stop to consider these consequences before her writing that op-ed (poorly written, might I add) in the Washington Post. This act of defamation was an act of war, a smear campaign, against Johnny Depp after she realizes she lost control of him. Her article was her final, desperate attempt to destroy him after the end of their relationship. Sadly, it worked. Depp's career is in ruins. Until now. The truth is out, and Heard's career is ruined as well. It's difficult to say whether Depp will win the case or restore his career. I hope he does win. The certain outcome is Heard reputation and credibility are forever in question via the same public opinion she used against him.

Karma's a bitch, isn't it, Amber? Karma's a bitch, isn't it, Amber? You are exposed, ruined, and disgraced. All because you couldn't keep your lying mouth shut. Ask yourself, was it worth the risk? Is it ever worth it?

Worse for her is an eleven-year-old prophecy in the form of Tim Burton creation, " Dark Shadows ". Tim Burton, one of Johnny Depp's greatest allies throughout his acting career, directed the story of this dark comedy (also written by Dan Curtis), a story about a man who scorns the wrong woman. In retaliation, she ruins his life in a series of ways. Just like Amber Heard.

THE ABUSE THAT CHANGED HIM.

The relationship between Collins and his witchy maid begins on rocky ground. His relationship with her is rushed and physical, but it's not based on true love. More likely, she wants the money and power that his stature would bring. Her greed drives her dangerous obsession with him.

She becomes so obsessed that he would never be allowed to fall in love with another woman. Not in life or death. After Angelique drives her off a cliff, she casts a spell turning Barnabas into an immortal vampire. She dooms him to eternal separation from his dearest love so that she could worm her way into his life and heart.

More importantly, she wants him to be a monster like her. She succeeds in making him a monster, but she fails to strip him of his humanity. He devotes his love and devotion to his family instead of to her.

The jealousy drives her to commit this terrible betrayal.

Gaslighting statement: "We're both monsters."

THE SMEAR CAMPAIGN:

When the witch's first plan to control the vampire fails, she smears his name to the entire town, a old fashioned place filled with superstitious witch hunters. Yet, they miss the witch entirely. Instead, they lash out at her scapegoat.

"Lock in a box for 200 years!"

Not only does Angelique entrap him, she ruins the Collins family name. By the time he finds his family again, they are destitute and isolated. 200 years is a long time for a smear campaign to survive. Barnabas never forgives her betrayal, and he rejects her again. So, she betrays him again. The smear becomes as fresh as ever, and the town turns against his family again.

That's not the only way she betrays the Collins name.

Gaslighting statement: "While you were taking your little nap..." (As if 200 years compares to a little nap.)

FINANCIAL RUIN:

In the 200 years that he is hidden from the world, she uses that time to steal his business out from under him. The Collins builds a fishing business in the beginning, but she copies that idea and takes it for herself. Her competing business nearly bankrupts the family. She becomes wealthy off his hard-earned legacy by stealing all their resources until all that remains is the manor. Even the beautiful antique home falls into ruins.

Her ultimate goal is to make him completely dependent on her. Not only does she seek to control him, but I think some part of her is threatened by him as well. He can stand on his own feet. He can also adapt very well to his new modern environment. The 70s are fascinating to him, an era he is eager to understand. Then, he uses his knowledge to benefit his family and aid in his recovery. This level of acceptance and intelligence is absolutely a reason to feel threatened. These traits serve as a brutal reminder that she will never truly control him, regardless of her magic.

There is no way she could ruin him.

Threatening statement: "I'll put you back in the box."

EXPOSING HER TRUE SELF:

Does she show remorse for this monstrous behavior? No.

His feelings mean nothing to her. In her delusional mind, she believes she is proving her love (via obsession).

There is no doubt that Angelique is a control freak. The murder of her romantic competition is only the beginning. She uses her magic, influence, and threats to control Barnabas in a number of ways. Fortunately, his rage at his condition shields him from her manipulation. Her loss of control over him makes her crack, psychologically and physically. In her rage, she admits to every crime she commits against the Collins family, including the murder of many members and infecting another. The truth comes out, and it validates Barnabas' resistance to her advances more than ever. Who would give his life to a murderess abuser? She is evil down to the core.

Toxic people love control. When they lose that control over a victim, they become furious . That's when they show their true colors, and it's ugly. The symbolism is strong in the case of Angelique's meltdown. Her young, beautiful, and agreeable exterior shatters in front of the crowd that she gathers against the Collins Family. After 200 years of deception, the townspeople see through her for the first time. Beneath that porcelain shell is nothing. She is empty, hollow, and void. Incapable of love.

"You cannot love, Angelique. That is your curse."

That's exactly right. Even her heart appears real until she exposes it to the light of day, and it immediately shatters. That is no heart, just another empty shell.

AMBER HEARD IS ANGELIQUE REINCARNATED.

All these traits can be applied to Johnny's psycho ex-wife. The control, gaslighting, and abuse. It's all there. The only assets she does not share with Angelique Bouchard are her upstanding reputation and magical talents. (As far as we know, she's never committed murder.) Instead, she's a mediocre actress with a pattern of disgusting behavior. It doesn't matter how much she dresses up like a fancy mermaid princess. The fact remains she is no princess. She can't even afford a decent lawyer. (Seriously, they're sooo bad at their jobs.)

Meanwhile, Johnny Depp is a strong, confident man. He survived two years of her non-stop abuse. I am personally very relieved that he never followed through with his desire for self-harm. More importantly, he cut her out of his life. God bless you, Johnny Depp. You are an inspiration for abuse victims everywhere. He will survive the fallout of her smear campaign. He will endure. His humanity remains intact. Just like his character of Barnabas Collins.

Perhaps, Tim Burton knew what he was doing in his decision to retell this story and cast Depp in this powerful role. Did this old job teach the actor to stand up for himself against this modern Angelique Bouchard? Only Johnny can say. If so, Tim Burton and Dan Curtis may have saved his life with this incredible story about survival, strength, and humanity.

WHAT DOES THIS SAPPY FICTIONAL ROMANCE IN 'TITANIC' HAVE TO SAY ABOUT A FAMOUS DISASTER?

Wed, 13 Apr 2022 07:48:23 GMT

An analysis of the film in memoriam of the 110th anniversary of the ship's sinking.

I was eleven years old when this movie hit theaters. Directed by James Cameron (sci-fi creator), "Titanic" was the most expensive Hollywood project of its time and before. What is there to say? The man is a brilliant perfectionist. He knows what he wants, and he doesn't care how much it costs. Even if it means a full-scale reconstruction of the infamous ship where the replica cost more to build than the ship itself. That's dedication. To this day, "Titanic remains on the list of the top 10 most expensive films ever made with very recent MCU Avengers films scattered around it.

All that said, this project clearly means a lot to Cameron. He's trying to say something, but what is the message? And why of all things does he center this famous disaster around the sappiest teen romance of all time? I hated the movie for a long time because of that writing choice. Why, Cameron? Why turn a profound mark on history into a dumb romance?

In light of Titanic week on the anniversary of its descent into the icy Atlantic, I go against all my horror-loving, romance-hating instincts and reevaluate the film as an adult in hopes of catching something now that I missed as a child.

I have found my answer. It was staring me in the face the whole time. This isn't a tragic romance revolving around a very brief love affair. This is instead a hero's journey in disguise of a young woman breaking free of social convention and familial abuse. After all, America is the land of the free. (At least, that was still true in 1912. All that's left of the American dream now is pure fantasy.) Immigrants from all over would sail to America for their chance at a better life. Why not Rose Dawson? There was only one chance to break out of her chains, and that iceberg gives her that opportunity. Without the influence of her 3rd Class savior Jack, she'd never have taken it.

We meet Rose as a stoic, spoiled young lady. Without the narrative from her older self, there would be no way of telling how she feels inwardly. The façade only lasts so long. Throughout the day on the ship, her defiance and sass begin to show. She is a different person than she pretends to be: a third-class heart in a first-class shell. Only when she meets Jack, a third-class passenger with a wealth of real-world experience under his belt, that she finally finds the encouragement to be herself. Something that her controlling mother and abusive fiance strive to bury. Jack is the only decent person she knows.

"(Jack) saved me in more ways than one." (Rose, Titanic)

There is one reason Rose survives that fateful night, and that reason is Jack Dawson. He is a young man of "limited means" and a wealth of experience. This includes two bits of crucial information he admits to her. First, he'd survived a fall into freezing water once before. Second is his job experience working on ships. His knowledge is essential to her survival. All she needs to do is listen. If only more people had listened to him. Their physical love affair is hardly as important as their intellectual relationship. Rose is no doubt a brilliant woman: well-read and unapologetically curious. She knows that staying close to the most qualified person on Titanic will "ensure her survival."

It takes Rose 84 years to safely admit her identity. With everyone, she knew dead and her life well-lived, she feels safe to tell the story of her survival aboard the Titanic to a ship full of grave robbers and pirates. She tells her tale not to assist in the discovery of her necklace, but to instead spread the news of the most important man of her life. Jack Dawson is the man who teaches her to survive. More importantly, he teaches her to live.

That kind of tale is far more important than an icy, heavy rock. We as a society need to reassess our priorities. Why are rocks more valuable than people? Especially gifted, selfless, and experienced. These are priceless traits. That is the lesson that Rose leaves behind on the day she passes away. Her final story. Her final lesson. What a grand lesson it is.

MORE HISTORY ON THE TITANIC.

A TOXIC FAMILY'S "WEIRDOS" REFUSE TO GO UNNOTICED IN 'ENCANTO'.

Tue, 05 Apr 2022 05:38:38 GMT

Anyone stuck in a toxic family dynamic can tell you that image is everything to their abuser. Even at the expense of the family itself. It's okay for everyone to suffer, just as long as it doesn't show.

"Encanto" surprised me with its brutal, complex honesty about such a dynamic. Bravo, Disney. I, for one, applaud your development through storytelling. (Star Wars haters can pound sand. Boba Fett's review is coming.) They've come a long way from the old marriage-is-the-answer-to-your-problems message. We as a society must now face our families head-on instead of looking for an escape. Personally, I prefer the escape, but that's only necessary for families run by an unmovable narcissist.

While the Madrigal family is very lucky that their matriarch does not cross the line before her redemption, she comes very close. All the red flags are there. Her untreated trauma drives her to expect the impossible from her family. She runs a much tighter ship than necessary on everyone. They are staff more than they are family.

UNCLE BRUNO

No one feels the weight of those expectations than Maribel. Branded ungifted and "in the way", she is constantly made to feel like more of a burden than a valued member of the family. All because their magical house doesn't bestow on her a magical gift. The family fails to see that she is denied magic because she already has all the gifts she needs. She doesn't need a miracle, and she shouldn't need one to feel included in her own family.

Mirabel isn't the only one either. Her Uncle Bruno is driven into the bowels of the house because his gift of prophecy is convenient for the family. He sees what he sees and reports it, but they act like he's intentionally causing trouble. After he disappears, they take their aggression out on Mirabel. This is a highly toxic family.

Bruno is a truth-teller. Mirabel is a listener. These two outcasts hold the incredible potential to lead the family moving forward. Perhaps, Abuela Alma is subconsciously threatened by their unique potential. Instead of embracing them, she pushes them away in her desperate attempt to keep control over the "magic" house, its surrounding community, and the broken family within. She has no interest in the real solutions that Bruno and Mirabel have to offer.

Still, the two outcasts find each other. Mirabel goes searching for him in the bowels of the house when she needs him most. He was there the whole time, but no one saw him. Except her. Outcasts and Black Sheep have a remarkable ability to find each other in this big, wide, unappreciative world. We can see each other. Speaking of abilities and seeing...

WHY DOESN'T MIRABEL HAVE A GIFT?

That's the million-dollar question surrounding this story. The answer may not be what you expect. The answer is that she does have a gift, just not magical. She uses it consistently throughout her adventure, but she tragically doesn't even know it. She speaks to the house, and it talks back. One could argue that the entire family could do that, couldn't they? No. Not even her hyper-vigilant cousin Dolores can hear the house talk.

Abuela Alma is the only other person shown talking to the casita, but not really. She barks orders at it. Only Mirabel communicates with it. She talks to it, and it talks back. Like everyone else in the family, Mirabel understands the house. However, she never seems to be upset with it. This is the same structure (containing the core of the family's magic) that denied her a "gift" in the first place. Why isn't she angry? Why does she treat it like her best friend? Because they are friends.

The house represents Mirabel's own heart as it slowly breaks.

The cracks that appear in the structure following her song, "Waiting on a Miracle" finalize that heartbreak. Then, it slowly erodes until the final, explosive confrontation with her verbally abusive grandmother, after which the house crumbles. Mirabel is deeply, undeniably connected to the house. Thus, she is connected to her family. She sees and understands them, again, in a way that Alma does not. Mirabel has empathy. She's not only special. She is the most special of all, born with her gift instead of handed one out of thin air.

It's funny how a community child accuses her of being in denial in the beginning. Because we find out later that she is the only one who seeks the truth. The rest of her family are the ones in denial. They refuse to acknowledge the deeply rooted problem in their family until the house collapses around them.

They're lucky to have their outcasts. Everyone should feel lucky to know an outcast. Try listening to them more often instead of casting them aside.

WATCH OTHER PSYCHOLOGICAL ANALYSES OF ENCANTO

THE GASLIGHTING IS STRONG IN THE FOURTH MATRIX

Tue, 08 Mar 2022 10:37:55 GMT

Jeremiah 29:11 - "'For I know the plans I have for you,' says the Lord. 'They are plans for good and not for disaster, to give you a future and a hope.'" (NLT)

There are no four words in the Matrix Franchise more profound than these. Even after eighteen years of that damn program eating away at humanity. Society, digital or real, only gets worse with the rise of technology. Now, we have technology within technology, and Neo can't escape it. His sacrifice comes to nothing, not as long as the machines remain in charge and the Matrix still exists.

So, it comes as no surprise when a fourth chapter, The Matrix: Resurrections , premieres fourteen years after its predeceasing chapter's premiere in 2003. This time, we address society's increasing dependence on social media through technology. It's worse now than ever before. People are being programming to become addicted to our devices. Looking back on the last three chapters, we can see that the message of this franchise is frighteningly prophetic.

We are more dependent on technology than ever before. The number of social media platforms is ever rising, countless tech jobs, and people can make better livings online than in a traditional job. It's a strange world. I am certainly no exception. Two websites, five Instagram and Facebook pages, three youtube channels, etc. It takes a tremendous amount of work to keep up with the online rush.

Such is the case for Thomas Anderson. He is buried in work as a game designer. Burnt out, even. Much like any other over-worked successful man, he struggles with his mental health. At least, he thinks he does. In reality, he is not crazy at all because he knows in his heart what is true. His world is not real. Deep down, he remembers everything from before his sacrifice. He just needs a little help to access his memories and break free from his digital prison once again.

Romans 8:28 - "And we know that God causes everything to work together for the good of those who love God and are called according to his purpose for them." (NLT)

However, his help does not come from the expected places. His therapist is the representation of a blue pill, and his boss is his oldest enemy Agent Smith, both in new skins. In fact, all of them take different forms. The blue pill, who reveals himself later as the Architect, is a master of gaslighting who does everything in his power to keep Thomas/Neo inside the Matrix. He wants control over Neo's existence, so he could never be free. On the other hand, Smith desires his continued freedom. With Neo back on the playing board, that freedom comes under fire. Both men are dangerously against Neo's return, but for different reasons and with different methods.

It takes a devoted group of strangers to bring him to the truth. Just like in the first Matrix, these people are freed from the Matrix. They already know the truth. So, it becomes their job to set more people free. Especially Neo. They need him back in order to complete his purpose as the One: to hack into the Matrix and turn it upside down. Both Smith and the Architect take issue with that, and they would do anything to stop Neo and his freedom-fighting friends.

Matthew 11:28 - "Then Jesus said, 'Come to me, all of you who are weary and carry heavy burdens, and I will give you rest.'" (NLT)

It's heartbreaking to see Neo's realization that nothing changes after his sacrifice. Worse, he fails in his purpose as the One. He has the power to reframe the Matrix. Yet, the Matrix continues in spite of his abilities and evolves after his death.

He's not even allowed to rest in peace. Instead, the Analyst brings him back to life, wipes his memory, and installs him back into the Matrix. Without knowing who he is or remembering any of his accomplishments, he is forced into a life of ignorance. More specifically, the machines gaslight him, and he is forced to begin his journey of discovery all over again.

With a new, more ruthless analyst and an extremely vindictive Agent Smith on board, he must fight harder than ever to resist the Matrix.

There are a lot of similarities between the first Matrix and its fourth chapter (Much like A New Hope and The Force Awakens). It's a bit lazy on the part of the writers and also likely to upset fans. That aside, I find the exploration of Neo's relationship with Trinity to be the glaring development that sets apart this sequel from its predecessors. Once a casual couple, the pair becomes the power couple and unbreakable union. Together, they are the One. It is not just Neo. It was never just Neo.

The Architect in all of his cold genius discovers this before they do and exploits it. He must keep them close, but always apart. They are never allowed to explore their relationship. They both recognize each other. They feel something special in each other's presence. They know each other, but they don't understand why. Every time they attempt to explore it the Architect would use the Matrix and its prisoners to intervene. They must fight to connect, even just to touch. It must be a conscious choice. Only then can they unite outside their prison.

Together, they can fight the machines and their fake world. They empower and validate each other when the Matrix never would. That's why the villainous Architect doesn't want them together. Their power is strong enough to bring down the Matrix. This time around, they could fight to accomplish it.

Cinema Therapy's take on "The Matrix":

The Take's analysis of "The Matrix":

WHAT IS THE REAL MIRACLE BEHIND THE DOCUMENTARY "SEND PROOF"?

Tue, 08 Mar 2022 09:00:47 GMT

I'll be honest. I wasn't thrilled at the prospect of a miracle documentary. The opening sequence gives off the impression of a biased Christian eager to shed light on every miracle claim performed on TV. Fear not, dear reader. Such is not the case. Director Elijah Stephens steps into this difficult project with a skeptical eye and an open mind.

In fact, we can see his passion dissipate into despair as the film progresses and he continues to come up empty-handed time and again. With all the claims running rampant in our culture, especially televangelism and infomercials, it shouldn't be this hard to dig up more than one story. Where are all the recipients of these miracles hiding? Do they simply not exist, or is something more nefarious at foot?

I applaud Elijah Stephens. He is willing to address a very controversial topic, regardless of the outcome. We deserve the truth no matter how difficult it is to swallow. There are a lot of false teachers throughout the world who seek to profit off lies. This film can educate their victims and teach them to approach the subject of miracles with a critical mind. We need to shut down these charlatans. They make the rest of us look bad. That's one of many reasons that God drives Stephens to make this film.

Another reason, which may be the most important, is the story of Stephens. The film revolves around his story. Ergo, there is a hidden miracle at the core of a film that nearly disproves miracles. We simply need to sit back and take notes. The very reason Stephens sets out to make this documentary occurs after a dear friend of his denounces his faith and pastorship after a lifelong career with no miracles of his own. Such an event can be detrimental to one's faith: your own spiritual leader, teacher, and friend loses confidence in the God they claim to serve.

Stephens, however, doesn't allow that event to affect him. With his spiritual leader vacancy open, he searches for a new one by interviewing believers, pastors, atheists, skeptics, medical researchers, doctors, and academics. He leaves no stone unturned. The loss of one teacher inspires him to gain dozens more.

All the while, he struggles with past trauma. His mother, who on the surface attended church and claimed to love God, turns out to be a monster behind closed doors. She is the very definition of a wolf in sheep's clothing. A false believer and hypocrite. That one instance alone would cause several people's faith to crumble. Not Stephens.

His mind becomes a vacuum for knowledge. The Send Proof website cites his wide variety of education, which leads him to this documentary. He is a man who seeks the truth at any cost. The Christian church could use more leaders like him, a man whose faith cannot be shaken regardless of his past experiences. His story is the miracle at the core of this film, and I don't think he even realizes it.

"Send Proof" should not deter us from believing in miracles or God himself. If anything, it should be a tool we use to crush the false teachers among us who would seek to destroy the faith of any more believers. Quite frankly, those charlatans make my blood boil. We must remember, the Lord works in mysterious ways. There is more than one kind of miracle. Not all of them are medical.

Stay strong, brothers and sisters. The Lord is here.

A MENTALIST GOES TOO FAR IN "NIGHTMARE ALLEY".

Wed, 23 Feb 2022 11:52:52 GMT

Disaster awaits for those who burn the wrong people.

For a movie named after a small encampment for homeless people, there is not a lot of screen time for it. I get ahead of myself. Let's start at the beginning.

Based on a novel of the same name, "Nightmare Alley" tells a cautionary tale against the con of mentalism through following the rise and fall of Stan Carlisle, a man who joins the circus to escape the consequences regarding his father's suspicious death. His avoidance of responsibility leads to a corrupted path littered with pride and greed.

The film tells a remarkable story of the rise and fall of a simple con-man. He begins with nothing but a radio, a watch, and a small bag. However, he ends his story at rock bottom. He winds up with less than that, just a homeless drunk with an outdated set of skills. His greed makes him insatiable, and his pursuit of it leads to his downfall.

Every decision he makes is a poor one. None as catastrophic as crossing paths with Dr. Lilith Ritter, a vindictive psychologist with a curious mind. She is also a con artist. The only difference is her level of education. Deep down, they are the same person at different levels. He underestimates her. He doesn't see that she is more dangerous than he is.

Otherwise, he would not be so cruel on the night they meet. Director Guillermo del Toro explains their first interaction is a duel between the two, and he wins that battle. However, he is an unbecoming victor when he becomes unnecessarily cruel to her. All because she is intelligent enough to figure out his cheap trick. She doesn't forget that cruelty even as they develop a scheming partnership.

In the end, he is never more than a scam artist. No matter how much money he makes, how many chocolates he buys, how expensive his clothes are, he'll never cease to be a liar, con-man, and murderer.

Ritter, unlike Stan, is an educated professional. She is better at the game than he is. He's so gifted at reading signs. How did he miss the most obvious one of all? It shows us how powerful and persuasive a toxic person can be. His toxic person is Dr. Lilith Ritter, a woman he publicly humiliates on the night they meet. Granted, she started the sparring match by calling out his act first. However, he takes it too far, and she vows revenge.

She even tells him in the end, "You think you could take me, Stan. You're so blind, aren't are? You can't read the signs."

Life is a gift. Every moment filled with lessons and signs. It's up to you whether or not to heed the warnings. You make the choices that define the outcomes in your life. Do you rise or nosedive?

EMOTIONAL ABUSE BOILS TO THE FREEZING SURFACE IN "TILL DEATH".

Sat, 29 Jan 2022 00:00:18 GMT

Not all abuse is physical. That is the staple of my outreach. Abuse is also psychological, verbal, and emotional; it is just as damaging.

Such a concept is beautifully portrayed in "Till Death" starring Megan Fox now available on Netflix. It bears a resemblance to "Gerald's Game" and "P2". A woman, Emma, having endured a traumatic event is driven into the arms of another man after ten years of misery with her emotionally abusive, controlling husband, Mark. On its face, we wonder why she is so apathetic and unhappy. After all, Mark is wealthy and powerful. He provides her with everything she needs and more. He shrouds her in designer clothes and expensive jewelry making her feel like she wouldn't need to work. Until the very end when he would strip her of every necessity for her own survival.

One might think she is 'ungrateful'. Oh, no . She is emotionally closed off and desensitized due to the emotional abuse

There are things happening behind closed doors that no one sees, hears, or feels. Until the morning after their 10/11 anniversary, the abuse surfaces to physical, undeniable, epic proportions. Mark shoots himself in the head right in front of her, but that's the least cruel part of his sick game. Before the suicide, he lays a series of cruel traps that she must survive. Worse, he leaves her no escape. If the traps don't kill her, the outdoor elements would. She has nothing but her intelligence and sheer will to overcome her final obstacle in order to be free from her gruesome marriage. She is incredibly determined to survive this day and outlive her husband.

"I gonna cut myself free of you if it's the last thing I do."

Overcoming the death traps forces Emma to also face the extent of Mark's mental illness and abuse.

Number 1, of course, is ISOLATION:

The game begins at their lake house. He secretly drives her the long distance during a lethal snowstorm and with no vehicle of her own. Then, he drains his car of its gas. All so she has no hope of escape. He destroys her phone so she can't call for help. He takes her shoes, clothes, and blankets to make her unable to maintain body heat in the midst of the winter snow. He strips her of any means of escape or aid from others.

EMOTIONAL BLACKMAIL and INVALIDATION

Later, she finds a recording in the broken-down car where he "explains" his actions. He denies the possibility of a revenge plot. All he admits there is that he "was being called away". What a cop-out. This is in fact a revenge plot. It's written all over his actions. No amount of verbal denial can contest that.

Even her lover falls into that abusive mentality.
"Is it because of us?"
"I'm pretty sure it was because he was insane."

The fact of the matter is he wants her dead. He can't handle the idea of dying alone. If he can't have her, no one can. So, he orchestrates a way for her to join him in death. That is absolutely insane.

He also brings her intelligence and success into question. This is a form of gaslighting and emotional blackmail. Abusers love to remind their victims how unable they are of achieving independence. This keeps them codependent and under the abuser's control. In reality, this recording is a pathetic and cowardly last resort to keep control. However, his last attempt at control becomes the very thing that sets her free. He's dead. He can't be there to ensure the outcome, and it free her to act without the restriction of his critical eye. For a successful lawyer, he's not very smart, is he?

It's like he wasn't paying attention to her case at all. She is a survivor and a fighter. A heartless thug couldn't destroy her. Neither can a controlling, pampered douche bag. No matter how rich or powerful he is.

WEAPONIZING PAST TRAUMA

The night of Emma's attack (the source of her trauma) is the same night she meets Mark. He starts as the prosecutor on her case and puts her attacker in prison. This paints him as a knight in shining armor in her eyes, but reality dictates that he is a false hero.

He takes advantage of her trauma to reel her in by promising her safety and comfort. In exchange, she must sign away all sense of freedom. The problem here is that she is never treated for her PTSD, and it makes her numb. Completely stoic to the rest of the world. She is also untrusting.

After removing himself from the picture, he hires her attacker to kill her off. He not only endangers her, but he also retraumatizes her with the memories of her attack. I also think Mark hired that thug to remind Emma of the state of her life before their marriage. The night of her attack is the worst experience of her life. Again, he gaslights her. He wants her to panic, freeze, or crumble in defeat from the stress and anxiety of the day.

There's one thing he does not take into consideration...

FREEDOM IN HIS ABSENCE

It gives her strength, keeps her sane, and helps her to survive.

Fortunately, she doesn't buy any of the craziness that he sells that day. Her mind is strong, and she understands that this is the result of a troubled mind (to say the least). This honest understanding gives her the will to survive. She will not allow him or his accomplices to kill her. Multiple men cannot defeat her. She is a survivor, and his failure to see that is his biggest downfall.

She draws her strength from catharsis. He's not present to fight her anymore, and she immediately takes advantage. It's a small form of therapy (much like journaling) to scream out eleven years of frustration at his lifeless body. It releases tension and keeps her sane.

His absence also frees her to make good decisions. His disgusting, controlling voice is silent. No one is there to fight her, and her clever instincts take over. Despite his lack of faith in her intelligence, she is very smart and a natural problem solver.

These are the skills that help her to survive. She defeats those men again and again. Because they are unworthy of heed. These men believe she isn't strong, so they laughably put her in the position where they believe they will defeat her. Instead, it becomes an opportunity for her to defeat them.

And defeat them she does. Nah, she annihilates them, after which she has the first moment that day to breathe. The sirens in the distance indicate that help is on the way. Finally, she would see trustworthy people. All she can do at that moment is lie on the ice and stare at the sky because she knows it will not be the last time she sees it. She survives. She has the rest of her life to see it.

Instead, it is the first time in eleven years that she sees it. Sure, she's been outside plenty of times where the sky has been in her line of vision. However, not once in those eleven years does she really see it. Appreciate it. Appreciate being alive. Until that moment, she is not free to do so.

Her abusers are dead, and she is free.

HOW TO 'CUT OUT THE CANCER' IN "MALIGNANT".

Sat, 08 Jan 2022 08:03:50 GMT

"Malignant" is a fascinating horror about a battered wife's struggle to purge the toxic voices in her head. She has an incredible journey to rise above her horrific circumstances and claim her power. Is it factually and medically accurate? Of course not. That's not the point. This film operates on a symbolic spectrum, which is powerful and honest. This is the kind of story that all women, regardless of their circumstances, should aspire to achieve.

Madison Mitchell has a secret past, one that she buries in her mind for her entire adult life. That secret is Gabriel. He's the dark voice in her head that tells her to do terrible things as a child. Over time, he quietly grows until Madison no longer has control of her mind or body. He consumes her life and destroys the people she loves.

Regardless of Gabriel's physical form, it's what he means to her psychologically that matters in this story. He is the evil voice in her head. He makes her do bad things, manipulates her, and fills her head with lies. He erodes her self-esteem causing her to marry a violent drunk. She gets stuck in a never-ending cycle of abuse.

Unless she breaks it.

How does a perpetually abused woman break the cycle?

The greatest tool is information. The truth will set you free. For Madison, that truth comes from her adopted sister, Sydney. She holds the key to Madison's freedom. All she needs to do is discover and deliver it.

This is why Gabriel is extremely threatened by her. He claims it's a matter of biology, but his issues run so much deeper. His real goal, same as Madison's abusive husband, is to isolate her from family and friends. They are Madison's greatest source of support and would hinder his mission to gain full control over her.

Every person who tries to help her finds themselves on Gabriel's growing death list. As his murder spree escalates, Madison becomes more desperate to stop the blood bath. She wants her life back. She needs her power back. Her sister's truth helps her do that.

Once Sydney can deliver the necessary revelation, Madison can see what Gabriel is, a monster, and Madison is strong in both body and mind. She just needs to believe in herself. For her whole life, Gabriel gaslights her into believing she is weak without him. Instead, she is strongest without him.

First, she must purge the toxic voices from her head. She must believe in herself. She is the one who is strong. She's the one in control. Above all, she is loved.

WAS 'DOCTOR DEATH' INCOMPETENT OR A PSYCHOPATH?

Tue, 14 Dec 2021 05:46:20 GMT

Peacock miniseries explores the mind of a terrifying narcissist.

The Dr. Death story is one of the most complex and monstrous cases of narcissism I've ever seen. It follows Dr. Christopher Duntsch through his medical career from college to conviction. Though the timeline jumps around to almost confusing proportions, one thing is abundantly clear. Everyone he encounters (and whose life he ruins) becomes desperate to understand what goes through his mind as he maims his patients. What motivates him to keep operating even in the face of extreme failure? Why is he so compelling?

The nation is so intrigued by this "doctor" that he has been covered time and again by all forms of media including Dr. Phil and Crime Watch Daily. Now, Peacock covers him with the eight-part miniseries "Dr. Death" based on a true story and fashioned after the Wonderly Podcast of the same name.

What is it about this man that has the world so captivated?

What is it about this man that has the world so captivated?

It's the question that burns us. The question addressed in the series, the podcast, and Dr. Phil . The question that lingers in the minds of every person involved in this case. According to an ET Canada interview with Joshua Jackson, not even the actor who plays him could get his mind around the real Christopher Duntsch.

Was this man incompetent or malicious in his surgeries? This is what makes him so interesting. We must know what was going through his mind during his train-wreck surgeries. If you can call them surgeries, or as Dr. Kirby puts it, splatter painting.

Answer: It's a complex mix of both with a sprinkle of narcissism and drug and injury-related brain damage.

The real question should be, what isn't wrong with him?

Peacock's Dr. Death does a brilliant job in balancing every issue in Duntsch's mind, and Joshua Jackson's portrayal of his arrogant narcissism is nothing short of perfect. Most of the people, especially his fellow surgeons, developed hard, honest opinions of him after a single meeting, and it's not difficult to see why. The arrogance on the man is enough to shoot up a red flag to even the most obtuse people.

"Duntsch was always spouting self-aggrandizing, nonsensical bullshit." (Kim Morgan, Ep. 6- Occam's Razor)

Leaving behind such an obscene number of burned bridges made an easy and thorough case for the prosecution in his criminal trial. I'll give Duntsch one thing. He certainly went down in the history books, just not in the way he imagined. He is the first (and only?) doctor to be such a failure at surgery that he could be tried in criminal court. That's a special level of evil and incompetence. There is no other doctor like him. In fact, he is a disgrace to the honorable title.

It's what makes it imperative for the heroes of this story, Dr. Randall Kirby and Dr. Robert Henderson, to ensure justice is served and make sure Duntsch never entered an operating room again. It's the only reasonable response to the carnage left behind by that butcher, messes they both must clean up after him. Why then is it so difficult to take that sad excuse for a doctor off the board? Why is the system rigged against patients and only protects the doctors?

This is perhaps a question for another day. However, an extremely corrupt system doesn't stop this unusual duo from their due diligence. All they want is justice for the lives taken or ruined by the scalpel of Christopher Duntsch, even when the victims are so broken and out of hope to help themselves.

"You're old enough to know that truth in our world rarely works out for the teller." (Madeline Beyer, Ep. 6- Occam's Razor)

Henderson and Kirby are two very different men. Kirby is passionate and dramatic, while Henderson is thorough and collected. Despite their opposing personalities, they have one thing in common. They are extremely skilled surgeons. Their reputations earn them their positions in Dallas. Imagine their disgust when a talentless, narcissistic hack comes along to play in their field. (Trust me, I know the feeling.)

In this case, however, the two opposing personalities are exactly what Texas needs to take on this out-of-control wannabe doctor. Each plays its strength. It's Kirby's passion that gets the attention of the DA's office, which gets them the court date they desire. The courtroom is where Henderson shines. His calm, factual account of Duntsch's botched surgeries is what may turn the case in their favor. He not only sways the jury but also Duntsch himself. It is near impossible to convince a narcissist to look inward, rarely heard of. Somehow, Henderson does it. Not just in the series, but in real life. Duntsch's expression during the testimony says it all.

"Usually, it takes surgeons at least a good decade to refine their god complex." (Dr. Randall Kirby, Ep. 5- The $?!& in the Bed)

Up until that moment, we must wonder what was going through his head. The eye rolls and exaggerated sighs certainly indicate a complete lack of remorse on his part. If he's delusional enough to believe in his innocence, then what is Duntsch's view of the trial? For that, we look at his motivation in life and throughout his career. Simply put, he craves his father's approval. So much so that is willing to compete with his more successful brother by playing football in college. Copy him, more like. However, his profound incompetence gets him booted off the team and out of school.

Then, he switches schools and shifts his focus to compete with his father, Donald Duntsch, who excels in the medical field. Interestingly, Donald is also a devout Christian missionary. Christopher also takes that career to a disturbing level by claiming he is himself a god while studying to be a doctor. He simply seeks to upstage his father and take advantage of his connections. Meanwhile, his own original idea (stem cell research) falls by the sideline. He loses focus on his purpose, the one thing in which he could excel time and again.

His research might have been ground-breaking if he had just focused on that. But no. He wanted the money and stigma of neurosurgery, even though he lacks the mental capacity to operate. He ruined more lives than he "fixed", leaving their bodies worse off than before. The results are horrific to watch. Yet, he keeps going. That compulsion to please his father becomes stronger than his need to be original. In the end, it backfires in epic proportion.

His father takes a front-row seat to his criminal trial, every mistake and failure on display. For the first time, Duntsch cannot explain away or avoid his failures. He finally faces the reality of harming and killing his patients. All in front of the man he is so desperate to impress. It's a perk that comes with the justice of his guilty verdict. He will live in prison with the shame of knowing he loses any semblance of his father's respect and approval.

So much could have been avoided if he had simply focused on his research. Thanks to his greed, 33 victims and their families will never be the same. The ones who survived Duntsch's knife will live with excruciating pain for the rest of their lives. No one can give them their old selves back. No one (even the best surgeons in Dallas) can reserve the damage. This story is an absolute tragedy.

"Dr. Death" is an exploration of extreme narcissism. While the prosecutor and doctor try desperately to teach narcissism to the jury, this show must also inform the world of the truly horrific effects of narcissism. They do it beautifully. There is so much to unpack in these eight episodes, it would take dozens of reviews to unpack all of it. I can just encourage my readers to see the show for themselves. It's a beautiful depiction of a narcissist's mind and the catastrophic effects they leave in their victims' lives whether it be physical, psychological, or emotional.

"LAST NIGHT IN SOHO" EXPLORES LOST DREAMS THANKS TO (OR IN SPITE OF) MENTAL ILLNESS.

Mon, 29 Nov 2021 07:18:14 GMT

Plot Summary:
In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

RELEASE DATE: October 29, 2021
STUDIO: Focus Features
DIRECTOR: Edgar Wright
MPAA RATING: R (Brief Drug Material/Bloody Violence/Brief Graphic Nudity/Language/Sexual Content)
SCREENWRITERS: Edgar Wright, Krysty Wilson-Cairns
STARRING: Terence Stamp, Matt Smith, Anya Taylor Joy, Diana Rigg, Thomasin McKenzie, Rita Tushingham, Synnove Karlsen, Michael Ajao
GENRE: Drama. Thriller, Horror

Two different women wind up on two very different paths.

"Last Night in Soho" follows two girls at different times as they pursue their big-city dreams. Eloise is a gifted design student from current times, but her head is stuck in the past. Her style, taste in music, and inspiration are considered old fashion. So much so that she becomes an object of ridicule for her fellow design students. They instantly count on her to fail. It's a pity because she has the talent, knowledge, and drive to become a great designer. What she needs is some originality. She needs to pull her head out of that 60s-inspired cloud.

That's what this movie is about. Eloise learns a lesson that makes her a better designer. More than that, she learns to be a better person. Real-life lessons are longer-lasting than any school teaching. This lesson comes from Alexandra "Sandie" Collins, her strange, secluded landlady. A look into the old woman's past is a road littered with broken dreams, disappointment, and sexual trauma. The memories of the rented room take Eloise back to her idealized time, the 1960s.

Proverbs 13:4 - "Lazy people want much but get little, but those who work hard will prosper." (NLT)

Like Eloise, Sandie has a glamorous dream. She wants to be a famous singer. Unlike Eloise, however, she is impatient and unwilling to work her way up. Any reasonable person could tell her that's not how the real world works. One does not simply walk into an elite club and talk her way into a headline position, but she tries anyway. Her desperation puts her in the path of Jack the "manager" who promises her the glamorous life she seeks, but he never delivers. Before she can process his methods, he sells her into prostitution. This so-called manager nothing more than a pimp. The promise he sells her is a rotten lie.

Yet, Sandie never walks away, even as her conditions get worse. Perhaps, the money is too good, or she holds onto the fantasy that her terrible conditions will lead to something better. Perhaps, she keeps telling herself that it's "much better than being a coat checker". I know the feeling. It's a vicious cycle of Distorted Thinking from which it's damn near impossible to break free. At least, not without the right support. Sandie is alone in the big city. She is completely without a support system. Her own living is the only way to keep a roof over her head. Whatever the reason, she stays until the night a fight for her life turns bloody. She completely snaps, trading one dream for another. Consumed with madness, she finds her fulfillment in all the wrong ways. In the end, she becomes a bitter old hermit hiding from the world and all her sins.

It is the one thing that Eloise fears most. With a family history of mental illness, there are a lot of people expecting her to fail when she moves away from home for school. Being alone in the big city is frightening, especially for a young, sheltered girl with no city experience. She encounters many people who count on her to fail. It would be all too easy for her to succumb to the madness and become Sandie. The easiest solution would be to drop out and move back home. Alexandra sold out on her dream. Could she do the same?

There's one thing that Alexandra doesn't count on with her little protégé. Eloise has support: family and friends. They check up on her. They care about her. They would never let her suffer alone. In a strange way, Eloise also has Sandie. Throughout the visions, it becomes clear that the mirror may not be one-sided. Somehow, Sandie can also see Eloise, and she allows her life to become a display. It's her way of warning Eloise away from the path of broken dreams.

James 1:27 - "Pure and genuine religion in the sight of God the Father means caring for orphans and widows in their distress and refusing to let the world corrupt you." (NLT)

Eloise must stay in school, work hard, and make her dreams come true. In real life, there are no shortcuts. No worthwhile opportunity is simply given away. Sandie tries that avenue, and it doesn't work out. The least she can do is keep others off it. There is still time to save Eloise and her dreams. Therein lies Alexandra's redemption and Eloise's salvation.

What seems like a curse or a sign of mental illness becomes a blessing for Eloise. She holds onto her agency and follows through on her dream no matter how much hard work or how frightening that Agency Avenue can be. It makes her a better designer as well. She lets go of the 60s and becomes her best self with a unique sense of style. Only then does she develop as an original designer, instead of stealing from Sandie.

Work hard. Never give up on your dreams. Be yourself.

WHY DOES THE SEASON 3 FINALE OF "YOU" NEED TO END IN ONE MORE DEATH? (SPOILER WARNING)

Tue, 26 Oct 2021 07:53:45 GMT

Nothing is as it seems in Madre Linda...

On its surface, the show would have you analyzing the meaning of a soul mate. Everyone has an opinion about soul-mates. Whether they exist or not (they don't), it's hardly the point when a couple is engaged in a petty competition in psychopathy. In fact, they forfeit their right to a soul-mate and the happily-ever-after that comes with them.

The real journey of YOU 's third season is about protection from a woman so psychotic and narcissistic that she makes Joe look down-right heroic. That's the original point of the story. Joe is a dynamic villain. Sometimes, that's hard to remember in comparison to his wife. The lights are off upstairs with Love. It's visible in her face: that wide-eyed thousand-yard stare when faced with her responsibility in the relationship's failing.

That's the look of evil. That is narcissism. There is no reasoning with it or fighting it. All one can hope to do is run and hide. It's the only answer for any victim of narcissistic abuse : No Contact. This is where Joe finds himself when he marries Love and Henry, their son, is born. It's only a matter of time before the bodies start to pile up and Joe finds himself falling back into old patterns.

Joe's Habitual Need To Escape

He finds a woman with whom to obsess. Over the last three seasons, Joe exhibits a clear habit of vacillating his obsessions. He zeroes in on a girl while fantasizing how she could be a soul mate/perfect match, but she never is. The girls he stalks are incredibly flawed and sadly disposable. He stalks, fails to establish a connection, kills her, and moves to the next city in search of his next victim.

Before Season 1: Candace
Season 1: Beck
Season 2: Love
Season 3: Natalie and Marienne

This is a sick strategy that will never result in a meaningful relationship. When will he learn? He won't because he's not searching for a soul mate. Instead, he is subconsciously seeking an escape. With childhood and upbringing as awful as his, I'm sure this was his survival mechanism. Of course, the lifetime abuse takes its toll on Joe turning him into a cold-blooded killer. Sure, he has his share of problems, but he's not a narcissist.

Unfortunately, his wife is. His young marriage with a killer more cold-blooded than he gives him more of a reason than ever to escape into fantasy. His life at home is volatile, and he itches for every excuse to run out the door. Love is not a stable woman, and Joe cannot stand to be around her. Thus, the rate of his obsessions increases. His behavior unravels. He is always in search of a better life. He doesn't want a soul mate. He just wants peace and normality. Love's narcissism makes that impossible.

GASLIGHTING - THE BLAME GAME

Joe isn't the only one spiraling out of control, but his addiction is not as violent or IMPULSIVE as hers. As Joe's obsessions skyrocket, so do her murders and attacks. All in the name of protecting her family. I honestly expected the words "Family comes first" to exit her mouth at any moment.

Love has an unbelievable lack of insight. Like a textbook narcissist, she never once takes personal responsibility for her actions. Que the gaslighting statements, and she is quite the pro.

Here is a small sample of her steadfast denial:
"If I'm not enough for you, you'll kill me."
“Why does everybody think I’m impulsive?”
"You made me kill her."
"You're a monster... but it looks like the only murderer in this room is you, Sherry."
“I don’t even recognize myself.”
"I'm not the problem. My husband is the problem."

HYPOCRISY

The gaslighting isn't the worst of it. That honor lies with her hypocrisy. Why do so much to "save" her family when she was planning to kill Joe from the beginning. It's unclear how long she tends to her garden in the backyard, but those Wolfsbane plants look very mature in "Swing and a Miss". I'm willing to bet she planted that garden as soon as they moved to Madre Linda, which required several months of planning. She suspects problems ahead. She knows she has a problem because of her previous marriage. So, she plants her little insurance policy to "stop him from leaving" and it devolves into attempted murder. All she needs is an excuse to kill him.

And she gets it through Marienne, her love rival. Suddenly, family no longer comes first. How convenient...

LOVE'S IDENTITY

With her hypocrisy on the table, this leaves the following question unanswered. What is she doing in Madre Linda if it isn't there for her family?

The answer is probably not what you would expect and nothing to which she would ever admit. And she doesn't. It's a dirty, little secret for many narcissists when they look to turn over a new leaf. She's in search of a new identity after the end of Season 2. Until her reveal in the finale, she wears the mask of a grieving widow and the ideal wife. Joe sees her as a victim and another opportunity for him to play Savior. He doesn't realize until it's too late that her façade is a lie.

The truth is she is more psychopathic than he. With her brother passed away and wealthy divorcing parents going broke, and a bun in the oven, she finds herself at a crossroads. It's time to stop relying on her family and stand on her own two feet. Thus, she and her new family (husband and infant son) move to Frisco suburb Madre Linda. It's her chance at one final clean slate. Mommy and Daddy are no longer able to buy her way out of trouble. Her murderous, impulsive actions will finally come with consequences. Let the pressure commence.

She needs to fit into this family-centered community, complete with mommy influencers. It's a psychopathic couple's living nightmare. Certainly Joe's. While he broods in his contempt, Love takes a different approach. She develops a pathological need to fit in with the other stay-at-home moms even though she never could.

This is especially evident in her attempts to befriend Queen Bee Sherry Conrad. Very little about this woman's public persona is genuine, but Love doesn't care. While she craves Sherry's attention, she ultimately rejects the friendship of genuine women like Natalie. In fact, she kills Natalie when given the opportunity. Yet, she leaves the Conrads alive. Captive, but alive. That alone symbolizes her rejection of honest people in favor of power.

Another woman she leaves alive is Joe's new obsession Marienne. It looks like this sassy librarian's pep talk about being her own "soulmate" inspires Love and saves her life. Nope. Love sees a new person to emulate=. After failing to copy the perfect couple (the Conrads) and leaving them to rot in her basement, she is once again on the hunt for a new identity, and she finds it in the "noble" single mother. Note how quickly she adopts Marienne's phrasing. "That voice in the back on my head..." blah, blah, gaslight, blah, blah, blah. The whole time she sharpens the knife she would use to end her husband. It's safe to say the only voice in her head is the one telling her to kill everyone when she's not abusing, invalidating, or copying them.

Fortunately, Joe has one more trick up his sleeve. He is the one with the self-preserving little voice, not her. It saves his life and ends the reign of terror once and for all.

"I finally had to stop you."

He stops her all right, and a wave of relief sweeps over Madre Linda when the toxic couple disappears and the truth of her guilt comes out. The truth frees and heals the town. The survivors pick up the pieces of their lives and find a way to thrive again. But it only happens after she's gone.

Of course, that doesn't address the problem of Joe. He's still a villain and a murderer. He too must answer for his crimes. Hopefully, that day will come with Season 4. I can say one thing about him. What little conscience and empathy he has do not make him a narcissist. That honor remains with Love. He needs treatment, intensive psychotherapy to deal with his abandonment issues. That way, his pathological need for escape is no longer necessary. If left untreated, however, he could become narcissistic.

Let us hope that his murder spree ends and he sees justice before he crosses that line once and for all. We'll see it in Season 4.

WHAT SETS AMAZON'S CINDERELLA APART FROM ITS MANY PREDECESSORS?

Thu, 21 Oct 2021 06:00:52 GMT

Few classic stories have been told as much and often as "Cinderella". Countless movies cover this housekeeping underdog. What is it about her that makes her story so compelling for girls and young women? Why do we love her so much? That's an answer for another day.

Today, we analyze what set Amazon Original Cinderella apart from its many predecessors, and it has nothing to do with the film's weak attempt at woman's empowerment. Cinderella aspires to be a proper dressmaker. That would be a more effective plotline if the fairy "fabulous" godmother wasn't still necessary. An empowered woman wouldn't need magic to get her to the ball. She would have made the fantasy gown with her own two hands. Instead, she spent her months of work on a basic pink dress (simply to call back to previous versions of this story: 1950 and 2015). It seems inconsistent that the story would need a practical dressmaker and a fairy godmother. Both can't coexist without one undermining the other. Why not make the dress she wanted and nix the need for magic? That would empower her more than ever.

The inconsistencies don't stop there. The romance between Cinderella and the prince also clashes with Cinderella's career aspirations. She wants to travel the world and make dresses, but she ends up in a relationship in the end anyway? So many plot holes. So many questions. Amazon seems to have shot itself in the foot with this remake. They wanted a fresh twist on the story, but they didn't step far enough outside the box. Traditional callbacks (i.e. fairy godmother, pink dresses, a romantic ball, etc). The two messages clash. Bottom line: If Cinderella wants so badly to make a name for herself as a dressmaker, she could easily leave home to do it. She is no prisoner or servant there. Dare I say, she gets along quite well with her step-sisters. They are all work together.

Thus, the important difference on which we shall focus: Cinderella's stepmother. Vivian and her two step-daughters are more developed in this Amazon Original than any of its predecessors. They have a backstory, fresh motivation, and a character arc. Not the usual jealous, shallow narcissists that pop up in any other version of the Cinderella story. Finally. Vivian is still "wicked" in a sense, but she isn't the cause of Cinderella's every hardship in the home.

MOTIVATION

All this all-female family can hope for is a promising husband with a decent living. Thus, Cinderella's house chores become a matter of training. Vivian wants her girls to be ready for married life. Yes, she is hard on her step-daughter. Certainly, verbally and physically abusive. There is no excuse for this. Yet, it illustrates her desperation to spare the three girls the same heartbreak that she endured.

When a suitor comes calling, Vivian does the one thing that she knows how to do. She promises Cinderella to him, securing her step-daughter's future. No longer on the market, she urges Cinderella to stay home from the ball. For once, this action is not motivated by jealousy or competition as a narcissistic stepmother would. It is a practical choice. If that's not enough to prove her intentions, then her reaction to finding Cinderella's glass slipper should. Any other stepmother would be furious at the realization that Cinderella is the person behind the fabulous, glittery gown and strive to sabotage her return to the palace. Instead, Vivian is thrilled that Cinderella wins the heart of Prince Robert. She practically begs Cinderella to marry him. What makes Vivian angry in this scenario is Cinderella's impractical refusal to do so.

Vivian's frustration lies with society. Her experiences as a young, talented lady led her to heartbreak after her first husband, a frigid traditionalist refuses to support Vivian's passion for music. The separation leaves Vivian devastated and struggling. In a culture where women cannot provide for themselves, the exemplary pianist cannot use her impressive skills to earn a living for her family. In this world, only men are allowed to run a business, and women are expected to serve them at home.

CHORES

All four women do their share of chores in the house. All three girls go to the same places, learn the same lessons, and carry the same expectations. Vivian has one goal for all of them. There is no distinction between her biological daughters and her step-daughter. They are equal. If that's not unique for a Cinderella story, I don't know what is.

APPEARANCE AND PRIVACY

Vivian even points out, "You could be so pretty if you took even a second to comb that hair of yours."

The aspiring dressmaker and workaholic has herself to blame for her unkempt appearance and lack of social grace since she spends every spare moment in the basement with her unusually large collection of fabric.

Her basement is her personal space of which Vivian and the other girls respect. They never invade her privacy or rifle through her things. Privacy violation is a common tool for a narcissist, particularly the Lady Tremaine of old. The only time Vivian ventures down into the basement is so the two can have an honest, heartfelt conversation, not to tear apart her space or rifle through her things. She comes across the slipper accidentally.

Of course, the ultimate sign that Vivian is a better, more developed character than her predecessors is her redeemable. She learns her lesson and reconciles with her step-daughter. She also comes to respect Cinderella's work and reignites her passion for piano. Narcissists never redeem themselves and they never learn. They insist on right-fighting until their last breath. It's incredibly frustrating to see the same irredeemable woman rule over this girl's life in the countless versions of Cinderella that exist. How refreshing it is to finally see a stepmother worthy of development.

AMAZON SHOCKS THE WORLD WITH EXPOSE DOCUMENTARY, "LULARICH."

Tue, 21 Sep 2021 08:36:31 GMT

The MLM LuLaRoe is revealed to be something far more sinister.

I know an MLM when I see it. I smell it a mile away. Having been raised in a family hijacked by Arbonne . Our matriarch had been consumed by selling this supposed green, subpar product. Everything I used came off her inventory shelves. It was awful. It barely worked. Yet, I wasn't allowed to buy my own makeup, skincare, or shampoo. All the products I bought from the store I had to hide. Eventually, my family's matriarch was forced to declare bankruptcy. Our family home was foreclosed on, and she became homeless. So much for the supposed wealth that would save our family.

Because of this, I dedicate my work to exposing the truth behind closed doors including emotional abuse and the damage caused by scams, especially MLMs. I see them everywhere. It's difficult to see through the fancy Mercedes and lavish parties, but there were a lot of struggles and ugliness going on. MLMs ruin lives. They should be illegal. However, it gives me some level of comfort to see that people are making efforts to expose this corrupt business practice. Knowledge is the best weapon against these MLMs. We must all study up if we are to resist the false promises of wealth and independence. It's simply not true.

Thank you, Amazon, for the docuseries "LulaRich." It's a step in the right direction. The video below only scratches the surface. So, buckle up and prepare yourself for a very informative three hours with the in-depth docu-series as well.

Let me start my review with the story of my college reunion in 2017.

I don't think I need to explain the difficulties of budgeting for a recent college graduate, especially the classes of '08 and beyond. Drowning in student loan debt and struggling to kick start a proper career in my field, life after college has been downright impossible. Even in 2017 (nine years after graduation), life was hard. My husband and I were barely scraping by. We could barely afford the gas to visit our friends for our small reunion. All we wanted out of that weekend was to unwind and spend some time with old friends.

Much to my disappointment, that is not what happened. Under the guise of a "party night", our hostess took advantage of her captive audience to sick three separate MLM representatives on us. These companies included Mary and Martha , Plexus , and (you guessed it) LuLaRoe . We all grudgingly sat through sales pitch after sales pitch. Not only were useless, overprice products were thrown at us, but also the "opportunity" that came with joining their teams (aka drinking the Kool-Aid). The whole laughable night was a complete waste of time. With what money was I expected to make a single purpose. To this day, I wonder what was our hostess thinking?

Would it surprise you to know that she is currently involved with another MLM as we speak? Colorstreet Nails or what I call glorified nail stickers. I'll stick with my store-bought polish, thank you.

That was the first time I encountered the products of LuLaRoe: hideous, overpriced clothing. Basic tops and leggings with noisy prints. I'm a Goodwill shopper myself, but I still have a sense of style, which is on the vintage side. LuLaRoe is not at all my idea of fashion, especially for the prices the representative was asking. Simply put, ew. Out of spite, I refused to cooperate or spend a dime on a single thing that night. Somehow, I still walked away with some free, second-hand legging. Buttery soft? Perfect fit? I am happy to say, not really.

So, why do I resent MLMs so deeply? How can I recognize one from a mile away? Long story short, the Arbonne MLM ruined my life and several more tried since ( Primerica , Optavia , and Park Lane ). It's horrifying to think how many MLMs I've encountered throughout my adult years. They're like weeds. Try to take out one, and several more spring up in its place. They're infecting our society, and they must be stopped.

Pyramid schemes are illegal. Why aren't MLMs? They're the same damn thing. What will it take to shut down these glorified scammers and cult leaders?

The story of LuLaRich begins with the opening interview with founders DeAnne and Mark Stidham. They set aside some time between the lawsuits launched against them to set the record straight and insist that LuLaRoe is no MLM. Sure... Let's see how that works out for them.

After a lifetime career behind several MLMs, DeAnne built an MLM that preyed exclusively on stay-at-home mothers because of the massive community around mothers. Each mother has their own online following and in-person social circle. In other words, she took advantage of the family institution to become a millionaire. Now, we see her in this docuseries desperately trying to save face. She tells a story of humble beginnings, hard work, and religious beliefs that led up to LuLaRoe. Apparently, she fails to realize that her inconsistent bio isn't enough justification to erase the stories of the countless lives she destroyed with her predatory business model.

DeAnne took her mediocre hobby making ugly, unflared maxi skirts; and somehow, that became a legging MLM. There are missing pieces there. She sings the song typical of any MLM, calling it a community and opportunity. Instead, she gave them literal garbage to sell while robbing them blind. $5,000 to sign up? No legitimate business charges their employees to work for it.

This couple is simply psychotic. They're not only founders of a predatory pyramid scheme (not just an MLM), but they're also cult leaders and those hideous clothes were the uniforms. DeAnne had the nerve to look down on a new employee wearing Chanel on her first day. How sick is that? Who are you, lady? You couldn't even lead your cult well. Now, the whole world knows what you are.

There are a lot of current MLMs that negatively affected my life. Though LuLaRoe, the Mormon sub-cult, was never one of them, I pray they officially go under. It's what I wish upon every MLM in existence, beginning with the horrifying Arbonne and beyond.

What's the best way to do that? Knowledge. Remain skeptical and do research. Suppress the lure that comes with the false promise of easy money. Money is never easy. Always remember this common phrase: "If it sounds too good to be true, it is."

In the end, LuLaRoe is a case of a subpar seamstress's (too narcissistic to accept her lack of talent) efforts to start her own cult. The higher you climb, the harder you fall. And fall she did. Now, one of the most popular streaming services in the world is taking the time to expose this rotten couple. The funniest moment in the series is that opening interview where they express their intention to manipulate the producers. They honestly believe this series would defend them. I nearly laughed out loud in my chair.

That's the only humorous moment in the four-episode season. As the many interviews of their victims play on, the mood snowballs from sad into downright sinister.

What's worse is their claim of faith, morality, and female empowerment. They represent none of these things. They are wolves in ugly and smelly sheep's clothing. How dare they? How dare even utter the name of my Lord and Savior. Fortunately, God was having none of this clumsy cult. Because they were caught. Their victims speak out, lies are exposed, and failures are broadcast for the world to see. It's a shame it couldn't happen before so many consultants endured financial ruin. Another feeling with which I am well acquainted.

There is no happy ending here. All we can hope is that this docuseries helps to prevent any further victimization, not just by LuLaRoe but all MLMs. Information is power here. The more we know, the less likely we are to fall prey to the luring lies.

Because the truth is there is no financial freedom in an MLM. There has been, and there never will be.

WHAT DOES "ATTACK THE BLOCK" ILLUSTRATE ABOUT INTOLERANCE AND HATE?

Wed, 08 Sep 2021 04:34:02 GMT

JOHN BOYEGA'S DEBUT ROLE BEFORE STAR WARS MADE HIM FAMOUS.

Before John Boyega ever played Finn in Star Wars Episodes 7-9, he debuted in the incredibly written and directed English film "Attack on the Block".

It's not very often that young stars land a lead role so early in his/her career, but Boyega earns the role of Moses with his incredible performance. Moses is a desperate teen who struggles to make ends meet in the low-class end of London. He resides in a run-down, low-income apartment building, which stands on the turf of a violent drug dealer known as Hi-Hatz. He's the kind of man either from whom a resident would avoid or for whom one would deal drugs.

Unfortunately, Moses has little choice in the matter. A fifteen-year-old abandoned by his family, he must survive on his own. With little prospects for honest work, he resorts to petty theft and dealing while accompanied by his small pose of four delinquents. They look up to him as well as several other burnout and impression children. Wherever he goes, several members of the block obediently follow He is a strong, silent leader. He holds incredible potential to do good.

It's a shame that Moses chooses to follow Hi-Hatz (Jumayn Hunter). This drug dealer is not a good role model. His industry preaches drug use, violence, and intolerance. Even his music is hateful.

Moses is introduced in the midst of petty theft in the streets. He steals a nurse's wallet, phone, and jewelry. The poor woman manages to get away when an alien crashes into a parked car mere feet away from the gang. Intrigued, the boys investigate the car where the alien attack Moses and flees. He follows, determined to kill it. This behavior makes him look angry and impulsive.

We don't find out until later that he has opened himself to the opportunities around him. He is auditioning for a better job for Hi-Hatz because drug dealing is the most lucrative work for people living in his building. Simply put, he's desperate for money. He needs to live while on his own. The corpse of a strange creature would be enough to earn him the job. It does but at great cost.

Having spilled the blood of this mysterious species, he declares war upon her fellow aliens. Her blood marks him. Thus, they follow the blood trail wherever Moses goes and seeks revenge on the people close to him. He marks everyone he touches.

Meanwhile, Hi-Hatz goes on a rampage of his own from which he covers himself in the creatures' blood. He too marks himself and makes himself a target. The glaring difference between Hi-Hatz and Moses is their willingness to change. Moses is a young man with potential, but he is stuck in a rotten situation. All the while, Hi-Hatz revels in money, drugs, and power. He loves his position as the man in charge, while Moses would give anything to escape.

Angry aliens hunt them both, and they both painfully learn that humility is the key to survival. Moses learns from his actions. Hi-Hatz does not, and that leads to the man's downfall. Moses realizes he must evaluate his priorities, or he'd share Hi-Hatz's gruesome fate. He repents for his actions and earns the forgiveness of his mugging victim. Together, they defeat the dark creatures.

Hatred stains the soul the same way the alien blood stains Moses. If we do not repent, it will consume us and lead us to disaster. Moses repents, and it makes him a hero. In the end, he replaces Hi-Hatz as the leader of the block. People look up to him as a savior. He saves the block and everyone in it. That is not something his predecessor who only cares about himself would do. Moses breaks free from that influence, and the block is better off for it.

THE HORRIFYING TRUTH OF THE HILARIOUS "FREE GUY"

Wed, 01 Sep 2021 08:12:07 GMT

BENEATH THE KNEE-SLAPPING COMEDY LIES DISTURBING HERESY.

Ryan Reynolds is as brilliant as always in "Free Guy". He plays Guy, a generic bank teller whose life is an unending loop of mundanity. What he doesn't know is that he is an NPC (non-player character) in the video game of "Free City". NPCs can range from population filler to important contributors in missions/quests. Which is Guy?

Is his purpose mundane or important? That all depends on which "God" he chooses to follow.

In this case, the known god of Free City keeps a tight, controlling grip on his little city. He goes by the name of Antwan, and he is the most arrogant business owner to ever hit the silver screen. There is no doubt that this man loves nothing else than money, violence, and theft. These three things are the focus points of his game. The players of Free City thrive on these terrible things. Consequence free. Just like Antwan.

Meanwhile, the NPC citizens of Free City live in blissful ignorance. They accept their violent guest because it is what they are programmed to do. They don't know any other reality. They become slaves in their own world with no experience in peace, joy, or love. What a horrific way to live. Antwan is a false god who preaches a false way of life.

Who is the real god of Free City? They are the two visionary programmers, Keys and Millie, who believed their work should inspire goodness. Their characters become real life, a form of Artificial Intelligence. Free City is not Antwan's original work. The life inside its citizens is inspired by Keys and Millie. They unknowingly discover a technological miracle, but Antwan stole their technology and corrupted their world.

Let's review. Antwan takes AI code (aka real life) and traps them in a world where he is written as "God". He then unleashes an army of hostile players upon their city where they are free to steal, beat, and kill without consequence. All because that is the way of life with which he is familiar. He steals and destroys throughout his life without consequences. In fact, he profits from his theft.

Until Millie, the game's real creator, appears and inspires the love that awakens Free City's hero. Guy's love breaks him free from his endless daily routine. He focuses his time and energy on helping his fellow NPCs. Instilled with an endless supply of positivity and encouragement, he becomes the city's ideal savior. Every NPC he touches is able to break free from their programming, and they learn to live independently. His goodness spreads goodness. His creative thinking inspires creative thinking. People from both worlds (players and NPCs alike) rally around his message of peace.

However, the attention growing on Guy takes away from the false god. Ever the narcissist , Antwan unravels at the loss of control over his virtual world. It is then he reveals the depths of his depravity where he crosses the line as a creator. He blocks all players from the game and attempts to destroy the entire city. Of course, any rational businessman would know that burning his paying customers that bad would devastate his bottom line.

Since he has no real talent, he would have nothing to offer as a creator without a team to rob. His empire falls the moment he meets ax to server. Don't even get me started on why there are no backups to those servers. Whatever the reason, Antwan destroys his real-life along with his virtual world. His own arrogance becomes his downfall.

Meanwhile, the savior of Free City finds a new world for his people to thrive. In a new game call New Life, the NPCs find the freedom to truly live like the real people they are. Most importantly, they are free from a false god that would enslave and destroy them. Their true gods are much like our true God: unconditionally loving.

What God do you chose to follow?

THE HIDDEN TRAGEDY WITHIN 'ANNETTE'. (SPOILERS)

Mon, 23 Aug 2021 11:07:57 GMT

Who does the child vow never to forgive and why?

When the Official Trailer for this anticipated musical starring Adam Driver dropped, it failed to portray a clear story. The # minute video left more questions than answers. Who is Henry? What is his relationship with Opera Singer Anne Is they a legitimate couple, or is he an obsessive fan living in a fantasy? What role does her baby play in his life? So many questions that only a full viewing of the film could answer. It turns out the film has an overall questionable take of reality because it comes from the point of view of the strange, toxic mind of Comedian Henry McHenry.

While their relationship turns out to be legitimate leading to marriage and a child, there remains our concern over the healthy state of their relationship. Do they belong together? The answer is no. This is because Henry is a controlling, unsupportive partner. He despises his wife's success, especially after the decline of his career. As his vulgar comedy routine falls from grace, her music elevates her. Her art form is timeless, and the jealousy drives him into a spiral. Until one night, Ann doesn't come home.

Does he miss or grieve her? Does he feel grief or shame? No. His concern lies with finance. Without her income, he stands to lose everything she built including the indulgent lifestyle he'd come to enjoy. He finds himself in need of another meal ticket. Unfortunately, Annette inherits her mother's gift for music. She is a musical progeny. A miracle. So, he exploits her gift for his own personal and financial gain, while ignoring the reason for his daughter's gift.

It turns out that Ann passes her gift onto her daughter for revenge, too dark a purpose to impose on an innocent child. Ann devotes herself to haunting her husband, but her desire for revenge backfires. He becomes too focused on making money to bother feeling the guilt over his violent temper and raging alcoholism. The exploitation of his daughter finally comes back to haunt him when Annette uses her platform to expose his secrets. She takes control of her voice from both her parents. She takes her power back.

However, the damage is already done to Annette's psyche. Only after his harm takes its toll on her does Henry see his daughter as a human being and not a puppet. She becomes a sad child, lost without the love of either parent. She hates them both for the childhood they robbed from her, and the joy of music is tainted. She sees her gift as a curse, so she vows to keep it from the world.

Her beautiful purpose is poisoned by two toxic parents. It leaves her bitter and unforgiving. Yet, there is hope for her. Annette is still very young. She has a chance at a normal life, especially with her mother gone and her father in prison. With them out of her life, she is free to live her life free of their toxin. Time and therapy can heal her. She may still find a positive purpose.

We can only hope.

MORE ABOUT DEVYN McDOWELL

WHAT DOES HOLLYWOOD MAKE OF NORMA IN "SUNSET BLVD" (1950)?

Sat, 17 Jul 2021 05:39:34 GMT

Glenn Close is a phenomenal actress, especially in the role of psychotically disturbed women. Who better than to take up the torch of Hollywood's iconic villain, Norma Desmond, in "Sunset Blvd", one of Hollywood's greatest classics . With rumors circulating that a remake starring Glenn Close is underway, let us now take a hard look at the original story.

What is the message of "Sunset Blvd"?

Simply put, Norma Desmond is a textbook narcissist , and Writer Joe Gillis acts as an easy source of supply. He begins needing her money, while she needs a skilled writer. On the surface, it would appear to be a perfect situation for both of them. Joe quickly learns that jumping into bed with Norma is anything but an opportunity of any kind.

There are many complex signs of a narcissist. Writers Charles Brackett, Billy Wilder, and D.M. Marshman Jr. seem to cover all of them in a single character. The accuracy is eerily precise. It's brilliant writing. One might wonder if one or all of them had experience dealing with an actress like Norma. This review, however, will only cover the writing angle (or else I'd never finish this review).

The story follows the narration of failing, uninspired screenwriter Joe Gillis as he is moments away from complete destitution. He is broke, desperate, and ready to throw in the towel. No one wants to produce his scripts, and his agent drops him. Hollywood no longer has a place for him until he happens upon the rundown mansion of Norma Desmond, a wealthy, unstable actress who is unwilling to accept her career is over. She has a script of her own to pitch. Her writing is terrible, but he sees the chance to make an easy dollar by providing some proofreading.

Norma may be an incredible actress, but that doesn't make her a writer. The two fields rarely go hand in hand, regardless of writing it her heart. Narcissists often think they can cut corners and ignore the rules. They fill in the gaps with their superstition, experience, emotion hoping it would be enough. It's not. There are rules to screenwriting: format, dialogue, arc, and flow. Norma's script seems to break every rule. All she wants is a return to the silver screen, so she tries to write herself into her own dream role. Joe Gillis knows better. Any self-respecting writer would.

Princess Salome and John the Baptist:
Her story is a foreshadow of the pair's relationship. She seeks out a relationship with him, but he rejects her. Sadly, she sees herself in the story. She is a spoiled, delusional princess, and Joe becomes her John the Baptist. He is the man that rejects her, so she kills him. As soon as he is no longer useful, she shoots him in the back. Just like a narcissist would discard their supply by metaphorically stabbing them in the back.

What's worse, she never pays him for his work. He spends an unspecified amount of time toiling over her hopeless script, but his time has no value to her. Sure, she pays his back rent and buys him some clothes, but it's not enough. Joe only wants one thing from her: the means to be an independent writer. He wants eventual freedom. The harder he fights for that independence, the tighter her hold becomes. He winds up with no control and no privacy. She ensnares him; body, mind, and soul; sucking dry all that makes him a writer.

Why does he reject her after all their time together?

He finds a real opportunity with Betty Schaefer, a young aspiring writer. She is everything that Norma Desmond wishes she could be. Joe's time with Norma nearly leads him to quit writing, but Betty reignites his inspiration and brings out the best version of him as a writer. Together, they work on a promising script that (unlike Norma's) might make it to production. At least, it would have if Norma hadn't interfered. She finds his story after snooping through his private things (violating his privacy). In a rage, she forces him to end his professional relationship with Betty, and the script is never finished. Joe dies before his original story sees the light of day.

Yet, the story of his death turns out to be his greatest story of all. Once bragging of 20/20 vision, his hindsight turns out to also be 20/20. As they say, write what you know. His final story is his own. He provides his fellow writers with a cautionary tale begging us not to sell our souls to Hollywood and its toxic products.

The cruel irony is that he doesn't live to see this story take off. Norma Desmond steals the glory right out from under him. In the end, she gets exactly what she wants out of Joe. She gets her precious spotlight back. Never mind that she kills him in cold blood. Never mind that the press rewarded her behavior. Never mind that she'll probably never see a day in prison for her crime. That's Hollywood for you. It's a cold, uninspired machine. Creative people are too precious to let this cold world destroy the good we have to offer. We should try not to sell our souls.

WHAT IS THE UNDERLYING MESSAGE OF 'THE DEVIL WEARS PRADA'?

Sat, 10 Jul 2021 21:17:14 GMT

There has been a lot of hype over the message of "The Devil Wears Prada". People can barely agree on the villain of the film: Miranda, Emily, Nate? It all depends on your point of view on fashion and sense of work ethic. One thing remains clear. Miranda Priestly runs a tight ship. She commands excellence and gets a bad rap for it.

The Youtube review channel The Take completed a wonderful series on the film, including the characters of Miranda and Emily. In their essay on Miranda, they compare her to Cruella DeVil from "101 Dalmatians". On the surface, it does feel like a fair comparison. Both characters are fashionistas and frightening bosses. Dig deeper, however, and we find that Miranda Priestly harbors far more character than DeVil ever could. DeVil is a narcissistic designer with questionable taste.

What is Miranda? Is she also a narcissistic, female boss? Though she runs a tight ship, I would say no. Miranda is an editor. She commands excellence because it is the job of an editor to do so. It is lonely, thankless work, and it's never personal to receive our critique (especially since writers ask for it). To be a female editor take intelligence, hard work, and excellence that few can produce. Miranda does this without ever raising her voice to a single staff member. Miranda is a rare gem in the working world run by men. Even in the best of moods, DeVil wishes she was Miranda.

That said, there is a serious problem with the way Miranda leads Runway. She leaves no room for her employees to exercise self-care, which is crucial for positive productivity. Each Runway employee works themselves to the bone to keep up with Miranda's impossible standards. They are anxious and burnt out. How does that fit into her vision of excellence?

Emily embodies the extreme example of her lacking self-care. She barely sleeps, has no social life outside the office, starves herself, and ignores illness. This leads to such a frazzled brain that her work performance suffers. Ultimately, she winds up in the hospital after her inattentiveness gets her hit by a car. This is the result of doing too much at once.

Because her performance at works suffers, she loses Miranda's favor and loses her cherished trip to Paris. That is nothing short of hypocritical. Miranda needs to reevaluate her management style. If she needs excellence, she should promote self-care in her people. However, fashion is the industry Miranda choses to lead. While lucrative, it is harmful to our wellbeing as reasonable human beings.

Runway is a fashion magazine. Fashion stands for the opposite of self-care. With the severe incompatibility between image and wellbeing, one must ask. Can excellence truly exist in a fashion-rich environment? One must then choose between looking the part or playing the part. In the end, Andrea chooses to play the part through hard work and self-respect before she loses her soul to the fashion industry. How do you prefer to spend your time?

BENEATH THE SURFACE OF "WHAT LIES BELOW" (SPOILER WARNING)

Sun, 04 Jul 2021 21:33:11 GMT

What is the deeper meaning of a movie portraying deeper meaning.

When first we meet mother-daughter pair Michelle and Liberty Wells, we can see something is immediately off about this mother. She's too chipper, acting like a teenager even though she's forty-two and her daughter is the teenager. Michelle is a woman who refuses to act her age. She is self-conscious and scared.

Meanwhile, 16-year-old Liberty is the mature one: quiet, bookish, and responsible. This obvious role reversal is a subtle clue to something far more nefarious going on behind closed doors in this small family unit, and it has nothing to do with the young creeper Michelle brought home. His presence merely exacerbates an already festering problem between Michelle and Liberty. Michelle's behavior is the real problem here.

FoundFlix argues that the family drama is unnecessary to the overall plot of "What Lies Below" and it should have featured the lake monster more prominently. Perhaps. Except that "family drama" is more integrated into the horror of this film than some people realize. John Smith may be a literal monster, but Michelle is a monster too, subtle and real. Her type litters the world every day, and children like Liberty pay the price.

In light of this, we must ask ourselves what is John Smith's purpose in this film? Who's the villain and the hero in Liberty's story? That is an outcome this young woman spends the story attempting to find out.

Her name is Liberty because that is what she craves. She wants freedom from her mother. In her attempt to acquaint herself with her potential step-father, she reveals her dream school is to go to Cambridge in England where the archeology programs are the best in the world. Archeology is Liberty's greatest passion. It is her purpose. Her guidance counselor supports her desire to apply. Even John Smith is impressed and supportive. However, Liberty hesitates to share her plan with Michelle, because she fears the controlling woman's disapproval. Why? It's far away (across the ocean), and Michelle is too clingy to let her go. What kind of mother wouldn't support her daughter's purpose in life.

Michelle is also a recovering alcoholic, selfish, and neglectful. The worst of it is her lack of boundaries. The house legally belongs to Liberty, but Michelle makes decisions about the house against Liberty's best interests and wishes. The most glaring decision was the fact that she allowed a stranger to move in and take over her basement. The more the teen learns about John Smith, the more uncomfortable he makes her.

A loving mother would take that into account. Michelle does not, because she cares more about getting an attention fix from a hot, young guy than ensuring her child's safety. When Liberty tries to reason with her mother about his inappropriate conduct, Michelle doesn't believe her. In fact, she reveals that she never has or will validate her daughter's feelings about the strange men she brings home. Liberty bites back, and the selfish mother lashes out violently. Ultimate, undeniable abuse.

In her anger at her mother's ultimate, undeniable abuse, she reveals her mother's dishonesty, which drives away John Smith, and she dares to blame her daughter for her lie. No relationship can thrive on secrets and lies (at least that's what my therapist says). Michelle's life unravels as she loses control of John and her daughter.

In the end, John chooses Liberty over Michelle. He takes Liberty below the surface of her lake to his real home, leaving Michelle behind. Liberty becomes trapped underwater. Her dreams and ambitions shattered all for the sake of a man's desire for children. Somehow, she finds a reason to smile. Despite her new trap, she is at least free from her narcissistic mother. John Smith dodged that bullet as well, and it has nothing to do with Michelle's advanced age. She's controlling, narcissistic, and abusive. No man wants that. Not John. Not Liberty.

Who's the villain? Both John and Michelle. In an ideal world, Liberty would free herself, go to Cambridge, and thrive in the world as an archeologist. Instead, she is forced to chose between two evils. She trades one cage for another. That is no happy ending.

WEREWOLVES WITHIN (2021) Graphic Review

Thu, 24 Jun 2021 09:37:34 GMT

After a proposed gas pipeline creates divisions within the small town of Beaverfield, and a snowstorm traps its residents together inside the local inn, newly arrived forest ranger Finn (Sam Richardson) and postal worker Cecily (Milana Vayntrub) must try to keep the peace and uncover the truth behind a mysterious creature that has begun terrorizing the community.

RELEASE DATE : June 25, 2021
STUDIO : IFC Films
DIRECTOR : Josh Ruben
MPAA RATING : R
SCREENWRITER : Mishna Wolff
STARRING : Sam Richardson, Milana Vayntrub, George Basil, Sarah Burns, Michael Chernus, Catherine Curtin, Wayne Duvall, Harvey Guillén, Rebecca Henderson, Cheyenne Jackson, Michaela Watkins, Glenn Fleshler
GENRE : Comedy, Horror

LUCA (2021) Graphic Review

Thu, 17 Jun 2021 20:46:10 GMT

Plot Summary:
The animated film is being described as a coming-of-age adventure that will tell the story of a young boy named Luca as he experiences an unforgettable summer with his newfound best friend in a seaside town on the Italian Riviera. But all the fun is threatened by a deeply-held secret: he is a sea monster from another world just below the water’s surface.

RELEASE DATE: June 18, 2021
STUDIO: Walt Disney Studios, Pixar Animation Studios
DIRECTOR: Enrico Casarosa
MPAA RATING: PG
SCREENWRITER: Jesse Andrews, Mike Jones
STARRING: Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Maya Rudolph, Marco Baricelli, Jim Gaffigan
GENRE: Comedy, Animation

MY REVIEW

Disney once again recycles one of its own stories. This time it is shrouded in the trappings of Pixar.

A young soul who originates from a home in the sea yearns to explore a world out of his/her reach by taking the form of a human. During his/her time above the surface, the sea creature falls for a kind human and seeks out a meaningful relationship. That’s not the only similarity between Luca and Ariel. They both lose their voice. The sun appears to have strong symbolism in this Pixar copy. Luca struggles with his identity. He becomes hesitates to be himself because of an intolerant world that would do him harm if he let his true self shine. He becomes voiceless.

Only honesty will set him free.

IN THE HEIGHTS (2021) Graphic Review

Thu, 10 Jun 2021 05:49:30 GMT

Based on Lin-Manuel Miranda's Tony-winning Broadway musical "In the Heights." Miranda, who composed and wrote the musical as well as starred in it, is set to produce the big-screen adaptation. "In the Heights" explored three days in New York City's Dominican-American neighborhood of Washington Heights and featured hip-hop, salsa, merengue and soul music. It was nominated for 13 Tonys, winning the award for best musical.

RELEASE DATE : June 11, 2021
STUDIO : Warner Bros. Pictures
DIRECTOR : Jon M. Chu
MPAA RATING : PG-13
SCREENWRITERS : Quiara Alegria Hudes, Marc Klein, Lin-Manuel Miranda
STARRING : Lin-Manuel Miranda, Anthony Ramos, Jimmy Smits, Corey Hawkins, Leslie Grace, Melissa Barrera, Olga Merediz, Gregory Diaz, Daphne Rubin-Vega, Stephanie Beatriz, Dascha Polanco, Marc Anthony
GENRE : Drama, Musical

WHAT IS THE REAL TRAGEDY OF "101 DALMATIANS"?

Fri, 28 May 2021 12:00:30 GMT

The puppies survive. Something else does not.

With the upcoming premiere of Disney's newest live-action remake, the first villain POV since Maleficent in 2014, we should take a closer look at the character of Cruella DeVil. In 1961, there is not much to analyze. She is introduced as Anita long-time friend from school, loves fur, and drives so recklessly that it is a miracle she survives to see the end of the movie. She also has no sense of boundaries with Anita, inviting herself into Anita's home without so much as a knock or "hello".

Her lack of boundaries is shared by the 1996's version of Cruella, even though there are no other similarities in the character aside from the obvious fur-worshipping, dognapping predicament. Otherwise, she adapts into a wealthy businesswoman with her own driver and a team of designers. This is where she meets Anita who becomes a member of her staff for a mere two years.

Beneath the puppy napping, something far more tragic occurs between employer and employee. The puppies survive and come home. The true causality of this film is the promising career of a talented designer. Anita could have been a wonderful assert to the world of fashion had it not been for the selfish whim of Cruella DeVil, the most corrupt fashionista in town.

This is the version of Cruella we will explore: a corrupt designer and boss. DeVil is a clear case of narcissism in the workplace . Let's explore this study in comparison to the dynamic within this franchise, particularly between Cruella and Anita.

"LOVE BOMBING"

This scene reveals the gruesome character. Though she strikes fear into the hearts of her seasoned employees, but she puts on a smile for new hire Anita. Having worked for the fashion house no more than two months, Anita is blind to Cruella’s true intentions behind the smiles and compliments. It is true that Anita does “wonderful work.” It’s “fresh and clean, unfettered, unpretentious.” These are qualities of any promising designer.

However, it’s also clear that Cruella intends to professionally hold back Anita because she’s too selfish to let go of her young employee and afraid her wellspring of unique designs will dry up. She offers Anita no credit, notoriety, or reputation. This way, Anita would never be strong, independent designer, and she’s too much of a people pleaser to say no to Cruella. Narcissists target people pleasers. This is a dangerous combination that makes it difficult for victims like Anita to escape their hellish work environment.

ABUSED, UNDERPAID, OVERWORKED, AND INVALIDATED

Cruella has a volatile temper, which strikes fear into the hearts of the people closest to her. They all bend over backwards for her, even though they know in their hearts that her commands are wrong, even illegal. Still, they play along because a confrontation with her is more frightening that prison. It seems silly in hindsight. Unfortunately, narcissistic rage is impossible to understand unless experienced. It’s real and terrifying.

This is why we see the character of Jasper work so desperately to appease Cruella by smothering her with compliments only thing that quells her rage is fur. So, he strives to provide her with as much fur as he can get for her. Except when he provides her with fur. Even though poaching is illegal, he takes the risk to win her affection. But it never lasts. The cycle of abuse always comes back around.

CHAOS IN THE WORKPLACE - MANIPULATION

Manipulation is a trait that is passed down to Cruella by the Baroness, a character from the new origin story, CRUELLA (in theaters now). Cruella does the same thing to Anita that the Baroness does to young Cruella. She is taught to that independence is only achieved through viciousness. Cruella is abused, and her work is stolen. She receives no credit for her hard work. It’s a toxic lesson that Cruella takes to heart. In this way, the Baroness succeeds in workplace manipulation. Cruella becomes the very thing she once hates. The victim becomes the offender.

Anita finds herself in a battle for her soul. Unlike Cruella, Anita wins the battle, but her victory comes at a cost.

ANITA'S ESCAPE

“The escape” is the best of three options when dealing with a workplace narcissist. For Anita, it’s the only option because of her people pleasing personality. She’s too naïve to have “realistic expectations,” and she’s too broke to hire a lawyer (thanks to Cruella’s pathetic salary).

Thank goodness for Dalmatian hero Pongo who sets an unconventional romantic scene between Roger and her. Roger is a good man who strives to do right by her. He defends Anita from her controlling, entitled boss. He can see Cruella’s disgusting behavior, especially after berating their financial worth. Well, whose fault is that? Cruella is the one who underpays and eventually fires Anita simply for defending their beloved pets.

This would be a make a good civil case against her, but the small family quickly learns to appreciate the peaceful life that escaping the fashion house provides. Sure, money is tight, but they somehow get by. Anita believes in her husband’s potential. Both are creative and brilliant designers in different ways. They have a lot to offer the world with their talents. In the end, Cruella's inability to recognize their gifts become her downfall. All because of her pathological need to be needed.

THE TRAGEDY

CRUELLA (2021) REACTION

1 Peter 3:3-4 says "Don’t be concerned about the outward beauty of fancy hairstyles, expensive jewelry, or beautiful clothes. You should clothe yourselves instead with the beauty that comes from within."

There is nothing wrong with a career in fashion. Anita is a kind soul, a humanitarian and lover of animals. There is a place for her in the industry if she had returned after DeVil's arrest. Alas, that dream is dead. The problem lies with the obsession of image. This is an area in which narcissists excel. Image comes above all else to a narcissist just as fur becomes Cruella's god.

Cruella admits in the 1961 and 1996 films, "I adore fur. I worship fur."

It makes her look wealthy and feel desired. In the new CRUELLA, we can see that seed is planted into the woman's head at a young age by a woman just like her. Because of The Baroness' lies, the brilliant designer becomes a vicious monster, Cruella. She becomes the thing she hates. Talk about tragedy.

Good people seek inner beauty, not outer.

CRUELLA (2021) Graphic Review

Thu, 27 May 2021 06:33:14 GMT

A live-action take on the iconic villainess from " 101 Dalmatians ." Cruella de Vil, who originated in Dodie Smith's 1956 book, "The Hundred and One Dalmatians," was voiced by Betty Lou Gerson in Disney's 1961 animated adaptation and played by Glenn Close in the 1996 live-action take (as well as in that film's 2000 sequel, "102 Dalmatians"). Smith also briefly revisited the character in her lesser-known science fiction sequel book, "The Starlight Barking."

RELEASE DATE: May 28, 2021
STUDIO: Walt Disney Pictures
DIRECTOR: Craig Gillespie
MPAA RATING: PG-13
SCREENWRITERS: Dana Fox, Tony McNamara
STARRING: Emma Stone, Emma Thompson, Joel Fry, Kirby Howell-Baptiste, Paul Walter Hauser, Emily Beecham, Mark Strong
GENRE: Comedy, Family

THE GOSPEL ACCORDING TO "DARIA"

Tue, 25 May 2021 23:06:14 GMT

What does MTV series "Daria" say about our economy today?

1 Peter 3:8 - "Finally, all of you should be of one mind. Sympathize with each other. Love each other as brothers and sisters. Be tenderhearted, and keep a humble attitude." (NLT)

This video resonates with me in a myriad of ways: as a Millennial, Christian, closet Daria fan, and victim of a predatory economy. I related to the character Daria in so many ways (complete with a fashion-focused younger sister who was more like to identify me as her cousin instead of sister ). However, MTV was banned in our home because MTV was considered secular trash that brainwashed kids by our pastoral parents. So, my viewings of the show were secret and sporadic. In spite of it all, I couldn't shake my connection to the misunderstood bookworm trying to survive a system built against her.

This video helps me understand how relevant "Daria" was. Its message is downright prolific. Not only was the public school system rigged against its students, but also the job market that followed graduation. Employers looked for candidates with experience over education. My degree was deemed "worthless" by the day it arrived in the mail, and I had no real editorial experience to help me. Worse, none of my relatives or friends had the standing (or willingness) to help me. They simply judged me for not trying hard enough thanks to a particularly brutal smear campaign that kicked off the new year of 2010.

All except one man: David Bruce. Here is a man unlike anyone else in his Boomer Generation. He was the only person to ask me, "What is your goal, how can I help you reach it?" Thus, Thread of Truth (formerly Christ in Culture) was born. He gave me a platform that I could use as a portfolio in my future endeavors, and the rest is history.

Allow my experience to teach us a lesson about the state of our society, economy, and family dynamics. I believe there is a way to return to the thriving 90s. All generations need to work together. To the Boomers, I implore you. Stop judging our reaction to a crash that our elders caused. Ask yourselves what you can do to fix it. Listen to our needs. Ask yourselves what my father had the decency to ask me.

"How can I help you reach your goals?"

OXYGEN (2021) Graphic Review (SPOILER FREE)

Mon, 17 May 2021 07:33:51 GMT

Oxygen is a French survival thriller directed by Alexandre Aja. The film tells the story of a young woman (Mélanie Laurent, 6 Underground, Inglourious Basterds ), who wakes up in a cryogenic pod. She doesn't remember who she is or how she ended up there. As she's running out of oxygen, she must rebuild her memory to find a way out of her nightmare.

RELEASE DATE: May 12, 2021
STUDIO: Netflix
DIRECTOR: Alexandre Aja
MPAA RATING: TV-MA
SCREENWRITER: Christie LeBlanc
STARRING: Melanie Laurent, Mathieu Amalric, Malik Zidi
GENRE: Thriller, Sci-Fi

FINDING YOU (2021) Graphic Review

Sat, 15 May 2021 01:45:59 GMT

SYNOPSIS :

FINDING YOU is an inspirational romantic drama full of heart and humor about finding the strength to be true to oneself. After an ill-fated audition at a prestigious New York music conservatory, violinist Finley Sinclair (Rose Reid) travels to an Irish coastal village to begin her semester studying abroad. At the B&B run by her host family, she encounters gregarious and persistent heartthrob movie star Beckett Rush (Jedidiah Goodacre), who is there to film another installment of his medieval fantasy-adventure franchise. As romance sparks between the unlikely pair, Beckett ignites a journey of discovery for Finley that transforms her heart, her music, and her outlook on life. In turn, Finley emboldens Beckett to reach beyond his teen-idol image and pursue his true passion. But when forces surrounding Beckett’s stardom threaten to crush their dreams, Finley must decide what she is willing to risk for love.

MY REVIEW:
“Finding You” is a film with many layers (perhaps, too many). Underneath its more obvious themes, lies a lesson about the power of prayer. God answers all prayers, but that answer is not always direct or instantaneous. Why? Because He knows better than we do. Finley has a plan at the beginning of this journey. However, that plan would deprive her of the journey, a journey she needs to improve her both her attitude and musicality. She must learn to appreciate her craft. God knows there is no better place than Ireland for such a lesson.

This is where she transforms into a fiddler.

Trust in God’s plan, even when it doesn’t make sense.

Release Date: May 14th, 2021
Studio: Roadside Attractions
Director: Brian Baugh
MPAA Rating: PG
Screenwriters: Brian Baugh
Starring: Rose Reid, Jedidiah Goodacre, Katherine McNamara, Patrick Bergin, Saoirse-Monica Jackson, Tom Everett Scott, Vanessa Redgrave
Genre: Drama, Romance

THE MITCHELLS VS. THE MACHINES (2021) Graphic Review

Thu, 29 Apr 2021 04:54:26 GMT

From the humans who brought you the Academy Award-winning Spider-Man: Into the Spider-Verse and The LEGO Movie comes "The Mitchells vs. The Machines", an animated action-comedy about an ordinary family who find themselves in the middle of their biggest family challenge: saving the world from the robot apocalypse. No big deal?

It all starts when creative outsider Katie Mitchell is accepted into the film school of her dreams. She is eager to leave home and find “her people". Her nature-loving dad insists on having the whole family drive her to school and bond during one last totally-not-awkward-or-forced road trip. Just as the trip can’t get any worse, the family suddenly finds itself in the midst of the robot uprising.

RELEASE DATE : April 30, 2021
STUDIO : Netflix
DIRECTOR : Mike Rianda
MPAA RATING : PG
SCREENWRITER : Mike Rianda, Jeff Rowe
STARRING : Abbi Jacobson, Danny McBride, Maya Rudolph, Mike Rianda, Eric Andre, Olivia Colman, Fred Armisen, Beck Bennett, Chrissy Teigen, John Legend, Charlyne Yi, Blake Griffin, Conan O'Brien, Doug the Pug, Sasheer Zamata, Elle Mills, Alex Hirsch, Jay Pharoah
GENRE : Animation, Adventure, Comedy

NETFLIX'S "STOWAWAY": WHAT WENT WRONG?

Tue, 27 Apr 2021 02:34:42 GMT

Acts 10:34 says, "I see very clearly that God shows no favoritism." (NLT)

In Netflix's original "Stowaway", a crew of three elite professionals embarks on a research mission to Mars where they will be stuck in space for two years. Three crew members depart, but a fourth crew member, Michael Adams (Shamier Anderson), appears after an innocent accident that leaves him unconscious on the ship.

This leads to a series of complications and tragedies that put every person on that ship in a difficult position: limited resources and dwindling oxygen. The crew must find the right solution before lives are lost. Is Commander Marina Barnett (Toni Collette) up for the challenge.

(SPOILERS AHEAD)

Simply put, NO .

Every decision she leads to further destruction to the ship and division amongst her crew. This is narcissism, elitism, and selfishness at its ugliest. Only this time, the crew is stuck with her, hopeless and voiceless. There is no escape, and she is in command. Thus, the struggle to survive becomes more than difficult. It feels downright impossible.

THE DIVIDE

Romans 16:17-18 says, "And now I make one more appeal, my dear brothers and sisters. Watch out for people who cause divisions and upset people’s faith by teaching things contrary to what you have been taught. Stay away from them. 18 Such people are not serving Christ our Lord; they are serving their own personal interests. By smooth talk and glowing words they deceive innocent people." (NLT)

There is a clear sense of judgment on the ship between those who deserve to be there and those who do not with Barnette on the top and Adams on the bottom of this isolated hierarchy. What about those in the middle?

David Kim (Daniel Dae Kim) is #2. On the cusp of a scientific breakthrough, he leaves behind his family and packs up his limited supplies to complete his life's work, which is their reason for the space mission.

Dr. Zoe Levenson (Anna Kendrick) is #3. She is brought on board as a safeguard. If something goes wrong, she is there to provide medical care to her crewmates. In the best case scenario, her work provides convenience, but no one is counting on her to be necessary. The ship is adapted to accommodate an extra body. In fact, she applies to the program expecting rejection. Her acceptance comes as a surprise. Because of it, she is eager to tag along, because it's the opportunity of a lifetime. Because of the accident, she becomes far more necessary for either of her crewmates expect.

Somehow, that doesn't sit well with the commander. So, she pulls aside Kim and they form their own little elitist club. Together, they withhold crucial information from the doctor and the stowaway. Until it's nearly too late. This crew of four should represent a unified front. Everyone deserves to know their circumstances. They should collaborate and explore solutions together. Instead, Barnett holds a disturbing amount of secret meetings and phone calls. She pushes away the two crew members that she thinks of a lesser.

BAD DECISIONS

Philippians 2:4 - "Don’t look out only for your own interests, but take an interest in others, too." (NLT)

The mere fact that she is will to consider murder as a first option should tell us all we need to know. Of course, that's not something she admits outright, just heavily implies it and expects her #2 to carry it out. Meanwhile, she hounds Kim to destroy his research, because there's a small chance it would provide the ship with the oxygen they need. It's an easy decision for her to make despite how much it hurt Kim. With his resources and research gone, the mission becomes obsolete. His purpose is stripped away from him.

Barnett makes this choice without Kim's blessing before even consulting Dr. Levenson. If she collaborated with the entire crew as equals, Levenson would have more time to develop a humane plan of her own. It is by far a superior plan to Barnett's ideas to destroy the entire mission or kill Adams. So, why does she not consider the good doctor's idea? Because it would hurt her precious ship.

Who is this monster? Who put this woman in charge? What is her purpose on the ship? Other than making the worst possible decisions, talk about people behind their backs, and destroy the dreams of others? Eventually, destroy life? Not much else. Because of her, someone dies.

We never see what happens when the crew reaches Mars. Kim can't do his research. The only thing they could do is turn the ship right around and pray no further harm comes to them. All thanks to the piss poor leadership in charge of that unfortunate crew.

The only solace we feel is the knowledge that this mission is Barnette's last. It certainly would be after headquarters hears full the story from the survivors. Fingers crossed.

THE SACRIFICE

John 15:13 - "There is no greater love than to lay down one’s life for one’s friends." (NLT)

With every monster comes a hero. Throughout the entire course of the film, a terrible possibility lingers. What will happen to the stowaway, the ship, or the entire crew? Thanks to Dr. Levenson, the ship avoids complete disaster, because she is willing to defy the orders of her incompetent, selfish commander. As a doctor, Levenson values all life. She sees no hierarchy, nor does she favor one life over another.

Dr. Levenson is the only person on the ship who seems to care about this unexpected crew member. She would do anything to save his life, even step aside to let him take her spot on the ship. When all else is lost, she risks her life twice and willingly sacrifices herself to save the others.

After Barnette wastes so much time with her terrible ideas, there comes no alternative. Life must be taken for the sake of others. She willingly gives it. I'd like to see Barnette or Kim go so far. They are willing to take life. Levenson is the only one who gives life.

"THE MANDALORIAN" EXPLORES HIS FAITH (Season 2)

Wed, 21 Apr 2021 02:45:06 GMT

The incredible Star Wars series continues with Season 2 of The Mandalorian. Din Jarin shows his devotion to his mission as he embarks on a galaxy-wide quest to find a Jedi master to take in the child, Grogu. The more time they spend together, the closer they grow. It makes one wonder how they will stand to separate at the end of the Mando's mission.

Spoiler: It's not easy.

While Mando's devotion to the little, potential Jedi remains unfaltering and unyielding, his faith is put to the test, especially without the support of his covert. It meets a tragic end at the end of Season 1. He and Grogu face their tests alone. (See Season 1 review). Without his home. Without his colleagues. How does Mando's faith as a Mandolorian fare? Let's explore his journey episode by episode.

BOBA FETT'S ARMOR

The Mandalorian Creed dictates that only Mandalorians can wear Mandalorian armor. It is a distinct look with maximum protection. It is made of a rare, indestructible metal called beskar. Not even lightsabers can penetrate it. Mandalorians are enormously proud and protective of their armor.

"Chapter 9: The Marshal":

Mando meets Marshall Cobb Vanth of Mos Pelgo, a small Tatooine community. Vanth is rumored to be a Mandalorian because he wears the armor. However, he is no Mandalorian, and he bought the armor from some familiar Jawas. It is the armor of Boba Fett who was last seen getting swallowed by a Sarlacc in "Return of the Jedi".

When Mando discovers the fraud, he is prepared to kill the marshal to take it back. Instead, he settles for diplomacy. Vanth peacefully surrenders the armor in exchange for Mando's help. Mandalorians are trained to shoot first and ask questions later, but the complexities of his mission require a more delicate approach. How much more bloodshed does the child need to witness?

"Chapter 14: The Tragedy":

It is one thing to put the child in a dangerous situation, but the steaks rise when he is taken by the people from whom Mando works so hard to protect him: The Empire. They would kill the child in the name of science, especially if it means bringing their beloved Emperor back from the dead. What would Mando do to save his foundling?

Boba Fett's armor seems like a small price to pay for the famous bounty hunter's assistance. He surrenders the armor to this non-Mandalorian. Suddenly, the beliefs for which he is willing to kill are not as important as before.

BREAKING PROMISES

"Chapter 10: The Passenger":

The notion of promises is barely explored, but it is hinted in Episode 2. Mandalorians are famed for keeping the promises they make. However, Mando easily forgets his obligation to one client in favor of Grogu's safety. His dedication to the child is his top priority, even when his ship is in dire need of repairs and a woman's family is at stake.

MEETING A LIBERAL SECT

The protective covert of Mando's sect keeps him sheltered from other sects of Mandalorians in the galaxy. He is taught to believe that his way is the only way.

"Chapter 11: The Heiress":

Until he meets Bo-Katan Kryze, leader of a liberal sect of Mandalorians and heiress to the throne of Mandalore. Mando's training dictates he write her off as a heretic and walk away. However, he is in no position to turn away a Mandalorians offer to help. His covert is gone. They are the first and only Mandalorians he finds. They are also willing to accept and help him. All he needs to do is ignore their lax helmet rules. It's not unreasonable given the circumstances.

This sect holds the key to the future of all Mandalorians. Their goal is to restore their planet. If Bo-Katan can achieve her goal, all Mandalorians safe to come out of hiding. They would have a home. This shows Mando a future beyond his immediate mission. It is a noble cause to join. He just needs to let go of his extreme beliefs.

Perhaps, we will see that arc unfold in Season 3.

LETTING GO

This is another subtle theme, but it is crucial for the end of the season. Mando grows weary of subjecting his foundling to dangerous situations, and he must learn to trust others to care for him. Otherwise, he can never complete his mission.

"Chapter 12: The Siege"

The first time he leaves Grogu alone. The mission is too dangerous. To take the child along would ensure Grogu's death. The best thing for him is to leave him in safe hands: a teacher. It is a foreshadow of the mission's conclusion.

"Chapter 14: The Tragedy"

Mando faces a bigger problem at the temple on Tython. Grogu makes his call to Luke Skywalker while an ambush surrounds them. The call takes time no one can afford. Mando tries to interrupt it, but he is unable. He must resist the urge to hide Grogu from the Empire and allow the child to pursue his future with a new master and protector. Instead, Mando gives Grogu the time he needs by fighting off their Imperial assailants. Even at great costs. His ship is destroyed, and the child is taken.

In the long run, it is the right thing to do because he allows his foundling to find a place where he can belong. Mando does not understand the Force. He cannot reason with it. He cannot stop it. He must learn to accept it and the Jedi he encounters.

MAKING FRIENDS WITH THE JEDI

Mandalorians consider the Jedi Order to be enemies. They stand for different causes, and their history is filled with bloodshed. To Mando, they are "enemy sorcerers". Again, his mission with Grogu blurs the lines. Grogu is both youngling and foundling. In his case, the Jedis mark the completion of his mission.

"Chapter 13: The Jedi"

"I like firsts. Good or bad, they're always memorable."

This is where Mando and Grogu meet their first Jedi, Ahsoka Tano, and they find themselves with a common goal. Common enemies, Jedi and Mandalorian, forge a union against an Emperial tyrant whose defeat would benefit both of them. It is the first pairing of its kind - different religions working together.

Tradition be damned here. Instead, we see good people working with good people for good causes. They fight the remnants of Imperial influence in the galaxy. Despite their differences, Mando learns it's better to trust others, even his supposed enemies and especially when fighting the Empire. It is the Empire that poses the greatest danger to his foundling.

"Chapter 16: The Rescue"

Mando needs that trust in the Jedi for the intimidating moment when Luke Skywalker enters the scene. The Master Jedi does save their lives, but he does the task too well by leaving Mando's entire team of kick-ass woman warriors shaking in their boots. Even the confident and arrogant Moff Gideon becomes so shaken at the sight of Skywalker that he attempts a murder-suicide before the Jedi reaches the door to their holdup.

Only Mando and Grogu understand the reason for Skywalker's appearance. He comes for the child. He doesn't want to pick a fight, kill Gideon, or take the Dark Saber. All he wants is to provide help to the youngling that called for him. Everything else is not his business. Mando trusts him to do exactly that. Because he learns that these "enemy sorcerers" are hardly enemies. They're just different.

So, he opens the door to the most fearsome being on the ship.

REMOVING HIS HELMET

The ultimate doubt regards the holy grail of Mandalorian Law. They may never show their faces to another living being. However, the liberal sect plants a serious seed of doubt in him. Yet, they are not punished. They are allowed to continue to wear their helmets even though they throw off their helmet at every opportune moment. Eventually, their bad influence affects him until he too removes his helmet with ease.

"Chapter 15: The Believer"

"Seems to me like your rules start to change when you get desperate."

Here, he bends the rules. He changes into the armor of a stormtrooper. This way, he can infiltrate an Imperial base without showing his face. Circumstances change as the mission gets more complicated. He must show his face to a computer. Again, technicality wins.

A computer is not alive, much like the droid that saves him in Season 1. He doesn't expect to get caught unaware by a particularly infuriating Imperial officer. This time, luck is on his side. No Imperials lives after they see his face. No harm done, right? Not exactly. That computer keeps a record of his facial scan. By the end, the entire galaxy would know his face through that image. Because of this infraction, he should never again wear his helmet... but who would be there to enforce the rule. The only Mandalorians he knows are just as guilty as he.

Here, we must consider the deeper meaning. He breaks this rule for the love of his child and to preserve a far greater belief. He would break one rule to preserve another. In the end, what makes him a Mandalorian: his helmet or his mission? Remove the helmet, save the child. That's exactly what he does.

"Chapter 16: The Rescue"

The last time he removes his helmet is to say goodbye. Grogu wants to see the face of his surrogate father, and Mando obliges him in front of everyone in the room. It is a tear-jerking moment because we can see on his face that Mando is a changed man. He is a man who loves his child, regardless of his Mandalorian faith.

CONCLUSION

With every passing episode, Mando's religious resolve fades. And all that's left is the love. What is religion without love?

The season ends with the child surrendered to a Jedi, returned to its "own kind". With Mando no longer responsible for him, what will his next adventure be? Many questions are left unanswered.

Who claims the Dark Saber?
What becomes of the unconscious Moth Gideon?
Will Mando officially convert to the new sect?
Will the Mandalorians see their planet restored?
What will become of Grogu at Luke's doomed temple?

Let us see how many of these questions are answered in Season 3, now in filming.

WHAT HAPPENED TO MONDAY: HER SAFETY OR HER MIND?

Tue, 13 Apr 2021 07:10:36 GMT

The search continues for the hidden gems among Netflix's vast collection of mediocrity. It would seem the creators have a special knack for Sci-Fi and documentaries. They ought to refine their focus to those genres. Needless to say, their standards for film need serious improvement. Fortunately, "What Happened to Monday" is one such gem. It is a unique dystopia story that speaks on the complexities of devotion and betrayal within a family.

In a future where the world is plagued with overpopulation, Dystopia ensues. A new governmental regulation mandates a one-child law. Any families caught with more than one child are forced to surrender their access children It is a disturbing form of dictatorship where the word "sibling" becomes feared and despised.

In this particular story, a family of septuplets (seven sisters) is forced into a complex underground lifestyle. Each sister is designated to one day of the week where they can emerge from hiding, all playing the role of a single identity, Karen Settman. One persona shares the energy and brainpower of seven minds. The world acknowledges her to be a tireless genius. It proves to be a brilliant business strategy, but each individuality suffers. As the siblings grow older, the more restless they become for lives and spaces of their own. However, their lives depend on their secrecy. Is such a life worth living? Monday doesn't think so.

While the story speaks to a growing concern regarding Earth's growing population, the solution is problematic. It is not a solution to freeze people for an uncertain future. Authorities like Nicolette Cayman are kicking the can down the road. She appears to be making her problem the future's problem. That's no solution; that's stalling. Not everything is as it appears, and it becomes the mission of Tuesday through Sunday to discover Cayman's grave deception.

SPOILERS AHEAD

First, they must find their sister, Monday, who disappears after a crucial day of work. Tuesday joins her. The remaining five are forced out of hiding to investigate, but it comes at a great cost. Four sisters lose their lives, a strong indication that authorities have more to hide than a warehouse of frozen children. Instead, they find a pile of ash larger than those preserved at Concentration Campsites.

Worse, they discover betrayal by one of their own. Monday turns out to be a colder person than her sisters and jealous coworker suspect. She wants Karen Settman's success all to herself. After years of collaboration and equal work, she rips the rug out from under her sisters as soon as a promotion comes her way. She goes behind her sisters' back and subjects them to annihilation. Her bitterness and jealousy corrupt her to the core. She is the one who exposes their deepest secrets. She is the reason four of her sisters die and the other two suffer. All over her greed.

There is a silver lining to Monday's heartless betrayal. The ordeal leads her stronger and smarter sister to uncover a terrible conspiracy. The dictatorship that plagues the world comes to a swift end, and families are free to come out of hiding. It provides a bitter-sweet ending. Though the world becomes free again, the problem of overpopulation and limited resources come back into play.

It leaves one wondering which they would rather have: a short, free life or prolonged misery. The answer should be easy, especially for believers. There is a life after this world where there is room for all life and resources are abundant. There are no secrets, lies, or betrayals. That is the life to which we should look forward.

AMAZON FEATURES "UNHINGED", A PEAK INTO ABUSERS' MINDS (GASLIGHTING)

Sun, 11 Apr 2021 23:56:17 GMT

What happens when a self-absorbed, irresponsible mother comes to blows with a murdering psychopath? The scenario in "Unhinged".

It is a disturbing story, because the monsters are real. This horrifying day could happen to anyone. Fortunately, "Unhinged" gives us the answer we need to avoid confrontation.

PAY ATTENTION.

It is the core message in the film, and Rachel's family is notoriously bad at it. The only family member who seems to have his head on straight is Rachel's teenage son, Kyle. The poor kid is stuck in a bad enough home life. He's a sweet, attentive boy, but he hates that he's surrounded by such selfish, obtuse people. The last thing he needs is to become the target of a psychopath, because of his mother's reckless driving.

Meanwhile, Fred, his equally selfish uncle, denies him the chance to recognize the problem before it occurs. Kyle is watching a news report detailing the psychopath's most recent crimes. Everything the family needs to identify him is blaring in their faces, but what do they do? Rachel is too busy rushing to get dressed for the day, and Fred talks over the report so loudly that Kyle cannot focus. If that's not bad enough, Fred then grabs the remote and turns off the television.

Both adults are too caught up in their own frivolous problems to recognize a very real danger. There is a psychopath lose in their area driving a grey pickup truck.

That said, we must ask. Does Rachel's thoughtlessness justify The Man's actions: stalking, torment, gaslighting, and murder? Absolutely not. A healthy person would have uttered some choice words in the car's direction, swallowed their damaged pride, and driven on. It's the responsible and safe thing to do. If more people could do that, maybe there would be fewer incidents on the roads. Fewer people would be dead.

Instead, this crazy person was out looking for a fight. After his criminal assault on his ex-wife, his blood lust was not satisfied. It never is. Thus, he projects his issues onto the first person with the nerve to stand up to him. Bottom line: He's a bully and menace with a terrible habit of gaslighting his victims. However, Rachel is not the kind of woman to stand for it. She knows his fault from the beginning, and she learns later how faulty he is.

Who the hell is he to tell her that she's not allowed to have a bad day?

Everyone has a bad day. The difference is not every one deserves that bad day. Sometimes, psychopaths drop into our laps. The best we can do is defend ourselves. That is exactly what Rachel does.

People are ALLOWED to have a bad day. Life is not a competition. We should cut each other some slack. Forgive. Let go. MOVE ON. It true that she needs to step it up to improve her life. However, he's the one who belongs in prison. He's the danger. Most importantly, we need to be vigilant of danger. Pay attention to the news. Unfortunately, people have forgotten it in our modern, fast-paced society. Let this film serve as a reminder of what we must do to protect ourselves on the road and from abusers.

TWO UNSTABLE WOMEN FIGHT FOR CONTROL IN NETFLIX TOP 10 "DEADLY ILLUSIONS".

Tue, 23 Mar 2021 01:52:45 GMT

Leading this week's Netflix Top 10 is a new original, "Deadly Illusions", a Lifetime-based thriller that reminds us of the most important lessons we learned as children. Don't talk to strangers. There is a good reason for it, because first impressions are not always the lasting ones. One would think 40-something-year-old bestselling author Mary Morrison would understand that. Her books' dark themes of lies and betrayal extend beyond fiction. It lives in the real world. Instead, Mary enjoys a privileged, wealthy lifestyle while her old works continue to fly off the shelves.

Her retirement, however, is short-lived when her husband becomes the victim of a deal gone south and half their savings disappears. So, she begrudgingly takes a deal from her publishers. All she must do is write one more book, and their saving will be restored. This is money that is carefully squirreled away for their future security: the care of their children and secure retirement. Needless to say, the stakes are high if she cannot deliver a final book.

One would think Mary would take the job more seriously. This is where the plot of this Lifetime wannabe thriller falls apart, because it takes Mary no time to forget the impending danger. Before she writes a single word, she makes a series of senseless mistakes that would certainly make one question her sanity.

A harsh publicist reminds her of her comfortable situation in the beginning. The brutally direct delivery makes it easy to ignore the message. However, the words hold merit. Mary is spoiled, and she makes terrible decisions. How on Earth does she become so successful? Easy. Sex sells.

"It must be nice not to have to worry about your children, whether or not they'll have a roof over their heads or a good school to attend. You're Mary Morrison, best-selling author. Yet, there was a time when Mary couldn't even get one publisher to read her work. So, she resorted to writing salacious stories, and now gets to sit back and rake in residuals without a single thought to how she got there or who put her there."
(Darlene, Deadly Illusions)

She certainly does forget. She forgets everything: the work required, the ingrity of a proper writer, and appreciation for her publisher. Because she would rather sit at home smoking expensive cigars, lying by the pool, and spending money from a rapidly decreasing bank account than continue to create. If what Darlene says is true, then she could have used her notoriety as a published author to explore her original genre. At the height of her career, she could write anything. Instead, she quits. Only when her wealth is threatened does she agree to continue writing.

Thus, the bad decisions begin. First, she hires Grace, an expensive nanny to take care of her children, even though she would be working under the same roof. With all the time Mary procrastinates and micromanaging Grace, she could easily write and take care of her children simultaneously. Instead, she allows Grace's youth and beauty to feeds her insecurities. Out of nowhere, she springs the idea of plastic surgery on her husband even though they are in the midst of a financial crisis. It's one thing to overspend the money she earns, but that devolves into a much more unhealthy habit of spending money she doesn't have. There is still a book to write.

She should use her book advance to get psychiatric treatment. Her fixations lead to fits of rage and unwarranted accusations against Grace and her husband. Worse, she explodes in front of her children, which makes her guilty of verbal and emotional abuse. A more sensible employee would quit on the spot and called CPS.

Grace, on the other hand, is as unstable as her manic employer. The next thing Mary knows, she becomes the main suspect in a murder investigation. Though, it's hardly a twist, because she let an unstable stranger into her home. A good author would see that coming from a mile away. A good mother would take better care of her children. A good person would find a way to multitask. Mary Morrison is none of these things, and her family knows it. Of course, she is a suspect.

In the end, both women are guilty. Only one of them is a killer, but Grace gets the treatment she needs. She has hope of becoming a better person, while Mary remains unchecked and untreated. She finishes her book, gets her money, and goes on to live in comfort. Until the next crisis where she will need to write another book and her family becomes the target of her aggression again. I hardly call that a happy ending.

THE MOST IMPORTANT LESSON OF THE "WANDAVISION" FINALE

Thu, 11 Mar 2021 05:54:52 GMT

The finale of the hit series WandaVision reveals the mysterious origin and future of the Avengers' most powerful member, the Scarlett Witch. Thanks to this unique self-aware miniseries, she gets the acknowledgment deserving of Wanda's character, now that she doesn't have dozens of heroes with whom to compete for runtime. Let's not forget, Wanda was the only Avenger to nearly destroy Thanos in Endgame. Had it not been for his spaceship full of canons, she would have succeeded. That is incredible power, but it is also frightening, painful, and dangerous.

The small, isolated town of Westview unfortunately must learn this the hard way when Wanda comes to town while harboring a myriad of unresolved issues. Anger, loss, grief. Feelings so powerful that it affects every one of Westview's residents. Her inner turmoil becomes theirs. Until she overcomes her grief, the people around her will never be free.

The nine episodes of WandaVision explores her journey to find acceptance that awaits at the end of her grieving process before she loses control and potential ends the world. At least, that's what the prophesy says, according to her witchy "friend" Agnus. Wanda will not accept that fate. She wants to be better than that. But how?

Wanda must grasp better control of her appropriately named Chaos Magic, because it has already begun to seize control of her and the town of Westview. So much so, Wanda does understand the extent of her abilities or her hurtful effects on the people around her. She is in denial, the first stage of grief.

She places a barrier between Westview and the rest of the world where she can live comfortably in a fantasy world. She gives herself an idyllic family life with a devoted husband and two loving children. She lives a fantasy while everyone around her must suffer. They feel the anguish that she will not accept. It makes them want to die. In order to free the town, she must take back the grief and own her actions. Ultimately, she must let go of her fantasy.

Wanda is so lost in her chaotic fantasy that she doesn't notice the two intruders. They are attracted to her power through the power of her Hex. Each sees a tremendous power and feels compelled to reach out to Wanda. Their goals are united in guiding Wanda back to reality, but they each have different motives.

AGATHA HARKNESS - THE ENERGY VAMPIRE

" Energy vampires are people who drain your emotional energy, leaving you exhausted and overwhelmed."

The nosy neighbor can be a nightmare who judges, harass, and give unnecessary advice to others. Not Agatha. She is a model neighbor with her perfect timing and lavish gifts. Worse, she tells Wanda everything she wants to hear. A fake friend always does. While feeding Wanda's ego, she works behind the scenes to sabotage the fantasy world around them.

She is a stereotypical villain, wanting to live forever and be the most powerful witch in the world. She drains power from others that she deems undeserving. The truth is she is the undeserving one. She kills other gifted women by draining their abilities and by extension their life force.

This is her intention with Wanda. She knows Wanda's potential for power, and she wants it. So, she is willing to do anything to get it, even by pretending to be her friend. She feeds Wanda's denial with lies and false friendship. Though it feels good in the moment, it holds back Wanda's potential. It's diabolical, terrible, and false. Worse, it doesn't help Wanda overcome her grief.

With Agatha as a friend , Wanda would die.

MONICA RAMBEAU - A REAL FRIEND

One of the most beautiful qualities of true friendship is to understand and to be understood. -Lucius Annaeus Seneca

Wanda has a true friend in Monica who is the opposite of Agatha. Monica is a sword agent, an extension of the Avengers. She speaks the truth in a brutally direct way. Wanda finds it off-putting, even though Monica's message is what she needs to hear. Wanda pushes her away, but Monica cares enough not to give up on her. All she wants is to ease Wanda's suffering before it spreads beyond Westview.

The two women share trauma. Monica lost her mother so suddenly that she never has the chance to say goodbye. She lacks closure, just like Wanda. Their shared trauma gives Monica credibility with Wanda. Unlike other "friends, she has compassion and empathy.

Her power is a gift based on that shared experience: profound insight. She can see the unfiltered world around her. She knows the truth. Thus, she has a better opportunity to help Wanda than anyone else. She is Wanda's true friend.

THE SCARLETT WITCH - WANDA'S BEST SELF

Oddly enough, both women help Wanda overcome her grief. Same method, different motive. Agatha unintentionally gives Wanda knowledge by showing her some runes and an ancient book. That is her flaw, because she underestimates Wanda's intelligence. Agatha uses knowledge to corrupt the truth. Monica uses life experience to give her uncorrupted truth.

Either way, the truth sets Wanda free.

Who is Wanda? She is the Scarlett Witch and an Avenger. Her witch half has the potential to destroy the world. Her Avenger half can save the world. Which will she choose?

After her transformation, she leaves Westview to learn more about her prophecy. She studies Agatha's book. Knowledge transforms her. Knowledge can help her skills grow. What will her pursuit for knowledge reveal to her?

Learn more from her story with future Marvel installments on Disney+.

THE SECRET MESSAGE HIDING IN "THE VAST OF NIGHT"

Thu, 04 Mar 2021 07:09:14 GMT

Hebrews 13:16 - "And don’t forget to do good and to share with those in need. These are the sacrifices that please God." (NLT)

Set in the 1950's "The Vast of Night" is a well-crafted thriller that mimics "The Twilight Zone" and leads two young teenagers to discover the existence of alien life.

What begins as a mundane night in the secluded area of New Mexico becomes the most eventful occurrence in the town's history. Unfortunately, no one is outside to see or hear it due to a local basketball game that attracts most of the town. It leaves the streets of New Mexico quiet and abandoned, a prime opportunity for the aliens to come out to play.

What the aliens do not expect are two curious teenagers who are stuck at work that night: Switchboard Operator Fay Crocker and Radio DJ Everett Sloan. It begins with these two friends spend the night investigating a strange sound on the telephone, and it quickly escalates into a full-blown conspiracy.

Fay hears the sound over the telephone, and Everett broadcasts it to the public. This is where they meet two helpless citizens, Mabel Blanche and Billy. Society rejects these two people, because they are elder minorities. Billy's encounter leaves him with physical pain. Mabel's encounter leaves her with grief and loneliness. Both are left with hopelessness. Until they hear Everett's radio show. Thus, they feel they have no voice, and they spend their lives in silence. With nothing left to lose, they call in and speak up. Hostile aliens victimize humanity through pain and secrecy.

Philippians 2:4 - "Don’t look out only for your own interests, but take an interest in others, too." (NLT)

Anyone else would call them crazy and suspect them of terrible crimes. Not Fay and Everrett. They are a pair of understanding, open-minded people. More importantly, they have voices as portrayed through their positions. Fay, a bridge-builder, connects people, one voice to another. Everett broadcasts voices on the radio to the public, one voice to many.

SPOILERS AHEAD

That mysterious night in New Mexico becomes no longer a secret, because the story falls into the right hands. Fay and Everett spend their last night on Earth giving a voice to two voiceless people. These hostile aliens lose. They chose the wrong town if their goal is to remain a secret. In the end, whatever happens to the pair (whether they're taken or murdered) they leave behind the message. That message will spread. Because they have voices.

TRUTH BRINGS FREEDOM, EVEN TO THE "SIGHTLESS".

Wed, 10 Feb 2021 06:17:05 GMT

Proverbs 13:5 - "The righteous hates falsehood, but the wicked brings shame and disgrace." (ESV)

Nothing is as it seems in Netflix sensation, "Sightless". From the troubling parallels it takes from horrors and thrillers before it to the questionable quality of the writing, the story takes its audience on a confusing rollercoaster until its (not so) twist ending, which will make you want to watch it all over again.

At first glance, this thriller appears to copy a certain 2008 horror film starring Jessica Alba. In many ways, "Sightless" is a poor man's "The Eye". A blind violinist struggles to adjust to her new life after a life-altering change. Until she overcomes the horror of her condition and becomes a musical sensation once again. It's almost insulting.

Why the writers of "Sightless" chose such a glaring parallel is unclear, but the viewers of Netflix are eating it up. "Sightless" is a Netflix Top 10 this week. Perhaps, it has something to do this the differences between the two films that have viewers so enthralled. There is something remarkable relatable about the psychological effects of feeling trapped, thanks to the Quarantine mandates of our time.

Meanwhile, the exposition-fueled dialogue leaves something to be desired. Everyone around this vulnerable, young woman seems to know everything about her fading stardom. They pressure her to continue her music. They lead her through a fruitless investigation. They make empty promises and give the same troubling advice: sit tight and do as you're told. Lazy writing or plot point?

SPOILERS AHEAD.

Romans 16:17-18 - "Watch out for people who cause divisions and upset people’s faith by teaching things contrary to what you have been taught. Stay away from them. 18 Such people are not serving Christ our Lord; they are serving their own personal interests. By smooth talk and glowing words they deceive innocent people." (NLT)

Strip away the supernatural terror provided in "The Eye", Ellen finds herself in the storyline of " 1BR " where there is no magic or spirits. Instead, she comes face-to-face with the most troubling villain of all: Clayton. A real human being with a criminal obsession. Human monsters are scarier than ghosts, because they are real. The world is littered with human monsters.

They're abusive, violent, selfish, and difficult to identify. Often, we don't know what they are until it is too late. Without her eyesight, it is almost impossible for Emma to identify the monster in front of her. She cannot even see her surroundings. Her sightlessness makes her utterly vulnerable. At least, he thinks it does, which is why Clayton puts such little effort into his ruse. Ripe with gaslighting, alienation, love bombing, emotional blackmail, and violence.

There is, however, one thing he doesn't count on. She has experience with an abusive man. She knows the playbook very well, and she can see through the inconsistencies of his lies. Her eyesight may be gone, but her mind is as sharp as ever. As is her desire for freedom and independence. Despite her disability. Despite her abusers. Thus, she leaps from her balcony. It looks like suicide, but it is a metaphorical leap of faith that is driven by her desire to enter a world that makes sense. Even for a brief moment.

1 Peter 2:16 - "For you are free, yet you are God’s slaves, so don’t use your freedom as an excuse to do evil." (NLT)

This is where she finds the ultimate truth about her reality. What does she find? How does she use her knowledge to be free? What will she do with her freedom?

A MOTHER LEARNS TO RE-EVALUATE HER PRIORITIES IN "EVIL EYE".

Tue, 02 Feb 2021 05:14:39 GMT

Proverbs 22:24-25 - "Don’t befriend angry people or associate with hot-tempered people, or you will learn to be like them and endanger your soul." (NLT)

Amazon Original "Evil Eye" is a unique mix of horror and mystery with an incredible message about culture, family, and trust. This shines in the rocky mother-daughter relationship that drives this story.

Usha strives to keep Indian tradition alive in her daughter Pallavi. However, she struggles to keep control from across the ocean. She enjoys a safe, quiet life in India with her husband provide for her and her unshakable faith to comfort her. Her obsession with tradition and astrology is enough to exhaust her liberal daughter.

Pallavi lives a single life in the United States. She works full-time in the city while leaving a trail of disappointing blind dates in her wake. Her main concern is finding time to write, not a husband. Until the day a man finds her.

Job 12:12 - "Wisdom belongs to the aged, and understanding to the old." (NLT)

One would think that Usha would be happy when Pallavi finds a boyfriend with whom she can imagine a traditional life. Yet, something does not feel right about this man, Sandeep. Slowly but surely, he drives a wedge between mother and daughter. Red flags begin to wave when his dark side begins to surface.

up with the same kind of man, controlling and violent. In her mind, they are the same man. This scares Usha. Her experience speaks louder than tradition. Thus, her campaign to find Pallavi a husband shifts into a fight to save both of their lives.

First, she must convince her daughter of the impending danger. That is the biggest struggle of all. Who would believe her when her abuser crippled her credibility. He has everyone convinced that she is paranoid and delusional. How can she get through to her daughter before it is too late?

Psalm 11:5 - "The Lord examines both the righteous and the wicked. He hates those who love violence." (NLT)

Tradition fades. Astrology fails. Only experience will serve her. Both Usha and Pallavi know the signs of the abuser, because they've seen it. They've experienced the same relationship. Experience speaks volumes.

Enjoy this remarkable thriller on Amazon Prime today.

WHO IS LADY WHISTLEDOWN?

Wed, 20 Jan 2021 01:55:29 GMT

BRIDGERTON'S GREATEST MYSTERY

SPOILER WARNING. OBVIOUSLY.

"Bridgerton" is not your run of the mill Regency romance.

Netflix brings the regency era to life with a unique perspective that our modern world can understand such an outrageous culture. Historically accurate it is not. Those who critique "Bridgerton" thusly miss the point of its creation. It is not meant to be accurate. It is fiction that teaches 2020 how humanity progressed. More importantly, it teaches us how far we have yet to progress, because even in our modern times, prejudice is very much alive. Sexism and racism lives when it should not.

In the fantasy world of Bridgerton, people of separate race achieve status and power after a black woman takes the throne, but women do not achieve independence. They remain second rate citizens, put on display for men to stake their claim. Young women are trained for marriage and motherhood. Nothing more. It is despicable, and it leaves some women craving more out of life.

Such is the case for Lady Whistledown, the debut season's greatest mystery. She writes about the lives of others with abandon. Her frustration and outrage with the limitations of her life shine in her words with every published pamphlet. The boredom of upscale life provides her a captive audience. Every powerful family in London eats up her words in their struggle to find purpose in their fleeting lives.

Whistledown uses what little control she has in her life to win the power she craves. Through her advantage as an overlooked wallflower, her skills as a writer, and her human need for artistic expression, this mysterious author is a woman in tremendous pain.

Yes, Lady Whistledown is nonother than Penelope Featherington, the unassuming, timid wallflower. Who better to absorb secrets? It is easy for her to win the trust of her friends while remaining invisible to the rest. She must feel hopeless to find a husband in a pool of stiff competition, especially to the man for whom she pines. Thus, she takes matters into her own hands in a very unconventional way. Let's explore the making of Lady Whistledown.

INSPIRATION

It becomes abundantly clear throughout the season that the "Lady Featherington" is a terrible gossip. She spends more time chatting with her friends over tea than she does pay attention to the affairs of her family and the financial state of her household. She spends money faster than her husband makes it. All the while, her youngest (invisible) daughter Penelope is sitting in the background listening to every word.

Meanwhile, Penelope's preference for reading gives her the skills of a compelling scribe. Her new (albeit stressful) experience of being a lady on the market provides the pamphlet with a unique flavor. She writes as she learns about the complexities of marriage and womanhood. Her mother's gossip fills in the gaps. Together, they make the Lady Whistledown.

FAMILY FAVORITES

Another important clue lies in her personal life behind closed doors. Penelope's sisters bully her for her appearance. She is not even allowed to wear her favorite color. Her mother insists she wears yellow when Penelope prefers pink. Every moment of her life is controlled and scrutinized by the people who ought to love her most.

It should then come as no surprise that she would want out of the Featherington family all together. She would prefer to join her neighbors across the street. Therefore, she places her hope in Colin Bridgerton to marry her. This favoritism is evident in her introduction when she addresses both families.

Featheringtons: "Three misses foisted upon the marriage market by like sorrowful sows by their tasteless, tactless mama."

Bridgertons: "A shockingly prolific family noted for its bounty of perfectly handsome sons."

It's clear of which family this author would rather become a member. A Featherington girl in love with a Bridgerton boy, the same young man she hopes to protect and secure at all costs. Even if it ruins her family name.

EXPOSING SCANDAL

There is one specific secret that remains out of the scandal pamphlet for the majority of the season, which is the most damning scandal of all. Miss Thompson's pregnancy. Penelopy knows this secret from the beginning. Yet, she tactfully keeps it out of her papers for two reasons:
1) She faces the ruin of her family.
2) She would face the exposure of her alias.

It is only when her awful mother's ambition breaks Penelope's innocent heart do the two worlds finally merge. She exposes the scandal as her last, desperate attempt to stop an engagement between Colin and her dishonorable cousin.

At the end of the day, that is the purpose of her work. She vows in her introduction to expose London's scandals. That is exactly what she does here. She uses the resource available to her to earn the one thing her mother never gives her: acknowledgment.

Lady Whistledown is regarded as both villain and savior for the Bridgerton family throughout the season. In reality, she is neither. She is simply a writer. She reports what she hears and sees. Penelope Featherington, on the other hand, is a young woman in pain. She uses her creative outlet to vent the frustrations of her lonely life and unfair situations. What is so wrong about that? Perhaps, Penelope's neighbors and friends would be better off by reaching out to her instead of fueling the drama.

What an intriguing first season. Beneath the surface of this naughty story is the most entertaining mystery I've seen so far this year. Let us hope the following season live up to their predecessor. Will Lady Whistledown give Penelope the power she needs to break free? Only time will tell.

NETFLIX WINDS UP THE YEAR WITH "DEATH TO 2020" (AND A REACTION TO THE CAPITOL RIOT)

Sun, 10 Jan 2021 23:11:10 GMT

2 Corinthians 13:11 - "Dear brothers and sisters, I close my letter with these last words: Be joyful. Grow to maturity. Encourage each other. Live in harmony and peace. Then the God of love and peace will be with you." (NLT)

Netflix releases a review of 2020, a "dumpster fire of a year." "Death to 2020" is a mockumentary that presents the year with a sense of humor that shifts between morbid and cheesy. Given the year humanity has suffered, some humor (regardless of quality) is in order.

The film follows the perspective of ten different people around the world and records the different reactions to the year. The list includes infuriating people such as a trump-supporting, anti-masker politician and a white privilege homemaking Karen. Level-headed experts are also brought in to balance out the lunacy including a historian, psychologist, and scientist. Serving a light, albeit dull frosting was the honest perspective of an average Jo who mistakes November's US election like the crazy game show that it was and a millennial who finds a way to make bank on the events surrounding the year. This list goes on. Ten different reactions to the same terrible year.

"I think the next best thing to solving a problem is finding some humor in it." –Frank A. Clark

What else can we do then approach this year with a sense of humor? Sometimes, humor is all we have. Laughter is a powerful tool to get people through the worst of times. We need more laughter right now.

Unfortunately, America did not have a long enough break to sit back and chuckle at the absurdity that has become daily life in 2020. Even then, I doubt the writers of this film could have predicted what would happen within the first week of 2021.

A violent attack occurred on Capitol Hill, an insurrection made by the top dog himself: Donald Trump. It was a terrifying event where five people would lose their lives, destruction of Capitol and press property, private offices invaded and tampered with, and a peaceful, lawful meeting disrupted. What was the perceived crime of Congress? They would no longer coddle the injured pride of their narcissistic boss. 60+ lawsuits, all kicked to the curb. It's over. Biden won. Period.

In hindsight, it shouldn't surprise us. "Stand back and stand by," he said to his "proud boys". Are those the same proud boys that swarmed the Capitol on January 6? Was that what they were standing by to hear? Permission to storm the Capitol? What else could he have meant?

In addition, Trump has been spreading his message of hate for four years leading to an increase in violence, racism, and misogyny. Until finally, Trump turned his radical mob against Congress: the men and women who worked with him for four years.

How else could this have ended? Trump had no one left to attack and throw under the bus. His job was hours away from being stripped. It was the final act of a very desperate man. Meanwhile, he turned tail and ran back into the White House where he watched the final result of his widespread heresy with sadistic glee from the protection of his home... former home. Like a coward.

His plan worked too well. Everyone turned on him as he had turned on them. Not like, actually. Because the men and women of Congress, including Pence, are professionals. They reacted to the riot in a professional manner with the know-how of who to blame. They voted thusly. Donald Trump is no longer president. Plain and bloody simple.

James 3:17 - "But the wisdom from above is first of all pure. It is also peace-loving, gentle at all times, and willing to yield to others. It is full of mercy and the fruit of good deeds. It shows no favoritism and is always sincere." (NLT)

Perhaps, January 20 will mark the real end of the garbage fire that was 2020.

CONGRESS PICKS UP THEIR MEETING AFTER THE RIOT

My prayers in December focused on a better year where hope would be restored to the world through the eradication of the coronavirus and the restoration of the economy. Not just the American economy, but every economy.

As the dust settles on the capitol, I have a new prayer. I pray that each and every person involves in the violent siege of our Capitol is apprehended and brought to justice. My heart goes out to President-Elect Jo Biden as he continues his optimistic plan for a unified, peaceful, and healthy nation. He has his work cut out for him. I pray that God bless his work in the future.

NEWS OF THE WORLD (2020) Graphic Review

Wed, 23 Dec 2020 06:44:32 GMT

The film, based on the 2016 novel of the same name by Paulette Jiles and penned by Lion‘s Luke Davies, follows a widowed news reader in the aftermath of the Cold War who travels throughout Texas announcing the news of the world to the local population. He is hired to help transport an orphan girl (Zengel) whose parents were killed by a Native American tribe that then took her in and raised her to San Antonio to her surviving relatives. As they make the trek through dangerous territories, they form a close bond that the man finds will make it difficult to relinquish her to her relatives, who have no desire to take her and have abusive plans for her.

RELEASE DATE: December 25, 2020
STUDIO: Universal Pictures
DIRECTOR: Paul Greengrass
MPAA RATING: PG-13
SCREENWRITERS: Luke Davies, Paul Greengrass
STARRING: Tom Hanks, Helena Zengel, Michael Covino, Fred Hechinger, Neil Sandilands, Thomas Francis Murphy, Mare Winningham, Elizabeth Marvel, Chukwudi Iwuji
GENRE: Drama, History

MONSTER HUNTER (2020) Graphic Review

Fri, 18 Dec 2020 00:00:00 GMT

For every Monster, there is a Hero. Tentatively dubbed, MONSTER HUNTER, the film tells the story of two heroes who come from different worlds to defeat a shared danger, the powerful, deadly and magnificent monsters that inhabit the land. Along the way viewers will make new discoveries and encounter familiar faces and beloved characters from the games like the Admiral.

RELEASE DATE: December 18, 2020
STUDIO: Sony Screen Gems, Constantin Film
DIRECTOR: Paul W.S. Anderson
MPAA RATING: PG-13
SCREENWRITER: Paul W.S. Anderson
STARRING: Milla Jovovich, Ron Perlman, Tip "T.I." Harris, Diego Boneta, Meagan Good, Josh Helman
GENRE: Action, Adventure

JINGLE JANGLE: THEFT VS. INSPIRATION

Tue, 01 Dec 2020 05:35:23 GMT

Ephesians 4:28 - "If you are a thief, quit stealing. Instead, use your hands for good hard work, and then give generously to others in need." (NLT)

Netflix kick starts the Christmas season with "Jingle Jangle: A Christmas Journey", a colorful musical that looks like it belongs to the Disney Channel.

It is the story of Toymaker Jeronicus Jangle who suffers incredible loss after a grave injustice. His impressionable apprentice, Gustafson, disappears with Jangle's invention book on the eve of his greatest invention. Jangle loses everything, including his spirit, while Gustafson builds an empire off with his stolen ideas.

Jangle's heart is broken by the betrayal, and his mind becomes blocked from any further ideas. Bankruptcy looms around the corner. Unless he can deliver an invention, he risks the loss of his shop. The only way to save himself is to invent something new and better than ever.

Meanwhile, Gustafson runs out of ideas. The book reaches an end, and he has no ideas of his own. Both men face financial hardship for the same reason. Both become desperate. What they need most is inspiration. It comes in the form of a child name Journey Jangles, the granddaughter of Jeronicus. Her most important task is to reignite the spark of inspiration within him, so he can get back to work and save his shop.

Psalm 62:10 - "Don’t make your living by extortion or put your hope in stealing. And if your wealth increases, don’t make it the center of your life." (NLT)

The world is always in motion. There is a constant need for new ideas and intentions. Nothing stays popular forever. The world needs creative people and their ideas. That's the difference between thieves and creative people: creation.

Thieves steal ideas, but those ideas eventually run out. Creative people, on the other hand, have the ability to come up with something new. They are gifted with inspiration. That is the legacy of the Jangles family. Gustafson lacks inspiration.

More importantly, he lacks patience. Gustafson squanders his golden opportunity to learn from the greatest toymaker. He could have created his own legacy, instead of stealing from Jeronicus. He could have been part of the family. However, his impatience and greed rob him of that opportunity. He'll never know true inspiration.

All he had to do was wait.

OFFICIAL TRAILER

MULAN STRIKES A MATCH IN AN UNCONVENTIONAL WAY

Thu, 12 Nov 2020 02:14:01 GMT

Disney has done it again, another unnecessary remake. This is especially true for Mulan. The story is near perfect with a powerful soundtrack and beautiful, vibrant animation. Each frame is packed with meaning, from beginning to end. In fact, I consider Mulan to be the best Disney princess film of them all.

Why on Earth would Disney want to tamper with their story by turning this incredible hero into a generic Jedi? That is a study for a time when it no longer costs Disney subscribers an extra $40 to access it. Save yourself the money and watch the original in the meantime.

A UNIQUE PRINCESS

While every other Disney heroine finds it easy to acclimate to their roles as princess through blood or marriage, Mulan is the one who works the hardest to earn her spot. She embarks on a dangerous journey to find her place in the world. It is riddled with challenges and failures. Society's expectations clash with her instincts; thus, it leads to her crisis of identity.

Her failure with the matchmaker leads to a future with no husband. Meanwhile, her disabled father is ordered to reenlist in the Chinese army. Mulan's family faces a brutal future. Her father, doomed to die, would leave behind three generations of women with no male heir to take his place. Mulan cannot let that happen. She loves her family too deeply. She defies the law, impersonates a man, and takes her father's place in battle.

Mulan is a woman ahead of her time. Her most valuable gift is her ability to think outside the box. Refusing to submit to expectations, she questions the world around her and finds unique solutions to big problems. However, she is stuck in a world that devalues her gift. She is expected to get married and give her family a male heir. She does not excel at it, because it is not her purpose.

INFLUENCING CHANGE

How can she affect the cultural change necessary to make this Black Sheep accepted? Make noise. Enough to get the attention of the most powerful man in China. In this, she absolutely excels. Not only is he the most powerful man, but he is also the wisest.

"A single grain of rice can tip the scale. One man may be the difference between victory and defeat." (Emperor)

From the beginning, he knows each one of his subjects has the potential to be the hero he needs to save China from invaders. That man turns out to be a woman, but he recognizes a hero when he sees one. Because of her courage and genius, he teaches the country to value her gift and offers her a place on his counsel. It would take a truly pompous person not to see her value. Thankfully, her Emperor is a wise man. He has the power to change the law and give women more purpose.

THE DEVIL ON HER SHOULDER

Mushu, once a family guardian, is a small red dragon with a propensity for causing disaster in his wake. Accordingly, he loses his position. That doesn't stop him from impersonating a guardian and encouraging Mulan to defy orders. His guidance leads to disaster. His hotheaded attitude makes her immediate enemies, and her apparent cheating nearly costs her the respect of her commanding officer.

Once again, we can see how undeserving he is of a position as a guardian. Fitting, since he is sent by a generation fueled by tradition. Mulan's ancestors don't respect her abilities or understand the importance of progress. Thus, Mushu doesn't give her a chance to prove herself. Instead, he insists that she cheat in every training exercise. The consequence is discharge.

Her only hope to restore her place in the army is to cast aside the advice of her false guardian. She instead relies on her strengths. Only then does she thrive in training. The respect she earns from her accomplishments heals the broken relationships, and she makes friends with her fellow soldiers. Peace is restored in the camp through hard work and confidence.

A MATCH MADE IN HEAVEN

The timing could not be more perfect, because her match resides within that training. She needs to earn his respect in order for her potential relationship to blossom. Given that Mulan is an unconventional woman, it stands to reason that she would find her match in an unconventional way. She needs a man who can love her in all of her flaws.

Commanding Officer Shang, another man with power, learns to appreciate her unique way of thinking. Tragedy also links them after Shang loses his father. He knows the feeling that Mulan fears, and it helps him empathize with her struggles. Empathy grows to trust. Trust to respect. Respect to love. Even the Emperor condones the match.

What a match it is.

"A flower that blooms in adversity is the rarest and most beautiful of all."

Mulan is only a Disney princess for marketing purposes. She is so much more than a princess. However, her positive influence makes her deserving of her spot in the line-up. Her heroism inspires more change in her country than any other princess married or born in the position of royalty. Without her, everyone would be dead, China would fall to Mongolia, and Shang would live a lonely life without his soulmate. Her story needs all the limelight it can get.

Does the remake get that message across?

NEVER JUDGE A BOOK BY ITS COVER IN "BLACK BOX"

Mon, 02 Nov 2020 19:47:11 GMT

Amazon's new release, "Black Box", belongs in the Jordan Peele Universe. The story fits perfectly with "Get Out" and "Us". This psychological thriller tells the story of Nolan, a man who struggles to take control of his life after the car accident that kills his wife causes a brain injury that takes his memory.

He becomes desperate to improve after a teacher threatens to take his daughter, so he agrees to an experimental treatment to retrieve his memories from his subconscious. Thanks to a mix of new technology and old-fashioned hypnotism, he begins to uncover hidden memories.

Matthew 7:15 - “Beware of false prophets who come disguised as harmless sheep but are really vicious wolves." (NLT)

What he finds is a series of dark secrets that suggest he is not the man that everyone assumes him to be. The deeper he digs, the darker the secrets. Until the truth is finally unveiled.

SPOILERS AHEAD

Nolan is fighting another man for control of his body, and the memories he uncovers are not his. They belong to a stranger named Thomas, a failed doctor with a despicable habit of abusing his family. He is a dangerous man with a second chance.

Before he can take his second chance, he must fight Nolan for control. Two men occupy one mind. Only one can emerge. Unlike Thomas, Nolan loves his daughter. He would not go down without a fight. Nolan haunts Thomas' memories in the most traumatic way.

Nolan is not a violent man, so he takes the form of Thomas' dead body: broken and deformed. Just like Thomas' view of the world. It serves as a reminder that Thomas does not belong in his body, especially not in his life.

Luke 12:2 - "The time is coming when everything that is covered up will be revealed, and all that is secret will be made known to all." (NLT)

Violent, abusive men often take the form of good people. Very few people know their true selves, while their victims are bullied into silence. Yet, that cannot remain the case, because angry people are sloppy. Their anger leaks. It can cause legal trouble, lost jobs, and alienated family. Thomas crossed the line so far that it cost him his life.

Will he take Nolan's life too? Does he use his second chance to better himself? Or will his anger consume him all over again? Find out these answer and more by watching "Black Box" on Amazon.

OFFICIAL TRAILER

"OVER THE MOON" TEACHES AN TIMELESS LESSON WITH AN ANCIENT LEGEND.

Thu, 29 Oct 2020 06:02:33 GMT

"Over the Moon" earns a place in the Netflix Top 10 list with its vibrant imagery and captivating soundtrack. Surpassing the quality of most Netflix originals, one would think Disney or Pixar produced it. However, its original material makes it ineligible for a place in the Pixar timeline or the Disney Princess lineup. Alas, "Over the Moon" is a film that stands on its own.

The story of a girl's struggle to overcome the grief of losing her mother, she embarks on a journey to learn the truth behind the legend of the Moon Goddess. Her faith in this deity drives her passion for astronomy and engineering. However, it taints her ability to move on from her mother's loss.

Meanwhile, the world threatens to change around her. Her father finds someone new, and Fei Fei cannot cope. She confuses moving on with forgetting. Desperate to keep the memory of her mother alive, she embarks on a journey to prove the existence of the Moon Goddess and her eternal love for Houyi. She reasons that if Chang'e can love Houyi for eternity, then her father could do the same. Could and should.

IN DENIAL

Thus, she escapes into her imagination, flies to the moon in a hodge-podge rocket, and finds the brilliant city of Lunaria. Not even her vivid imagination gives her what she wants, because her subconscious teaches her the important truth that she buries in her mind.

Not everything is as it appears. The Moon Goddess is no saint. She is a selfish woman who cost her true love his chance for immortality. Her punishment is to spend eternity alone on the moon. Lunaria is a prison, not a kingdom. She is alone with only her tears as company.

She is nothing like the woman in the stories from her childhood. Chang'e is self-aggrandizing and selfish, drowning in a sea of denial. Her main goal is to bring back her true love, instead of finding happiness elsewhere. This is the picture painted by Fei Fei's subconscious.

EGO MANIAC

Chang'e is the embodiment of Fei Fei's insecurity. Both suffer from great loss and denial. Both push away the opportunities to move on. Both fall into a deep depression when their missions fail. Both must learn to overcome their grief. They do this together.

Fei Fei must overcome her grief in order to avoid become like Chang'e, a woman imprisoned by her selfness and must live eternity alone.

Healing is not forgetting. Fei Fei accepts her new family with an open heart. She finds happiness with them. She interprets the legend of the Moon Goddess with new eyes. It is a story to which she relates. A girl in grief becomes a strong young woman with two loving mothers.

A NEW WIFE FIGHTS THE MEMORY OF HER PREDECESSOR IN 'REBECCA'

Tue, 27 Oct 2020 06:09:14 GMT

Netflix brings a classic story to life, originally a book written in 1938 and adapted by Alfred Hitchcock in 1940. "Rebecca" is the story of a poor, orphaned girl finding love in the unlikeliest of places. She meets Maxim (Armie Hammer), a wealthy widower, while vacationing in France. After spending several magical days together, he proposes out of nowhere. Even crazier than the proposal, she accepts.

How often does such a dazzling opportunity come along?

However, the honeymoon phase quickly ends as soon as he takes the new Mrs. de Winter (Lily James) home to Manderley, his extensive family estate, and the pressure of becoming its mistress nearly crushes her. The staff wastes no time casting their judgment upon the inexperienced woman, especially in the shadow of their former mistress Rebecca. Everyone around her paints the picture of a perfect woman.

Rebecca appears to do no wrong, and the new Mrs. de Winter struggles to find a place in her home. Maxim neglects her, the staff looks down on her, and Manderley is unfamiliar territory. The only person who seems to sympathize with her is Maxim's sister, but she has her own home to run.

What does the inexperienced mistress do? Anything Rebecca would do. She becomes so afraid of stepping on anyone's toes that she ceases to be her genuine self. The harder she tries to ape Rebecca, the angrier it makes her husband. He pulls away even further. Not for the reasons she assumes.

Romans 3:10 - "No one is righteous — not even one." (NLT)

Fortunately for the nameless heroine, Rebecca is no saint. The high praises that haunt the girl are the remnants of a facade. A sinister mask for a sinister woman. Maxim is the only person who sees Rebecca for the monster she is. When he finally opens up to his wife, the truth sets her free.

"I hated her."

Those three words invalidate every insecurity haunting her. Thus, she is free to be herself again. She thinks for herself, runs the house differently, and improves upon her marriage. Maxim loves her, because of who she is. His second wife is humble, loyal, virtuous, and selfless. She is everything Rebecca is not.

Mrs. de Winter's journey to becoming her best self is long and unnecessary. She learns (almost too late) that the only opinion that matters is that of her husband. Not staff. Not her former employer. No one but Maxim. She earns his stamp of approval from the beginning. However, she nearly lets the memory of a sociopath destroy her greatest blessing. In the end, all they need is each other.

REASON AND FAITH WAGE WAR ON EVIL IN TIMELESS HORROR CLASSIC

Sat, 17 Oct 2020 05:27:13 GMT

Tim Burton's most terrifying creation comes to Netflix in time for the Halloween season.

Ichabod Crane visits the quiet farming community of Sleepy Hollow, not as a teacher. Instead, he serves the role of constable. His purpose is to investigate a series of murders that plague the village. What he finds is a supernatural legend come to life. The entire village points a finger in the direction of a ghost, not a live murderer "of flesh and blood." Crane rejects the notion, because he is a rational man. He is the voice of reason in a town riddled with superstition and witchcraft. What harder job can there be?

Peter 5:8 - "Stay alert! Watch out for your great enemy, the devil. He prowls around like a roaring lion, looking for someone to devour." (NLT)

The village of Sleepy Hollow is hopeless and stumped before Crane's arrival. Not even the reverend can provide a solid solution. Crane's reason provides a fresh perspective on their fatal problem. His skills and expertise are beyond their capabilities. Meanwhile, their knowledge of the land's history proves invaluable, because they are half right. The Headless Horseman is one of two culprits.

Meanwhile, his reason is put to the test. The deeper he digs, the more he uncovers unexplainable events. The bodies show signs of injuries that would be impossible to mortal beings: wounds cauterized with hellfire, a beheaded fetus, a bleeding tree, and possession. The most shocking event of all is the night he sees the horseman for himself.

"Seeing is believing," after all.

After the sighting, Crane opens his mind to the possibility of magic, a world beyond science and reason. The one thing Crane cannot explain is witchcraft. There is no magic in Sleepy Hollow. Every spell and talisman fail. The only proven protection from the Headless Horseman is the hallowed ground of a church.

THE FIRST MURDER - SCIENCE

Katrina's mother Elizabeth passes away years before the horseman appears. The cause of death is presumed "brain fever." Worse is the suspected cause: reading romance. Books killed a person? I don't think so.

The true cause of death is poison. The lady's nursemaid murders her to secure the position. This tragedy sets the entire murder plot in motion. She is the first of 18 victims that Mary would cause.

HERBAL REMEDIES - SCIENCE

Sleepy Hollow is a secluded village with no access to technology. Herbal remedies are the only medicine they have. Of course, flowers and herbs were Earth's medicine before the convenience of technology. That's hardly witchcraft.

THE HEADLESS HORSEMAN - FAITH

Some call him a ghost. Some call him the Hessian. His partner in crime calls him her "Dark Avenger" and "Unholy Horseman". Indeed, he is unholy, because he is a demon posing as the murdered Hessian.

His appearance is the result of a deal with the Devil. Satan has power no over human souls. Demons serve him. Only a demon can appear from such a deal, but demons can take the shape of anything or anyone they wish.

Lucifer is one of God's fallen angels. He is a theological character, not a Wiccan character. Therefore, she uses the dark side of the Christian faith. Nothing about her is Wiccan. She is a devil worshiper.

"THE OTHER" - FAITH

Mary's sister, a crone living in the woods, also conjures demons. She summons "The Other" to guide Crane to the Horseman's resting place. She calls it "knowledge of the Netherworld.

This is another demon. It knows of the Horseman, because they both come from Hell.

SPELLS/TALISMAN - FAILED WITCHCRAFT

Many of Sleepy Hollow's citizen's become desperate to protect themselves from the Horseman's blade. So much that they stray from their faith and turn to spells. Katrina draws stars on the floor to protect her father. Magistrate Philipse wears a talisman. Neither charm works; both men die.

Chalk and silver are no match for the devil's work.

1 Timothy 6:10 - "For the love of money is the root of all kinds of evil. And some people, craving money, have wandered from the true faith and pierced themselves with many sorrows." (NLT)

The primary culprit is Mary Archer, a bitter woman seeking revenge on a town forced her into exile on suspicion of witchcraft. When witchcraft fails her, she turns to Satan to trade her soul for her enemy's fortune. Greed and lust for revenge drive her, and it leads to her downfall. The horseman drags her to Hell before she can get her greedy fingers on the money.

The only supernatural power is that of a Biblical nature, devil worship, and demon conjuring. Such actions bring heaving consequences. Everything else is explained with science thanks to Crane's reason. It brings peace to a village plagued with terror. The timing could not be more perfect. Every surviving citizen is on the brink of a mass exodus. The community would cease to exist, more people would be dead, and a failed witch and nurse would disappear with a fortune she never earned. All for money. Greed is truly dangerous.

Luke 6:37 - "Do not judge others, and you will not be judged. Do not condemn others, or it will all come back against you. Forgive others, and you will be forgiven." (NLT)

The most horrifying theme of all is its honesty: judgment and condemnation. So-called Christians with closed minds cast their judgment so wantonly that it strips salvation from lost souls. It would even drive believers away from the faith and into the world of witchcraft. I have seen at least four cases of Christian turned Wiccan. Each one of them confesses they abandoned their faith due to a "Bible-black tyrant" driving them away with their ungodly judgment. They condemn souls. Instead, they should save souls.

The ending neither confirms nor denies the restoration of Ichabod Crane's faith. However, it's clear that his heart is open again. He accepts the love between Katrina and him. He allows the orphaned Masbath to remain in his employ. All three of them stick together. His loneliness comes to an end. That's a step in the right direction.

THE MONSTERS MUST WORK TOGETHER IN NETFLIX'S "THE WITCHER"

Fri, 09 Oct 2020 21:05:16 GMT

Netflix brings an amazing book series to life with its first season of "THE WITCHER". The eight, hour-long episodes are filled will fantasy, magic, and hardship. The timeline of the episodes is so complex that it will take several views to understand it.

Geralt of Rivia is a genetically engineered mercenary. Though he is powerful, he struggles to find a place in the world thanks to discrimination. Seven kingdoms filled with people, and a lonely number of four make an effort to understand him. The rest of them are happy to take advantage of his talents, after which they mock him, underpay him, and throw him to the wind.

This is his miserable existence until he finds three people who share his hardship and understand him. These people would eventually become his partner, friends, and family. Despite his objections.

Jaskier, the Baird

Geralt meets Jaskier when they are attacked on the road, and he saves both of them. To thank him for his heroism, Jaskier writes a song detailing his heroism. This helps to diminish the discrimination against the witcher and persuade the people to appreciate him. "Toss A Coin" helps Geralt find more employment and eases his hardship for the extent of their partnership.

Yennefer, the Mage

Of all the people that Geralt meets, Yennifer is the person to whom he relates the most. She is a mixed breed: half-elf and half-human. Her magic makes her a target for an academy that trains and experiments on her. They take her fertility, which makes her bitter and restless.

Geralt helps her to find a purpose other than motherhood. He reminds her that they are created for a meaningful, difficult life. It's no life for a child. Her purpose is to save Cintra from invasion. Only she has the power to put an end to the bloodshed, but it comes with a sacrifice.

Where is she now?

Ciri, Princess of Cintra.

"People bound by destiny will find each other."

The law of surprise is a funny thing, but Geralt invokes it upon a couple he saves. Their child becomes his. This is the one way a sterile mercenary can become a father. However, he rejects the responsibility. So, the baby is raised by her grandmother, a decision Geralt comes to regret.

When he returns to Cintra to check on her welfare, he finds a mutiny. The queen, driven mad with power, refuses to relinquish the princess. Cira lives a sheltered life, never allowed to leave the castle until the night Cintra is invaded by bloodthirsty animals. Her only hope for survival is to unite with Geralt.

Cira escapes the city, and her real lessons begin. Her grandmother is not the queen she claims to be.
What can Ciri do as heiress to undo the damage her grandmother caused?

Meanwhile, Geralt is held back by an absolute tyrant.

Calanthe, Queen of Cintra.

Twice, Calanthe proves herself incapable of understanding and empathy. Every decision she makes is out of fear for her welfare. Not even the power of destiny can tame her. She is a woman so arrogant that she thinks she can fight destiny. The harder she fights, the more ruin she brings upon herself and her kingdom. She is a tyrant: selfish and controlling.

It's only when her city is hopelessly invaded by an enemy kingdom that she learns to let go.

By then, it's too late to save herself, and she takes the cowards way out. She leaves the remainder of her kingdom without a capable ruler. Her power-hungry attitude leads to the ruin of her kingdom. Her granddaughter becomes lost and endangered. Countless die. She has no one to blame but herself.

Netflix will premiere season 2 on an undetermined day in 2021.

At that time, the journey will continue. Geralt must acclimate himself to his new role as a guardian. Ciri needs training, so she can hone her new power. Perhaps, Yennifer, assuming she survived her kamikaze attack on the invading army.

What a strange, little family they will make. At least, they will no longer be alone.

MULAN (2020) Graphic Review

Wed, 07 Oct 2020 04:24:20 GMT

When the Emperor of China issues a decree that one man per family must serve in the Imperial Army to defend the country from Northern invaders, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. Masquerading as a man, Hua Jun, she is tested every step of the way and must harness her inner-strength and embrace her true potential. It is an epic journey that will transform her into an honored warrior and earn her the respect of a grateful nation…and a proud father. “Mulan” features a celebrated international cast that includes: Yifei Liu as Mulan; Donnie Yen as Commander Tung; Jason Scott Lee as Böri Khan; Yoson An as Cheng Honghui; with Gong Li as Xianniang and Jet Li as the Emperor. The film is directed by Niki Caro from a screenplay by Rick Jaffa & Amanda Silver and Elizabeth Martin & Lauren Hynek based on the narrative poem “The Ballad of Mulan.”

RELEASE DATE: September 4, 2020
STUDIO: Walt Disney Pictures
DIRECTOR: Niki Caro
MPAA RATING: PG-13
SCREENWRITERS: Lauren Hynek, Elizabeth Martin
STARRING: Yifei Liu, Donnie Yen, Gong Li, Jet Li, Xana Tang, Utkarsh Ambudkar, Ron Yuan, Yosan An, Jason Scott Lee, Chum Ehelepola, Jimmy Wong, Doua Moua
GENRE: Drama, Action, Adventure

ELEVEN AND SUPERMAN SHINE IN NEW NETFLIX FILM "ENOLA HOLMES"

Wed, 30 Sep 2020 05:14:51 GMT

What a profoundly appropriate time for Netflix to premiere this "Enola Holmes". Set in the early 20th Century England around the time of woman's suffrage, Sherlock Holmes' younger sister embarks on a journey to find her place in a changing world. Society would have her learn frivolous skills and land a powerful husband. Her feminist upbringing would suggest otherwise. Enola craves a deeper purpose.

First, she must learn to overcome disappointing expectations. It is her biggest challenge, because she spent her life under the guidance of a sheltering mother. Enola knows nothing of the outside world. Not its demons. Not the struggles of the less fortunate. Especially not the people who disappoint. She is a sheltered teenager facing the world for the first time, her eyes wide with unrealistic expectations. Her only guidance are her mother's unusual, progressive teachings.

Though her lessons save her from several life-threatening situations, they also do her a great disservice. They teach her to put her faith in the wrong people, while she keeps the one good person, Tewkesbury, at arm's length. Her mind is clouded with denial. The people in whom she should place her trust are the people who betray her the most.

HER MOTHER, EUDORIA HOLMES

Enola's mother Eudoria is a revolutionary woman with a mind of her own. She lives in a world run by men, but that doesn't discourage her desire for change. She neglects household chores in favor of fencing, archery, and reading books on feminism. Every day is dedicated to teaching Enola important lessons that will aid her future. Enola comes to rely on her. She hangs on her mother's every word.

Until the day that Enola wakes up to find herself alone and abandoned. Eudoria is gone with no warning or explanation. It is the greatest betrayal of Enola's young life. Worse, she knowingly left Enola in the hands of a tyrant, Mycroft Holmes.

HER OLDEST BROTHER, MYCROFT HOLMES

Mycroft is nothing like the rest of his family. He becomes "the man of the house" after the death of his father. His money pays for the house and all of the women's essentials. He does this with the agreement that he would never have to manage the house in person. As it turns out, that is the best thing he could do for the women.

He is an entitled, closed-minded misogynist who spent so much time away from the family home that he doesn't recognize it or Enola. It is a disappointing first meeting between the three siblings. Both Mycroft and Enola are appalled at the other.

So much so that he vows to send his "wild thing" sister to a boarding school. Again, he wants to send her away. He hates the responsibility of caring for his own sister, because she considers women as inferior.

HER OLDER BROTHER AND IDOL, SHERLOCK HOLMES

Meanwhile, Sherlock is more progressive than his brother, capable of talking to Enola in a kind tone. He understands his sister. He sees her potential for greatness and appreciates her intelligence. They are alike in their brilliance.

However, he has no spine. It takes the entire length of the movie for him to finally stand up to Mycroft's brutal judgment. He even offers to take her in. Sure, it's a kind gesture, but it's too little too late. Enola already finds her independence.

Meanwhile...

LORD VISCOUNT TEWKESBURY

Enola finds herself a very agreeable prospect, and she does it without a finishing school. The young viscount is the one person with whom Enola can relate. He too hates society's expectations, mourns a lost parent, and feels out of place in his family.

The fault here lies with Enola. She pushes him away thanks to Eudoria's misguided teaching about men. Feminism is good and all, but not to the point where one gender feels animosity toward the other. Feminism is about equality. Enola must learn this lesson through her conflicting relationship with this charming young man. Every time she leaves his side, she finds her way back to him. Until she finally accepts his acceptance of her. Do I hear wedding bells in the future?

If there are, it would be prime revenge against Mycroft. She would manage to land a husband with more wealth and privilege than the great Mycroft Holmes, an accomplishment void of finishing school or a lady's education. Instead, she discovers her place in the world and fulfills her purpose. She is no lady; she was not raised to be. Instead, she uses her skills, educational and hereditary, to become a detective. Just like her brother.

FREEDOM

No one is perfect. No one deserves a pedestal. We are flaw humans, equal in our worth and sin. The Holmes family included. In the beginning, she looks up to Sherlock as a force with whom to be reckoned. In the end, she proves herself to be his worthy competition.

Enola lets go of doubt and her high opinion of her flawed brothers. Instead, she forms a high opinion of herself. More importantly, she opens her heart to all of those in need, ranging from a lost lamb to a powerless viscount. All become equal in her eyes. Her purpose is to help them all.

With the 2020 Presidential election around the corner, "Enola Holmes" serves a brutal reminder of the importance of voting. We have a misogynist in the White House. He disrespects women, progress, and the Freedom of Press. His corruption may even lead to a rigged election. If the post offices are slowed, mail-in voters like me will be robbed of our ability to vote.

Strange how my family's responsible forethought is suddenly punished. One way or another, I will exercise my right to vote. Countless women fought for that right. I will not squander it, and I urge you not to either. If Trump isn't voted out of the White House, our society will continue to degrade. One would think we've gone back in time.

A TERRIBLE SECRET HIDES IN AN IDYLLIC SETTING

Tue, 22 Sep 2020 23:48:11 GMT

Ever since the short film, Occurrence at Mills Creek , became available, I have been eager to see the completed project. It left many unanswered questions. The mystery behind this horror film begs to be solved.

The feature film continues to follow the college student Clara in her struggle with grief in guilt over the deaths of her mother, father, and 15-year-old sister. With each passing, healthy grief grows into rage and disdain. What's more disturbing than Clara's moments of apathy is the constant airing of her family's dirty laundry. Both her parents are guilty of infidelity, and Cassandra's parentage is called into question. Rumors of a family curse spread through her hometown like a wild fire, a curse that Clara cannot escape.

Such revelations would appear as bombshells to anyone else. However, Clara remains cold, calculating, and even amused by the entire ordeal. She claims to cry, but we don't see it. She attempts suicide, but sneers in the face of her therapist. Everything is a game to her. To what end? What is she looking for.

Something dark lurks beneath Clara's apathetic surface. Though she fails to emote, there is something in her that craves a connection. Thus, she reaches out her extended family, until they too pass away. Both of her aunts try to give her answers, but their warnings fall on deaf ears. Instead, she choses to face her demons head on. Otherwise, the ghosts of her mother and sister will haunt her until the day she dies. Armed with a camera and her father's expensive car, she embarks on the soul-seeking journey she tries to avoid since the death of her sister.

What does she find? Will it set her free from her corrosive guilt? Will the curse be broken?

What happened at Mills Creek: accident or murder?

Stay tuned to find out. In the meantime, check out the short film on Amazon Prime.

A PSYCHOTIC CULT PREYS ON A CREATIVE RECLUSE IN "1BR" (SPOILER WARNING)

Fri, 04 Sep 2020 17:37:28 GMT

"Rebirth" meets "The Resident" meets "Midsommar" in "1BR", now available on Netflix.

Sarah, an aspiring designer, moves into an affordable, luxury apartment in the expensive city of L.A. after getting a thankless internship as she continues her education. She is a woman taking all the right steps to achieve independence.

Any father would be proud of such accomplishment and hard work. At least, he should be, but not Sarah's. Therefore, the option of living alone is extra enticing. She carries her pain on her sleeve: timid and compassionate. This makes her a prime candidate for the cult residing in that apartment complex. Isolated, traumatized people make easy converts. She has no one on whom she can rely.

This so-called "community" demands absolute compliance from its victims. What they fail to realize is that Sarah harbors a rebellious streak beneath her pain, a strength that simmers just beneath the surface. All she needs is an extra push.

The answer comes with her horrifying experience in her new home. This is where she quickly learns the validity of the saying. "When something sounds too good to be true, it is." An incredible opportunity turns sinister after she moves in. Mysterious noises keep her awake at night, which renders her forgetful and weakened. Her anti-depressants become impossible to acquire. Despite these peculiar events, she can't shake the feeling that there's something wrong with her neighbors.

Finally, she finds herself a prisoner in her own apartment, a victim of physical and psychological torture. Her only hope of escape is to survive this horrifying experience and earn the trust of her captor.

How much must she sacrifice as rises through the ranks and win her freedom?

HER INDEPENDENCE

Independence is the one thing she strives to obtain during her time in LA. She gets a job while planning to take design classes. Her plan is solid and responsible. All she needs is an apartment of her own, because she is alone in her endeavor. Her father refuses to support her. Regardless, she is determined to achieve her goal in life.

Therefore, the cult finds her difficult to convert. They lock her doors and take her belongings. She has no access to a phone or the internet. By stripping her of her basic human rights, they make their biggest mistake.

HER PRIVACY

Speaking of basic human rights, they bug every room of her apartment. They violate her privacy in a big way by monitoring her every move. They record every word she says. They also hack her phone and laptop to isolate her from friends and family. Their actions nearly get her best friend fired from her job.

With eyes on her at all times, she cannot express herself, call for help, or ask questions. This would ensure absolute compliance. Independent thought is so unacceptable that it results in death. The deaths of her father, her friend, and herself.

It was the most despicable attempt at the control that I've experienced in my lifetime. Ask me how I know.

HER FRIENDS AND FAMILY

"The number one tool of an abuser is isolation." (Dr. Phil McGraw)

These awful abusers do exactly that. It's an easy task because Sarah is a recluse. With her self-esteem already on the floor, she battles depression indicated by her Zoloft medication, which they also make inaccessible by canceling her prescription.

Her best friend Lisa is a strong, sassy woman. She doesn't care what anyone thinks of her, and she stands up for herself in a way that Sarah envies. Lisa everything that Sarah aspires to be. She is also the only person in Sarah's life who encourages and supports her career aspiration, calling Sarah's designs beautiful. She appreciates the creative mind harboring deep within Sarah's insecurities.

Therefore, her separation from Lisa is the most painful. Lisa is the only person who could help Sarah, as a friend and fighter. After the cult drives Lisa away, she becomes alone in her struggle for freedom.

Her relationship with her father is already fragile. So, they become very surprised when he shows up at the complex's front door to take her home. She must drive him away to save his life. At this moment, we see how contentious their relationship is. Her father is a lesser version of the cult. Both are guilty of abuse; both are toxic. As she is better off without him, she would be exponentially better off without the cult.

These two people fail her in the end. They walk away from her without a fight, but they help her indirectly. They serve as a reminder of the life she desires and the independence she desperately craves. Their presence makes her realize that she must be the one to fight for her freedom.

HER CREATIVITY

Sarah's rich inner life is invisible to the world, because of her meek personality. She draws and sews, even though she doesn't share her designs even though they are beautiful. Her talent doesn't shine.

When the cult imprisons her, they strip her apartment. Her drawings, dress form, sewing machine, and clothes disappear. Her apartment is stripped, and they give her scrubs to wear. Every aspect of her personality is stripped away from her. Her creative expression is robbed.

They don't stop there. To ensure that she never creates again, they take her hands by nailing them to the wall and forcing her to pull them out. The injuries cause minimal nerve damage, but only because she's lucky. However, medical attention is prohibited, so her hope of regaining the use of her hands is minimal, and those who are too sick to contribute to the "community" are simply killed off.

Will she ever be able to use them again? That's up to her. Only by escaping those privacy-invading control freaks and seeking legitimate medical care will she be able to express herself again.

Rebirth vs. 1BR: Which has a happier ending?

Rebirth ends with a horrifying ending. The victim of this scam succumb to the bullying of his captor and joins the cult. He and his family become slaves to a pyramid scheme.

Freedom comes in all forms, even in death. This is the conundrum she faces: a short life doing what is right or a long life spent in pain, misery, and fear?

Even if she chooses to comply, she would only be discarded after she becomes no longer useful. All sick and elderly are murdered, since they do not believe in advanced medical care. Mostly, they cannot risk exposure of their illegal practice to the outside world.

The world is filled with obstacles. People want to tear you down and discourage your dreams. They might even seek to strip you of your personality or bully you into submission. These are the things that Sarah endures for no reason at all. Her only crime was her desperate attempt to achieve independence away from her family. She is a rebel at heart. The only person who can save Sara is herself.

Will she succeed? Or die trying?

'PROJECT POWER' TAKES A CITY BY STORM

Wed, 26 Aug 2020 05:42:29 GMT

Romans 12:2 - "Don’t copy the behavior and customs of this world, but let God transform you into a new person by changing the way you think. Then you will learn to know God’s will for you, which is good and pleasing and perfect." (NLT)

X-men, Deadpool, Heroes, and the Frozen franchise are taken to a sinister level with Project Power. What if instead of a team of noble superheroes, those same powers are used to create unspeakable destruction? Chaos reign in New Orleans as the body count rises.

The people of New Orleans take a single pill to access their inner powers. However, it's not so cut and dry. The problem is that the drug's effects last five minutes, after which they return to their standard selves. That is assuming they survive their power at all. People can freeze to death or explode. Even worse, their reckless actions can get them killed. Powers makes them extraordinary, but no one is immortal. They have no control over their power.

"You get what you get."

There are only three people to stop it. This unlikely team is disjointed and sloppy due to their conflicting motivations. Still, they somehow find a way to make it work. They give each other hope of self-improvement without a magic pill. Even though they are tough, unsubtle, and hostile, they inspire the best in each other.

"How are you going to leave your mark?"

"Project Power" teaches a phenomenal lesson about divine purpose. People buy the pill, because they are searching for an easy ride through life. Just rob a bank. Charge the enemy with burning fire. Let corrupt officials buy you off. No work or effort is involved. Who needs school or a real job with those kinds of abilities? It's all too good to be true.

"Power corrupts... and absolute power corrupts absolutely." (Lord Acton)

Because power corrupts. It darkens the heart, corrupts the spirit, and interferes with one's divine purpose. There are three central characters in the film. Each one of them has incredible potential to make a positive contribution to society, but "Power" interferes with each one. It becomes their duty to erase the drug from New Orleans, so they can get their lives back on track.

THE MAJOR

His original purpose is to be a father. His daughter Tracy is a girl with an extraordinary gift. She needs his love and guidance, so she can grow to be an extraordinary woman.

Instead, shameless drug dealers interrupt that purpose by kidnapping Tracy for their greedy purpose. Tracy is reduced to a lab rat, and her father becomes a soldier. His violent work opposes her healing ability. He can only retire his rampage and resume his role as a father if he rescues Tracy from her torturous cell.

ROBIN

She is young, ambitious, and caring. With a natural talent for music and rhymes, she ought to be in school improving her writing and public speaking skills. Her education is the only chance she has to be the best lyricist possible.

Instead, she drops out of school to make easy money through drug dealing. Her work enables Project Power's evil scheme to treat New Orleans as a big experiment. She peddles a drug with a high mortality rate.

She claims the reason for her illegal dealings is to help her ailing mother pay for her medical expenses, but the Major doesn't buy it. Neither should we. He challenges her to reconsider her life choices. In his own harsh way, he plays his purpose as a father to inspire the best in her. She must decide what is most important: easy money or artistic expression.

DETECTIVE FRANK

Frank is an incredible cop. He is passionate about providing justice to the citizens of New Orleans. A crucial skill for a detective is outside the box thinking and noble character. Frank possesses these qualities in spades. Not only is he incorruptible, but his unique thinking helps him find the source of Power more discretely than the Major's brutal approach.

His main priority is to save lives, and Project Power takes lives in two separate ways. Either the pill itself kills the customer, or the customer on the pill kills innocent bystanders. Frank's experience teaches him how dangerous the pill is, and he hates it for taking over his city. The only way he can proceed with his career as a detective is to wipe Project Power off the map.

Galatians 6:9 - "So let’s not get tired of doing what is good. At just the right time we will reap a harvest of blessing if we don’t give up." (NLT)

In the end, there is no magic pill that will turn us into extraordinary beings. We must achieve our purpose on this Earth without supernatural aid. We can only use the time and gifts that God gives us.

"10,000 hours is the magic number of greatness." (Malcomb Gladwell)

Though the 10,000-hour rule is a debunked myth, the idea is valid. Practice makes perfect. Work hard. Master your skills. Be the best you can be.

THE REAL TRAGEDY BEHIND "TRIANGLE" (MAJOR SPOILERS)

Tue, 11 Aug 2020 23:05:11 GMT

"Triangle" is the story so complex, there are more twists and turns than the corridors on the ship used as its setting. It begins with a group of friends going out for a pleasant Saturday morning yacht ride. However, a storm capsizes the boat and they find themselves aboard the ship USS Aeolus in a fight for their lives against an unknown assassin. That killer turns out to be Jess who descends into madness in her campaign to break out of a vicious time loop.

The name Aeolus is based on Greek mythology. Aeolus punishes King Sisyphus for breaking his promises by cheating Death three times. After living a long life he doesn't deserve, he spends his afterlife in an endless loop. Every day, he carries a rock up a hill, only for it to roll back down and he must begin all over again. Every day for eternity. This is his punishment.

As it is for Sisyphus, so it is for Jess. Yet, it seems as though Aeolus has gotten more creative with his punishment over the centuries. This time, Jess is offered the opportunity to break her cycle. All she needs to do is take responsibility for her sins, but she never does. Thus, she is doomed to relive the horrors of her actions over and over.

The simplest way to break the bloody cycle is the simple act keep a promise. She ensures her cab driver (aka Death) that she will pay her fair. Instead, she hops onto the yacht and forgets about him. As the blood flows and the bodies pile up, her efforts are wasted on her attempts to cover her guilt. The harder she tries, the more blood she sheds.

Sally is only one of her victims who sees Jess as the narcissist that she is. However, her delivery is too harsh for comfort. So, her friends write off as petty and judgmental. They ought to listen, because her assessment of Jess is spot on. Even Victor feels bad vibes about Jess in the beginning, but Greg refuses to listen. He wants to give her the benefit of the doubt. That blind grace leads to everyone's horrifying demise. Over and over.

Jess continues to deny her actions, even when she is presented with irrefutable evidence.

"I didn't do this."
"It's not me."
"It wasn't me."
"(It's) not who you think."
"The woman that did those things to you is not mommy."

The real tragedy here is Jess' chronic inability to break herself out of the narcissistic cycle in which she traps herself. The solution is so simple, but she would rather destroy the lives of others: abuse her son, murder her friends hide the evidence, and repeat. She'll never learn the lesson. She deserves this punishment.

Official Trailer

THE OLDEST PEOPLE IN THE WORLD STILL HAVE LESSONS TO LEARN

Tue, 11 Aug 2020 04:30:25 GMT

James 1:5 - "If you need wisdom, ask our generous God, and he will give it to you. He will not rebuke you for asking."

It's the hardest thing for the human eye to see. Not even the oldest people in the world can see it.

How can we measure our impact on the world?

How do we know whether or not we make a difference?

Is your divine purpose being accomplished?

These are the question that plague the members of "The Old Guard". Plagued with extended life, these gifted beings are granted extended life, so their deeds can shape civilization as we know it. Humanity is better off because of their tireless efforts. However, they don't see the effect they have.

They spend centuries watching the world continue to erode, and it makes them feel like their purpose is pointless. They feel helpless in their immortality and give up their efforts unaware their biggest fight is just around the bend.

Thus, a new immortal is born to take their place, Nile. Destined to replace Andy as the group leader, she reminds the guard that there is still goodness in the world. The youngest member of the guard, God (aka their higher power) chooses her because of her goodness and passion. This proves there are still people worth fighting for in the modern world. A modern warrior is good enough to join their ranks. She reignites their motivation to fight.

Ephesians 5:15-17 - "So be careful how you live. Don’t live like fools, but like those who are wise. Make the most of every opportunity in these evil days. Don’t act thoughtlessly, but understand what the Lord wants you to do."

Meanwhile, an observant man named Copley embarks on a campaign to construct a timeline of their deeds. He researches their work throughout the centuries. Their impact on the world becomes undeniable. They impact the world through the people they save, not the violence they exact.

If only there were more people like Copley in the world. The people who encourage the good, instead of nitpicking the bad. Such negativity takes its toll on the human will. Even immortal, superior warriors are not immune to that psychological warfare. It is enough to drive a person mad. Let us all focus on the people who lift us up.

Remind the people around you of the good they do. The world needs good. As much as it can get. Consider, my friends, who are you? Do you encourage and inspire? Or do you make others feel worthless as a benefit to yourself?

BRAVE: THIS PROUD, SCOTTISH PRINCESS NEEDS NO HUSBAND

Wed, 29 Jul 2020 22:28:23 GMT

Disney-Pixar's collaborative project of 2012, "Brave", produces a never before seen princess. Headstrong and stubborn, she flies in the face of tradition. Pixar goes above and beyond in helping Disney poke fun at itself, including the infamous royal dress in which all Disney princesses are shamelessly marketed. Merida prefers her daily comfortable look.

Above all, she refuses to accept the mandate of marriage. She feels destined to be a queen, just not a wife. A lifetime of her mother's lessons doesn't prepare her for leadership. Merida finds Queen Elinor's lessons boring and unnecessary. Her favor of the day is when she rides her horse and practice archery. It makes her feel free and happy.

Proverbs 1:5 - "Let the wise listen to these proverbs and become even wiser. Let those with understanding receive guidance." (NLT)

Merida is different from her mother, but that doesn't suggest she'll be a poor leader. Merida is a genius. She has a way of thinking outside the box and challenging pointless tradition. This proud, clever princess could easily rule on her own.

"Legends are lessons. They ring with truth."

Thus, she is chosen by the wisps to embark on a journey in search of the truth behind an ancient legend. Each of her parents tells her a different story without realizing they are the same legend:

Queen Elinor is a disciplined woman, driven by tradition and the need for perfection. She advocates for a strict education, tradition, and diplomacy. The story she tells is of a prince who strays from his royal duties and fights for his destiny. Because of this, the kingdom fell to destruction. She teaches Merida that tradition begets peace. Merida needs to submit to marriage and become a peaceful diplomat. Just like her.

"A princess shouldn't have weapons."

King Fergus is a superficial man, driven by revenge for his lost leg. He believes in what he sees for himself, not magic or legend. What he sees is a giant bear. Through this face-to-face encounter, he believes. He is from then on driven by revenge, and he teaches his daughter to be a warrior. Just like him.

"Learning to fight is essential."

Merida embarks on a journey with her mother where they both discover a hidden truth behind Scottish legends. The demon bear is the unruly prince Mor'du believes that his family robbed him of his right to rule his kingdom, so he used magic to declare war upon them all. The lesson here is that Mor'du becomes his own obstacle. His pride turns him into a monster. He causes the fall of his once-thriving kingdom leaving nothing left to rule.

Without the remedy, Elinor is doomed to share his fate, but so is Merida. Her pride will destroy her kingdom with she doesn't make things right with her family.

Proverbs 11:2 - "Pride leads to disgrace, but with humility comes wisdom." (NLT)

With the legend complete, she learns the greatest lesson of all. To take responsibility for her actions? Sure. That sacrifice is necessary for people in her position? Of course. Above all, she learns that the only obstacle in the way of her destiny is herself. She can't blame her mother for her life's direction. Only she can set it, and it's her pride that keeps her from it.

"One selfish act can turn the fate of a kingdom."

Merida is destined to be a queen and a fine leader. She can achieve that whether she married or not. With or without her mother's lessons. Just as long as she has her country's history to guide her.

Meanwhile, Elinor learns to trust her daughter. She loses control when she is transformed into a bear. Thus, she must rely on her daughter to survive. Elinor watches helplessly as her daughter faces down four clan leaders with only a sword. In that moment, she sees Merida for the first time. She learns to appreciate Merida's courage and talents. No suitor in the country could match her combat abilities. This Disney princess is no fair maiden. She is a warrior queen.

THE DARK THEME OF AMAZON'S "UPLOAD"

Tue, 21 Jul 2020 20:41:23 GMT

John 10:28 - "I give them eternal life, and they will never perish. No one can snatch them away from me."

Well... Not is this weird version of the future. Horizon snatched them up pretty good.

At least it is in the Amazon original series "Upload" where technology's dominion reaches so far that not even the dead can escape it. Horizon holds hostage their patrons loved one for profit. This virtual "heaven" is beautiful and relaxing, but a beautiful cage is still a cage.

Meanwhile, all living are robbed of their right to properly grieve their dead, sold on the idea that they don't have to let go. Who wouldn't want to keep their loved ones around forever? Who wouldn't want to achieve immortality?

At the very least, it provides comfort for non-religious customers, those who don't believe in souls or a real afterlife. They need comfort that something better awaits them after they die. In steps Horizon, offering virtual heaven for a substantial fee and binding contract.

"Sign here and we OWN YOU." Red flag? I think so.

Upload is the story of Nathan Brown who signs his soul to his girlfriend Ingrid Kennerman. She is the privileged daughter of a wealthy tycoon, and she LOVES her control over Nathan. Quickly, he learns that he signed the wrong deal. She is as flaky as she is privileged. Ingrid's constant doubt puts him in danger almost daily. She could delete him at any moment, especially given the financial setback and the peer pressure she feels with her family. She even expresses her mounting desire to freeze or delete him in her support group session.

Not only does he relinquish control to the flakiest woman alive, but he also insults his life's work. His divine purpose. His untimely end meets him in the midst of creating a free version of virtual heaven. That way, the underprivileged can experience the same afterlife luxuries as Horizon's wealthy customers. It puts Horizon in danger of losing business and contributes a motive in his murder.

1 Corinthians 2:9 - "No eye has seen, no ear has heard, and no mind has imagined what God has prepared for those who love him.”

In spite of his compassion for the poor, his fear of death drives him to hypocrisy. He sells his soul instead of trusting his colleague to finish their work. He also shows no faith in God though he claims to be a Christian.

Had he not signed that contract and sold his soul to a phone company, he would have ascended to the real Heaven where God's love is unconditional and free of charge. In his family, there is nothing to fear.

WHICH AUTHOR IS MORE DESERVING IN "UNWRITTEN OBSESSION"?

Thu, 16 Jul 2020 03:04:42 GMT

1 Timothy 6:10 - "For the love of money is the root of all kinds of evil. And some people, craving money, have wandered from the true faith and pierced themselves with many sorrows."

Lifetime is a breeding ground for odd obsession movie, but there are very few that are pulled off well. Between bad dialogue and bad acting, it is difficult to find a gem. Much like Netflix. "Unwritten Obsession" is one such gem. This mystery thriller tells the story of three aspiring writers: Paul Walsh, his daughter Maya, and his sociopathic ex-fiance Skye.

The skill of fantastic writing must be a family trait, because both Paul and Maya have the skills to break that impossible barrier blocking most new authors from publication. At the very least, they both have incredible stories in their hearts. They use their manuscripts to speak to the hearts of their readers. Their intentions are pure.

Maya Walsh: "I feel like there's a story I need to tell."

Meanwhile, Skye only writes for glamour, fame, and money. She has no story in her heart. All she has is a kitchen full of booze and an attic full of secrets. Her desk is devoid of supplies. There's not a pen in sight. This is not the space of a passionate writer. Instead, the house shows the trappings of a temptress. It seems her only skill is seduction.

How, then, is Skye the only published author among them? She rips apart the Walsh family in her attempt to ride the coattails of Paul's brilliance. She steals his book to break past the impossible barrier, counting of the fame to launch her own emotionless, lazy writing. It doesn't work. Destitute and broke she becomes desperate and tries the same trick with Paul's daughter.

Having been in the heads of both Walshes, Skye out to know better than to underestimate brilliance. Her greed blinds her, and it becomes her ultimate downfall. Justice prevails for the Walsh family. Paul gets the credit he deserves, and Maya breaks the barrier with her incredible story.

The climatic ending begs more questions for the hopelessly talentless fraud. How many books does she steal before Paul? How many will she attempt to steal after Maya's rampage? Will Skye stop at nothing to steal the fame she so greatly desires?

GROSS JUDGEMENT FOR "THE NIGHT CLERK" (Spoilers)

Thu, 09 Jul 2020 05:10:40 GMT

Don't let the Netflix synopsis fool you. This film is NOT a mystery or thriller. It is a drama from top to bottom. The disappointment of this deception nearly led me to shut off the film and move one to other cringe-worthy Netflix films. The only reason I continued watching is because of how deeply the story resonated with me.

Bart Bromley, an autistic young man, works as a night clerk for a small hotel chain in his desperate pursuit of self-improvement. The job helps him practice his social skills. He wants more than anything to acclimate with the world. To be treated like an equal. To find love and acceptance.

However, he crosses the line through the illegal act of privacy invasion. In his attempt to learn human behavior, he bugs the rooms of his customers to study their behavior. Though his intentions are innocent, Bromley knows that surveying people without their knowledge is wrong. Otherwise, he wouldn't go to extreme length to hide the recordings.

Even when he faces murder charges, he battles the temptation to surrender his video footage. A murder occurs in his hotel, and he is fortunate to capture the crime on video. The suspect flees; his coworker finds him sitting over the body covered in the victim's blood. What are the police supposed to believe, especially when he is diagnosed with a disorder known for violent outbursts? The odds are not in his favor. The detective on the case becomes fixated on him. This so-called detective only sees an easy suspect. Desperate for a confession, he harasses the frightened and confused young man. All he gets is the angry retort from a supportive, protective mother.

Detective Espada is not the only person determined to blame him for the crime. The perpetrator and his girlfriend develop an elaborate plan to steal the incriminating video before the truth comes out. Andrea Rivera, the mistress of a married man, checks into the hotel hoping to manipulate the video out of him. Instead, he teaches her a valuable lesson about her relationship with a cheating, entitled sociopath.

Love is an addiction. He's partially correct. Romance, drama, and attention are addictive. Addictions are very dangerous. This is her relationship. Love, on the other hand, is unconditional and selfless. Love does not lead to infidelity or murder. Andrea is addicted. Her boyfriend murders. Bromley loves unconditionally. Yet, so few people love him in return.

Instead, people underestimate his intelligence. Everyone except his boss and mother. They stand by him through thick and thin. Everyone else sees him as an easy target, but they fail to realize that he is smarter than all of them. He is, after all, the only one who knows the identity of the killer. He has the evidence.

The real question is whether he would risk everything to turn in the video. Innocent of murder. Guilty of privacy invasion. How would it affect his desire to live a normal life?

Official Trailer

THE "EXTRACTION" OF A YOUNG SOUL FROM A DARK FATE

Wed, 08 Jul 2020 02:55:04 GMT

Chris Hemsworth stars in Netflix thriller "Extraction". He plays Tyler Rake, a mercenary with nothing to lose. The story follows him through his final job to save a kidnapped teenage boy and return him safely to his family. It's a noble enough goal, but there is more at stake than a kidnapping. His purpose in this job is to save an innocent soul.

Ovi Mahajan is a privileged teenager caught in the middle of a gang war. He studies hard and plays the piano beautifully. He desires nothing more than the life of a normal teenager. That desire drives him to sneak out of the house to meet with a friend. This single act of rebellion quickly turns into the greatest regret of his life after two gang members murder his friend in front of him and takes him hostage. Ovi learns the brutal lesson that he can't have a normal life unless he escapes his father's world, a legacy bred by violence and greed.

It becomes Rake's task to free Ovi, not only from the gang that kidnapped him. Ovi needs rescuing from his the underworld of weapons dealers and traffickers. It's riddled with evil. Crime lords recruit and needlessly murder children in the name of power. Ovi needs a fresh start before his father's violent legacy consumes his life.

Salvation seems impossible. So many lost souls surround Ovi, including Rake. He's a man with nothing to lose. No family, friends, or career. All he has left is his final mission. How far will Rake go to save Ovi's life? And his soul?

ULTIMATE OPPORTUNITY PRESENTS ITSELF IN "6 UNDERGROUND"

Thu, 02 Jul 2020 05:21:38 GMT

Proverbs 22:16 - "A person who gets ahead by oppressing the poor or by showering gifts on the rich will end in poverty."

It is the ultimate wish of every struggling adult. Life isn't kind. Something (or everything) dear to you has been stripped away, leaving you with a hole in your heart. With every passing day, it gets harder to drag yourself out of bed. Out of nowhere, the offer of a lifetime presents itself: a clean slate and ultimate freedom.

The seven mercenaries in "6 Underground" take the deal. A singular cause unites them: end a dictator's tyranny and replace him with the dictator's underdog brother. Justice drives them to do whatever it takes to help the downtrodden and oppressed. To accomplish their goals, they all fake their deaths to smooth out their operation. None of the world's authorities can arrest or assassinate a dead person. They are free from the restrictions of politics.

Isaiah 10:1-2 - "What sorrow awaits the unjust judges and those who issue unfair laws. They deprive the poor of justice and deny the rights of the needy among my people. They prey on widows and take advantage of orphans."

At what cost? They are utterly alone. No connections. No relationships. Their loved ones must believe they gone forever. It sounds like a difficult catch, but it frees you to save countless lives. It's for the greater good.

They save a country from tyranny, and they don't claim any credit. Enough innocent people die under the watch of a broken system. They only desire justice for those lost lives. They give the people a voice and a leader who values life. Just as they value life. Above their own.

All things considered, that's a pretty good deal.

Would you take the offer?

Would you die for strangers?

"FLOOR IS LAVA" GIVES US A TRIP DOWN MEMORY LANE

Thu, 25 Jun 2020 18:11:48 GMT

Netflix continues in its amusing originals. Now, they are dabbling in game shows, which are indeed amusing. Their most recent addition to their game show playlist, "Floor is Lava". After premiering last week, it has five stars and instantly hit the #1 spot in the top 10 list.

How could it not? It's an incredible blast from the past for any adult who has played the game as a child. Our imagination brought to life before our eyes. Every game is so engaging that it's easy to breeze through the entire ten-episode season in a single sitting. You'll find yourself on the edge of your seat: cringing, jumping, and yelling at the screen the entire way through.

Despite first impressions, this is no easy task for those in peak physical fitness. The game requires insight, planning, and problem-solving skills to make it through. Communication and patience is also a key factor. The games are timed, but precious seconds are wasted for the contestants who jump in without thinking. They find themselves going back around for the clues they miss; thus, they triple their risk of falling into the lava.

"Floor is Lava" more than a cringy game show. It's a fond trip down memory lane that brings cozy, warm feelings of nostalgia. What better way to win a nice chunk of change?

'PARKLAND' EXPLORES THE MENTALLY ILL FAMILY THAT SHAKES AMERICA.

Sun, 21 Jun 2020 06:25:17 GMT

Who killed JFK?

This is the question that rocks America to its core. It's the biggest mystery in history. Countless, unusual theories were born out of the case. The inhumanly tall "Badge Man"? Ice bullets? Inside job? Come on, people. Slow it down.

Lee Harvey Oswald is 100% responsible for the death of our countries beloved leader, and he set in motive a presidency more destructive and dangerous than our current Mr. Cheeto.

The amazing perspective of "Parkland" reminds us how the assassination affected everyone who surrounds the fallen president, including Parkland Hospital. The camera follows JFK and his mess of Secret Service agents into the operating room where an army of doctors and surgeons tirelessly work to save him. Even when they know there is no hope. The operation is pandemonium, and tension is through the roof. How can Parkland's finest hope to win this hopeless battle? They do a remarkable job in their attempts to keep him alive.

Meanwhile, the FBI hunt down Abraham Zapruder, the man who shoots the infamous kill shot video. He intends to record the president's appearance on a happy day for his family. Instead, his vision is disrupted with horror. A fun, family video becomes a crucial piece of evidence for an impossible investigation and dramatic material for every magazine in the country. Zapruder brings down upon himself more attention than he could ever want. All this patriot wants is a quiet moment to process his grief. Instead, he must relive the death of Kennedy every time the video is played.

Next in line is the Oswald family. After Harvey's just arrest, his brother Robert is put in the most difficult position of his life. As the only lucid member of this family, he is forced to pick up the pieces of his brother's horrifying crime. His life as a responsible salesman and family man comes to a screeching halt, and he must face the chaotic, delusional family he works so hard to leave behind.

Marguerite Oswald, a woman as mentally ill as her treasonous son, is another story altogether. Her deepest desire is to become as famous and loved as the First Lady. Her sense of entitlement is unbelievable. She believes her son deserves all of the honors and distinctions as Kennedy. Anything less is unacceptable, and all she does is complain.

Fortunately, nobody buys the story. Harvey Lee Oswald becomes a social pariah overnight, killed for his crime before seeing the inside of a courtroom. In stark contrast to Kennedy's operation, he is not afforded the amount of respect and regard that Parkland gives to his victim. The surgeons and nurses do their duty to save him, but they show complete detachment toward Harvey. They go through motions like robots, and they announce the time of death as soon as he flat-lines.

Not even Marguerite cares that he dies. Instead, she petitions for the right to bury him in the same graveyard as Kennedy. Again, the contrasts between the two funerals are glaring. Kennedy's funeral includes a parade, television coverage, and a police escort. Meanwhile, the Oswald family must rely on charity from top to bottom just to put Harvey's coffin in the ground. No church will take him, a preacher comes out of retirement to lead the service, and Robert must beg photographers to help him carry the coffin.

One would think the reality check would be strong enough to jar Marguerite back to reality. But alas. Sometimes, crazy cannot be fixed. Always desperate for attention, she cries her crocodile tears for the cameras. It's the first time she cries during the entire ordeal. All she cares about is herself. It's clear from day one. Something's not right in the minds of mother and son. Robert is extremely lucky to be spared that fate. Yet, he deserves the most compassion. He's stuck cleaning up after a family incapable of kindness, compassion, and reason.

He deserves all of our compassion.

The mystery of the JFK assassination is hardly a mystery. Though it is extremely doubtful that he fired the kill shot, he did set the chain of events into motion that caused the kill shot. Either way. Any way. Harvey Lee Oswald murdered JKF.

Also available on Amazon is the documentary "JFK: The Smoking Gun". It presents the most logical theory available. The entire story is based on cold, hard evidence. It is the theory that we stand behind here on Thread of Truth.

Good luck out there, and may God bless America.

GREED CONSUMES 'THE OCCUPANT'

Wed, 17 Jun 2020 19:26:50 GMT

"The Occupant" opens on an idyllic family. The husband comes home from a high paying job to an expensive, secluded home. He eats a delicious dinner with his doting wife and child. Afterward, he gazes out the window at a stunning view of the city. The camera then pans to the faucet in the kitchen. This is an advertisement created by Javier Muñoz.

Javier is in a period of severe financial struggles, and the ad he created is a reflection of his personal dream. He wants the job, car, house, and family. The trouble is he had that dream already. While the real reason he leaves his previous position as a powerful executive remains a mystery, he is too arrogant to accept anything better than his previous position suggests he quit in search of more. More money. More stuff. More cars. More houses. More, more, more. Nothing is enough. He is never satisfied or grateful for his blessings.

1 Timothy 6:10 - "For the love of money is the root of all kinds of evil. And some people, craving money, have wandered from the true faith and pierced themselves with many sorrows."

His ambitious mistake leads to poverty. He is forced out of his apartment and must sell his car to make ends meet. Meanwhile, he continues to neglect his family, his greatest blessing, in search is his fantasy. Job hunting proves fruitless, and narcissistic rage continues to build.

When recovering alcoholic Tomás and his family moves into his old apartment, he finds himself a prime target on which to unload that pent up energy. While this unsuspecting family becomes the target of Javier's obsessive rage. His top priority becomes the plot to usurp this family and start fresh. Meanwhile, his job hunt, car sale, and family fall into a state of neglect and abandonment.

As his plan develops over time, it becomes abundantly clear that Javier doesn't care about his own family or stability. He is incapable of love and affection. His thirst for the fantasy consumes him. His greed becomes insatiable driving him to murder and blackmail.

In the end, he gets exactly what he wants. At the cost of many lives. His success at such a cost is no success at all. If a dream requires dishonesty, manipulation, and murder to achieve, then its not a worthy goal.

We all have dreams, but we also have a moral compass. Our Heavenly Father calls us to a life of honesty, humility, and love. Otherwise, its no life at all. Do not become a slave to greed. It may grant you material possessions, but it will corrupt your soul.

STRANGE MAGIC (2015) Movie Review

Wed, 17 Jun 2020 06:19:45 GMT

"Strange Magic" is an incredibly vibrant love story that blossoms between a moody king and a fairy princess. The union brings together two different worlds, the Dark Forest and the Fairy Kingdom, into acceptance and understanding after a lifetime of division.

In order to reach this understanding, Princesses Marianne and Dawn are thrust into the Dark Forest on a dangerous mission to appease the Bog King's rage before he destroys the Fairy Kingdom. Instead, they find their own eyes are opened to unspoken beauty.

1 Samuel 16:7 - "Don’t judge by his appearance or height, for I have rejected him. The Lord doesn’t see things the way you see them. People judge by outward appearance, but the Lord looks at the heart.”

On the surface, the Dark Forest appears dangerous and filled with hideous creatures, while its king is evil and heartless. Neither is true. Like Marianne, the Bog King is heartbroken. After being rejected, he closed off himself from the world in fear that he'd get hurt again. Citizens of the Fairy Kingdom regard the king, his forest, and the primroses that define their border with terror.

Primroses are beautiful flowers with unimaginable power. They make up the prime ingredient for a love potion, which the king outlaws from Dark Forest with extreme prejudice. It's a law so strict that the neighboring Fairy Kingdom abide by it in fear that they too would be imprisoned. They flee from the border at the sight of the pretty pink flower.

1 Peter 3:3-4 - "Don’t be concerned about the outward beauty of fancy hairstyles, expensive jewelry, or beautiful clothes. You should clothe yourselves instead with the beauty that comes from within..."

Nothing is as it seems in this magical world. The chaotic love potion turns perception upside down. The struggle over control forces Bog King and Marianne to question the fine line between love and intoxication. Between inner beauty and good looks.

The answer is simple. Look beyond the surface. Skin-deep beauty is meaningless. True beauty lies within. That is what matters. It is the lens of real love and compassion that Marianne can see the beauty deep within her supposed adversary and his territory. They find within each other kindred spirits, bonded through similar heartbreak. Both learn that their previous love interests are based on appearance. Nothing more.

Through their brief encounter in the Dark Forest, Bog King learns the most important lesson of his life. He is worthy of love. He protects his broken heart in the illusion that he is an evil, unlovable villain. However, his actions prove otherwise. He is a gracious host. All of his prisoners are well cared for.

Marianne sees that Bog King is a kind and compassionate being who suffers from a broken heart, someone to whom she can relate. It's an understanding she feels with no one else in her life. Together, they find the real love that they nearly stop believing exists. With that, they bring peace and understanding to both kingdoms.

This film is a prime example of how to look at others. Who are they beneath the surface? Who are you beneath the surface? Ugly or beautiful?

'QUARANTINE' TAKES ON NEW MEANING IN THE WAKE OF COVID.

Wed, 10 Jun 2020 06:04:09 GMT

Proverbs 31:8-9 - "Speak up for those who cannot speak for themselves; ensure justice for those being crushed."

Thanks to the use of technology, society is evolving. Everyone has a camera in their pocket, which forces people to consider accountability. Our actions are being recorded at any moment, and it can come back to bite us in a big way.

Such is the conspiracy woven into the plot of "Quarantine". In this terrifying mockumentary, the true hero of the story is not in front of the camera. He is behind it. Cameraman Scott Percival finds himself in the wrong place at the wrong time with Reporter Angela Vidal. They take a mundane assignment to cover a routine night shift at the local fire station.

It turns out that night would be anything but routine. Their excitement to ride along on a medical call turns to terror after they find themselves trapped in a building filled with rabid cannibals. The CDC looms just outside refusing to hear their cries for help and freedom.

Throughout the night, the virus works its way through every person locked in the building. Hysteria claims the rest, including Angela. All lose hope of survival. However, Scott never turns off his camera, recording everything inside the building and searching for the truth. They realize they would not survive the Quarantine but hope the camera would.

Bodies keep dropping. Danger lurks around every corner. In the end, Scott and Angela are the only survivors. However, Angela becomes too hysterical to think straight. She needs his guidance through the building to the attic. She screams, cries, and jumps at every sound. Scott practically drags her to the top floor as rabid zombies attack him from every direction. All the while, he still holds onto the camera. The police officer in the building consistently demands he turn the camera off. Firemen push him out of the way. The CDC shuts him out. Eventually, Angela has a meltdown.

Joshua 1:9 - "This is my command—be strong and courageous! Do not be afraid or discouraged. For the Lord your God is with you wherever you go.”

Scott becomes alone in his endeavor, but he believes in his cause. Enough to keep a level head. Enough to stand against the bullies and the terror. Enough to risk his life. He stays alive long enough to stumble onto the cause of the outbreak in the attic of the building where he uncovers a terrorist conspiracy. The virus turns out to be a biological weapon. Infected lab rats riddle the residence of Patience Zero who foolishly infects himself with a rat that breaks loose and infects the building.

This discovery begs the question: Is the quarantine a necessary evil so the rest of the world filled with God's children can be spared this terrible infection that strips away our humanity? More importantly, does the quarantine succeed?

One can only hope.

TRAILER

SHIMMER LAKE (2017) Netflix Review (Minor Spoilers)

Thu, 04 Jun 2020 21:53:29 GMT

Luke 12:2 - "The time is coming when everything that is covered up will be revealed, and all that is secret will be made known to all." (NLT)

What happened to Ed Burton?

This is the question that drives the duration of "Shimmer Lake", because he is nowhere to be found.

According to reports collected by Sherriff Zeke Sikes, Ed robs a bank, betrays his partners, abandons his wife, and skips town. Allegedly. The problem with this story is that there is no way to confirm it without Ed. Ed is gone. No warning. No explanation. Just gone. His wife, Steph, is the only person who can attest to his whereabouts. She wears the mask of a battered wife, and she flatly denies her involvement in the robbery.

Not all is as it seems.

Her story is riddled with holes, and she is frequently testy with investigators. Most revealingly, every person involved with the robbery is dropping dead with every passing day. It is no coincidence that she's connected to every dead body that emerges.

Her lies lead to destruction. Money is stolen, lives are ruined, and other lives end. Meanwhile, her dearly departed child is no closer to coming back. Her need for revenge is moot. Violence begets violence. The cycle of destruction keeps moving until someone steps up to stop it.

There is only one entity with the right to judge.

Ecclesiastes 12:14 - "God will judge us for everything we do, including every secret thing, whether good or bad." (NLT)

What happens to Ed on that fateful night? He learns that the robbery means more than an opportunity for easy money. Instead, he discovers easy betrayal fueled by bitterness. Revenge in the name of justice. It's an injustice. Not only that, but also he learns that he is unknowingly betrayed in the past. His wife and friend betray him twice, and they get away with it twice... For now.

THE MANDALORIAN (2019) TV Review (Season 1 and TROS Spoilers)

Tue, 26 May 2020 20:08:22 GMT

Palpatine is supposedly dead, and his heiress Rey has yet to be born. Meanwhile, Luke’s Jedi Order is in its infancy (according to IMDB trivia ). In the midst of the Empire’s ruin, the galaxy becomes the wild west of morality. The galaxy struggles to survive. Every man for himself. Instead, they need to learn to help one another. A little kindness could go a long way.

Regions of the galaxy barely know about the Force or the Jedi. They are nothing more than legend. Meanwhile, the Mandalorian Creed turns the profession of a bounty hunter into a religion. Very few beings in the galaxy take their work as seriously as the Mandalorians. Their numbers have dwindled nearly as far as the Jedi. What better way for the former enemy creeds to show their defiance to the remnants of the Empire than to join forces?

This is the story of "The Mandalorian". A Mandalorian Bounty Hunter eager to earn a name for himself must protect a force sensitive child from those who seek to harm him. Though the Empire crumbles and the New Republic takes form, the dark side remains strong. It continues in its ancient campaign to destroy the light.

Luke Skywalker may be a legendary Jedi, but he casts other force sensitive children throughout the galaxy into the shadow of his legacy. What happens to the ones who never make it to Skywalker’s temple? This story follows one such Youngling and his Mandalorian caretaker. Mando must protect and care for this mysterious creature. Without a name of its own, its widely popular reference became “Baby Yoda” overnight. I prefer Sweet Pea, the name lovingly bestowed upon it by Star Wars Podcast “ Girls with Sabers ”. Thus, this 50-year-old toddler belonging to a rare, powerful species shall officially be dubbed Sweet Pea on Thread of Truth until a name becomes official for the character.

This enthralling first season of The Mandalorian revolves around several mysteries behind the origins Mando and Sweet Pea as they scour the galaxy for a safe haven. The remnants of the Empire obsess over the experimentation on and death of this powerful being. From where does Sweet Pea come? Where are his family and species? Where does Sweet Pea belong?

More importantly, why is Mando so adamant on protecting him?

There are three driving forces behind Mando's actions:

PROFESSION

The Bounty Hunter's Guild is different from the Mandalorian Creed in many ways. Most bounty hunters would not hesitate to slaughter Sweet Pea without a second thought. Professions result in money, and money ensures survival. As much as it must make him cringe under that helmet, Mando is compelled to make good money for the sake of his people as the Mandalorians struggle to survive underground.

The need to survive drives him to accept the questionable deal with associates of the Empire, even though he despises the Empire. At the same time, his hatred holds him back, as does his extreme sense of professionalism. Mando never lies, always keeps his promises, and sees every job through to the end. He is loyal to his colleagues, even those who would not hesitate to sell him out. He values justice and honors life. All of these attributes are incredible. He is a good man and a fabulous bounty hunter.

Though Mandalorians are notorious for being the greatest warriors in the galaxy, his competition is severe and ruthless. They have no virtues holding them back, because they would do anything for a quick payout. This affects Mando’s ability to earn honest money. Thus, he values his religion over his profession.

RELIGION

The Mandalorian Creed is more complex. Much like the Jedi Order, members are trained from childhood and later swear an oath to devote themselves to their creed entirely. All foundlings are adopted after tragedy tears them away from their families, mainly Imperial attacks and raids. They unite in their shared experience, where they pour their grief into their training. It makes them superior warriors earning them a fearsome reputation.

Mandalorians suffer their share of Imperial persecution. Their precious metal, Beskar, is stripped from them, and they become determined to get it back. Needless to say, they're bitter against the Empire and relish its fall. So much so that they support Mando when he turns on his clients after he earns back a significant amount of Beskar. The Empire stole it first. It’s only fair that he steals it back. In fact, they risk their lives to defend him when he rescues Sweet Pea.

Other virtues include charity, honesty, and pride. They never remove their helmets in the presence of a living being, nor do they lay down their weapons. They are supremely proud of their image and skill. They are very disciplined and skilled. Programmed to live and breathe their creed, they are an army of orphans united in their experience.

Most importantly, the Mandalorians are men and women of honor . Mando is gracious to his bounties: protective and attentive. He takes no pleasure in ending a life, unless in an act of self-defense. Unless that life is a droid. He has no trouble destroying a machine.

EXPERIENCE

It's easy to understand Mando's hatred for the Empire and his steadfast refusal to remove his helmet. What remains unclear until the season finale is his discrimination against droids. More importantly, why does he betray the guild, abandon his creed, and anger his powerful client to save the life of a helpless stranger?

The motivation for this extreme risk can only be explained by his personal experience. A droid employed by the Imperial villains tries to kill Sweet Pea, which causes Mando to make the most unexpected move of the season. This hardened, expert bounty hunter destroys a fellow Guild member to save a creature about whom he knows nothing. It is not until the Finale that we learn why he does this. He sees himself in the child. As a child, he is also nearly killed by a droid.

That same droid that kills his parents making him an orphan and changes his life completely. It is an Imperial droid. All in all, the Empire murders his family, destroys his home, raids his Creed (i.e. The Great Purge), and forces all remaining Mandalorians underground. This level of persecution would be enough to drive hatred and prejudice into any heart.

This simple act of defense thrusts both Mando and Sweet Pea on an incredible journey. They connect on a deep level. Mando learns the creature’s ability, values his potential, and comes to care about Sweet Pea who in turn relies on and cares about Mando. The two are kindred spirits, a team, a family, and a clan. As long as they stick together, they can protect and help each other. Thus, Sweet Pea is adopted into the Creed as a Foundling, and Mando becomes his father.

Perspective is everything to Mando, but it shifts after his exposure to Sweet Pea. In the end what serves him most is his experience. Through his experience, he puts himself on a more purposeful path. He abandons his profession as a hunter to become a guardian and protector. He becomes responsible for helping rebuild the Jedi Order.

TROS SPOILERS AHEAD

Season 2 of “The Mandalorian” premieres on Disney+ in October 2020 and Season 3 is under way. Here are some questions to consider in the meantime:

Will Luke Skywalker appear in the show?
Is the Armorer force sensitive?
Does the Imperial scientists' obsession with Sweet Pea have something to do with the cloning of Palpatine?
Are the Imperial villains members of the Sith Cult mentioned in the Aftermath Trilogy and The Rise of Skywalker?

OUTBREAK (1995) Movie Review

Sun, 15 Mar 2020 22:13:32 GMT

It becomes clear that something is going very wrong in the world when a 25-year-old film about a world-ending virus appears as a #7 on Netflix.

As the Coronavirus continues to dominate the world's social and economic behaviors, it might be easy to be swept up in the drama, thus bringing a complete work of fiction to the Netflix Top Ten.

That being said, the film harbors an invaluable lesson for today's pandemic. People want answers. They want comfort. Here it is.

DON'T LET THESE MOVIES AFFECT YOU OPINION OF REALITY.

The key to handling these troubling times is to STAY CALM. Outbreak illustrates the complex difference between cold-hearted calm and mindless panic. It almost appears as if the writers don't understand where to draw the line. At some times emotions cause horrifying consequences. Other times, emotions are considered an asset.

Sentiment lets the host animal lose on the forest in California, romance causes the physical contact that spreads the virus, and panic drives residents into selfish and violent behavior. Meanwhile, the passion of the CDC doctors, especially those of Sam Daniels, appears to have the same emotional origins. He is easily angry and irrational, which sometimes leads to a stall in his investigation.

Where do they draw the line?

Where should we draw the line now?

It all depends on productivity.

DON'T LET YOUR OPINIONS BE AFFECTED BY RECKLESS MEDIA.

Emotions can be healthy as long as we harness that energy to do good, productive things. Allow the passion to fuel research that leads to rationality. Just as in Outbreak, passion leads to research. Research leads to a cure. However, panic leads to dire consequences where the energy of those emotions fuel irrational actions.

Thus, let us learn from the example of this film to fuel our knowledge through our feelings.

For further information regarding Coronavirus, go to the CDC website . Follow the rules. Collect your data. Above all, remain calm.

THE INVISIBLE MAN (2020) Movie Review (Minor Spoilers)

Wed, 11 Mar 2020 05:13:07 GMT

1 Peter 5:8 - "Stay alert! Watch out for your great enemy, the devil. He prowls around like a roaring lion, looking for someone to devour." (NLT)

" The Invisible Man " becomes a proper thriller with director Leigh Whannell whose cinematography is nothing short of astounding. He brings the paranoia, fear, and rage of an abuse victim to life. You will find yourself scanning the screen for minor movements just as she does.

What Whannell also brings to life are the terrorizing feelings of loneliness and helplessness a victim of narcissistic abuse experiences every day. Never have I seen a film more accurate to the plight of an abuse victim to a narcissistic abuser and their unbelievable need for control.

This is no simple metaphor for the lasting effects of abuse or being haunted by the past. What Cecilia endures is very real. The CONTROL is real.

Thus, is the relationship between Cecilia Kass and her sociopathic boyfriend Adrian Griffin. Only she truly knows what he is behind closed doors, and the story illustrates her struggles to reveal the Griffin brothers for the monsters they are. Only then can she secure her freedom.

Abuser Adrian in his covert form wears the shape of a human, but his colors are inhuman. He is black as sin and covered with all-seeing eyes. Always watching. Always waiting for the perfect moment to infiltrate her life, even after she escapes him.

Meanwhile, Cecilia struggles to recover alone. Her sister and their cop friend are physically there for her. They don't believe her claims that Adrain is after her; they don't hear her cries for help. They fail her when she needs them most.

“The greatest trick the Devil ever pulled was convincing the world he didn’t exist.” (Charles Baudelaire)

No one believes her cries for help, because no one can see what she sees. They see no threat, no danger. They see nothing. They can only see what is in front of them. They don't see any deeper. Only those who have seen evil first hand can know what to look for.

Whether the abuser is dead or not, the abuse lives on in the people who assist the abuser, who don't support the victim, and who are hurt trying. All she needs is someone to believe her, to see her suffering, but no one comes. They cannot see because they don't understand.

Cecilia can sense him everywhere, because his control is everywhere. She KNOWS down in her core the abuse lives on. Regardless of what others think or see. He makes her appear crazy, but he never makes her feel crazy.

The only person on whom Cecilia can rely is herself. She embarks on a battle for her life, but first, she needs validation. She hunts for the truth. To show the world that Adrean is EXACTLY who she says he is. Through validation, she can be free.

The #1 mistake of an abuser is underestimating the intelligence of their victim. It is a victim's #1 asset. Not people. Not money. Not walls and a roof. Cecilia must learn that her chance to beat this sociopathic genius is a battle of wits.

The only way to make them understand is to expose the darkness within. The black, all-seeing form that lies beneath the non-threatening cloak. Abusers can't hide forever. Sooner or later, they show their true, black colors. When they do, all we can hope is that the rest of the world is paying attention. That is our hope for survival.

ONWARD (2020) Reviews

Wed, 04 Mar 2020 05:03:42 GMT

The story is set in a world with no humans, only elves, trolls and sprites. The film centers on two teenage elf brothers whose father died when they were too young to remember him. But thanks to the little magic still left in the world, the boys embark on a quest that will allow them a chance to spend one last magical day with their father.

RELEASE DATE: March 6, 2020
STUDIO: Walt Disney Pictures, Pixar Animation Studios
DIRECTOR: Dan Scanlon
MPAA RATING: PG
SCREENWRITER: Dan Scanlon
STARRING: Chris Pratt, Tom Holland, Octavia Spencer, Julia Louis-Dreyfus
GENRE: Animation, Fantasy, Family

REVIEW by Cara

Corinthians 13:11 - "...When I grew up, I put away childish things." (NLT)

Onward is a wonderfully written campaign for Dungeons and Dragons. Rogue Barley and Wizard Ian embark on a journey to connect with their father, the most important man in their life, their father Wilden Lightfoot. However, this man remains a mystery, because he passes away before his sons have a chance to know him. No amount of science is able to save him, but magic has the potential to bring him back.

Even for a day.

With no experience in magic, Ian botches the spell leaving the reincarnation of his father only half completed. He is unable to see, hear, or communicate. Wilden is doomed to a half-life. Every passing moment is a moment they cannot show or tell anything to him, nor can they hear or see anything from him. The pressure is on to restore Wilden's body before their one day runs dry.

What most tragic is that their most important quest in life, their journey to adulthood, happens directly in front of him, but he remains blissfully unaware. Ian becomes the first wizard in centuries, and Barley realizes his need for responsibility. How can they communicate that to their blind, deaf father?

Though they run short on time to communicate their rapid development, they may still be able to use it for the good of the world. Together, Barley and Ian bring magic back into the world. They do so by honoring their past, instead of forgetting it.

Wilden Lightfoot sparks that honor inside of them by setting them on their journey. On that journey, he remains with them in spirit. Yet, they achieve their goal with their own skill and knowledge. Against surmountable odds, they reach the end of their journey and come out with a grand understanding of their divine purpose.

I'M NOT OKAY WITH THIS (2020) Netflix Review (MAJOR SPOILERS)

Sun, 01 Mar 2020 01:01:24 GMT

Psalm 39:2 - "But as I stood there in silence — not even speaking of good things — the turmoil within me grew worse." (NLT)

Netflix Original "I'M NOT OKAY WITH THIS" speaks to all suffering wall flowers who feel bullied, abused, and unheard. Sydney is a girl on a search for her own distinction, to know her place in the world. However, the chance is ripped away from her after the death of her father, the only man with whom she could truly relate. So, she embarks on a mission to find love elsewhere. The only three people with whom she feels it is her best friend Dina, her brother Liam, and her neighbor Standley.

With so few friends, how would she handle losing one to a controlling jock who clearly has no love for others. Especially not Sydney's closest friend. Sydney must watch in agonizing silence while Dina transforms into someone she no longer recognizes. Feeling as though she will lose her best friend, she retreats into herself, desperate for someone in whom to confide.

The answer comes in the form of an ugly little notebook. The brightly colored cover portrays a devious foreshadow of terrible events to come. A cat in the guise of a fish feasts on the flesh of its victim after luring it close and betraying its trust. It's a warning of betrayal by a Wolf in Sheep's Clothing. Nothing good can come from this diary.

She learns to confide in that diary completely, because it's easy to confide in paper. Paper doesn't talk back, judge, or laugh. Where no one else understands her feelings, the diary just listens. This is how she learns to express herself more confidently in the real world. Her emotions simmer down and her explosions become more controllable. It's only when she doesn't have access to her diary that she loses control.

On the other hand, when placed in the hands of the enemy, it can be one of the most destructive weapons. There are few things more traumatizing than such an invasion of privacy and trust. At least that is what happened to me.

Like Sydney, I was encouraged to keep a journal by a mental health professional. Members of my own family (the same people who would later betray me) also encouraged the hobby by buying me journals. The blank pages made me feel comfortable expressing my emotions, organizing my thoughts, and finding inspiration. Of course, my enemies saw something else: a convenient method to cut me out of the family and destroy my reputation.

I made the mistake of trusting them and paid dearly for it. My journal was passed around to every relative within a 50 mile radius like candy at a parade. It didn't end there. I was then ambushed and emotionally blackmailed. They attempted to break up my engagement, and drove me to a mental institution to be commited . It was a failed attempt, but the entire experience was traumatizing enough to shatter my trust in every single one of them.

Inside of Sydney lies incredible potential. She has a distinct power that is all her own. It can either be used for good, or it could destroy the entire town. Sydney's abilities empower her in a way that no one else does. It stems from deep within her, the universe's answer to the cry of her heart. In a cruel twist, it makes her feel as alone as ever.Meanwhile, a dark shadow follows her, tempting her to succumb to her rage and insecurities.

Her explosive power is her distinction. It makes her unique and special. It also makes her dangerous. When she loses control of her emotions, she loses control of her power. In order for her to hone her power, she must control her emotions and use her power for good. No one should ever have to feel so alone. Wall flowers want the same thing as anyone else would. Understanding. Support. Unconditional love.

2 Timothy 1:7 - "For God has not given us a spirit of fear and timidity, but of power, love, and self-discipline." (NLT)

In order to find control, she embarks on a mission to find closure from the suicide of her father. She searches for clues in his belongings and confronts her mother. What she finds is a bridge between her father and herself. He suffers the same turmoil as she does. The same loneliness The same depression. The same power.

She must find a way to express her feelings before they destroy the entire town. What secrets will she unfold? What will her father's past teach her about herself and her potential? Unfortunately, we have to wait for Season 2 for these answers.

OFFICIAL TRAILER

OPENING SCENE

STAR WARS: THE HIGH REPUBLIC Trailer Reaction

Thu, 27 Feb 2020 16:51:14 GMT

BRING ME MORE STAR WARS!

For 43 years, the Skywalker family drama has ruled the silver screen. Now that the saga is concluded, what are the plans for a galaxy far, far away? LucasFilm has an entire galaxy as its creative playground. The options are limitless, and its high time someone uses it. They have only begun to scratch the surface.

As much as I respect George Lucas for the start of this incredible world, I never did appreciate how easily he threw in the towel after the falter of his Prequel Trilogy. Meanwhile, Disney was intuitive enough to recognize the potential and took it off his hands to give this fictional galaxy the attention it deserves. So much so, that it has been difficult to keep up.

Writers work tirelessly at Skywalker Ranch to create an incredible new book and comic series call The High Republic. We return the prequel era where the Galactic Senate and the Jedi Order rule. What immersive new adventures will this franchise bring?

Keep your eyes open for issues and novels in August 2020.

For more information, see here .

Review for The Mandalorian coming soon.

THE INVISIBLE MAN (2020) Graphic Review

Wed, 26 Feb 2020 19:34:14 GMT

The film centers on Cecilia Kass, a woman trapped in a violent, controlling relationship with a wealthy and brilliant scientist. She escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia’s abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turn lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.

RELEASE DATE: February 28, 2020
STUDIO: Universal Pictures
DIRECTOR: Leigh Whannell
MPAA RATING: R
SCREENWRITER: Leigh Whannell
STARRING: Elisabeth Moss, Aldis Hodge, Harriet Dyer, Oliver Jackson-Cohen, Storm Reid, Michael Dorman
GENRE: Drama, Horror

STAR WARS: A CHARACTER STUDY OF REY (PART 2) TROS Spoilers

Sat, 18 Jan 2020 00:12:10 GMT

With my assessment in my official p review , I speculated that the sequence of events in all available footage relied upon Rey's development as a Jedi. Her facial expressions throughout the timeline would dictate her place during that journey. As time passes, she would learn to center herself and arise a hero and a self-assured woman. I was wrong. The order of events is flipped in the final film as she descends into a darkness which threatens her soul at every turn. Her mission to save the galaxy weaves seamlessly into her journey of self-discovery. The more she learns about her dark origins, the stronger that darkness grows within her.

Rey's origin is one of the most widely debated subjects within the Star Wars fandom, providing an endless list of fan theories that consumed the internet for the four years since "The Force Awakens" premiered. While "The Last Jedi" revolves around Kylo Ren's crisis of faith , "The Rise of Skywalker", a film rich with symbolism and complexity, concludes this young heroine's journey with a deep identity crisis that nearly destroys her. This is Palpatine's master plan all along.

He never wants her dead, because he doesn't need her dead. The Sith's greatest weapon against the Jedi is doubt. What he needs is far more effective and complex: to destroy her resolve. He latches onto her greatest weakness and exploits it, just as he exploits Ben Solo through Snoke. He attacks her sense of identity, which renders her ineffective as a Jedi and as a Resistance fighter.

Since her escape from Jakku in "The Force Awakens", Rey struggles with her identity, desperately searching for someone to take the place of her parents, the people she knows in her heart would never return to her. After her failed attempts to connect with Han and Luke, she finally finds a place with Leia who agrees to complete Rey's training. Leia's tutelage provides Rey with more than a teacher.

Rey finds reassurance, comfort, and family. Her deepest desire fulfilled, she finds herself reluctant to leave the comfort of the Resistance hideout and earn her place in the resistance. She neglects her friends and the cause. Always training, never fighting. Her reluctance to emerge is frustrating to her colleagues. Until Palpatine draws her out with a message. However, this embodiment of pure evil isn't the only one searching for her.

Two agents of darkness constantly seek to crumble her resolve. Kylo Ren is also desperate to find her. Find her he does. Four times. Everywhere she turns, he is there challenging her resolve and enticing her to the Dark Side. Once out from under Leia's protective, comfortable wing, her resolve crumbles far too easily.

The simple truth of her heritage nearly causes her to fail her first mission. She abandons and alienates her friends at every turn, leaving them to the mercy of whatever trouble follows her. Because of this, the First Order almost kills Chewie, Finn, and Poe multiple times. Until she flies away from the mission to Ach-To where she is of no use to anybody. This single act of self-exile is enough to give Palpatine his victory. So long as there are no Jedi, he is free to reign.

Here's the most intriguing question of all: why does she insist on facing everything and everyone alone? Kylo Ren even offers her the opportunity of a lifetime. He already knows the way to Exegol. She burns a lot of time searching for her own Wayfinder when she could just hop onto Kylo's ship, and they could kill the Emperor together. This would amount to the same outcome and save her friends a lot of time and grief.

What is her motivation for embarking on this journey ALONE?

The answer lies with an interview with Writer/Director J.J. Abrams: "There's as much of a brother and sister thing with Rey and Kylo Ren as there is romantic.”

Meanwhile, Driver and Ridley both confirm that their characters want the same thing: FAMILY.

This is where the brother/sister dynamic falls into place. Rey wants to take her place in the Skywalker family, the role that Ben deserted. Meanwhile, Kylo Ren wishes to take Rey's place as heir to the Sith throne and ruler of the galaxy. Both yearn to take the other's place. Both hope not to take that place alone. However, Rey has no interest in the throne and Kylo has no interest in the Skywalker legacy. Thus, the eternal struggle between the two persists until one succeeds in their goal to turn the other.

Had she not succeeded in bringing back Ben Solo, her soul would be lost. She would sell her soul to Palpatine by embracing herself as a Palpatine. Instead, she chooses a brighter path.

She begins this path from the moments Anakin Skywalker's saber calls to her, long before Palpatine emerges from the shadows. Again, when she rescues Han Solo's ship from Jakku and wins his respect. She is the one person to pull Luke out of hiding and save Leia from ultimate doom on Crait. Most importantly, she saves Ben's soul and wins his heart. No one else in the galaxy can accomplish these things. Rey does it all. If that doesn't earn her a place in the Skywalker family, then nothing will.

Blood hardly matters in a worthy family.

That is the overall message of the Sequel Trilogy. Family legacy no longer defines the children of this remarkable galaxy. Not just Rey. All of them break free from the Empire's tyranny upon the end of the Galactic War. They choose their own legacy. They can make their own destiny.

The Skywalker saga ends with Palpatine's legacy erased, including his granddaughter who embracing an identity separate from him. She embraces the identity of his enemy. Thus, Palpatine is defeated once and for all, and the Skywalker family is free from the disgusting influence of Palpatine. The cycle of their tragedy ends with the death of Ben Solo. Rey breaks free from that cycle. By accepting the legacy of Skywalker, she allows the legacy of Palpatine to fade into obscurity.

Palpatine will never again hurt the Skywalker family.

THE REPORT (2019) Amazon Review

Wed, 08 Jan 2020 14:32:56 GMT

Ephesians 5:11 - "Take no part in the worthless deeds of evil and darkness; instead, expose them."

Between the phenomenal performances and a courageous portrayal of humanity's sheer brutality, there are few films in existence as powerful as Amazon Original "The Report". The story follows Senate staffer Daniel Jones, author of an investigative report exposing the CIA's sloppy, failed cover-up of their "Detention and Interrogation Program." Jones dedicates six years of his life researching written correspondences regarding the program and writing the 7,000-page report and its 500-page summary. What he uncovers is nothing short of horrifying.

Also shocking are the hurdles that Jones must jump in order to succeed in his endeavor. With only Senator Dianne Feinstein and reporter supporting him, he struggles with the impossible task to expose the simple truth: THE CIA TORTURED PEOPLE. THEY BROKE THEIR OWN POLICY AND THE LAW. At the end of the day, none of their "techniques" are effective. Nothing valuable or productive comes from the torture of their hundreds of inmates.

The bottom line is this: The CIA paid millions of the tax payer's hard-earned dollars to a team of sadists so that they could play out their demented fantasies on unsuspecting people. Mitchell and Jessen enjoy inflicting pain. The satisfaction of their "work" is written all over their faces. Not to mention their consistent failures prove their obvious incompetence. The CIA hires incompetent sadists.

How embarrassing. No wonder they work so hard to cover it up.

Granted, some are guilty, but most of them are not. Worst of all, they get away with it. They are never prosecuted for their crimes. All they do is label their actions with confusing, flowery terms (e.g. "super resister", "enhanced interrogation techniques", "learned helplessness", etc). Any decent, intelligent person would see it for what it is. A violation of human rights.

People like Daniel Jones whose job it is to weed out the nonsense labels and their despicable justifications. He takes the facts and puts them to paper. Black and white. Plain and simple. 7000 pages of it. Why, then, must he fight so hard against his country to exercise his basic rights to make it public? So many people in the CIA, Senate, and White House fight him and Feinstein to keep the report in the dark. What all these people fail to realize is just how thorough and intelligent this one writer is. Their pathetic cover-up doesn't stand a chance against him. Even with such a small support system, he is a force to be reckoned with. Simply because it tells the truth. Their inhumane and illegal actions FAILED.

Not only is this film a cornerstone in American history, but it is also a powerful message about the plight of underestimated writers. There are few films in existence that invoke a feeling of helplessness and anguish when countless people that are corrupted by power and greed seek to silence a single writer.

Information is withheld from him.
All CIA associates refuse to interview with him.
He is publically bullied by a CIA operative who is directly involved in the torture program.
All but one of his writing staff abandon the investigation.
Once the report was finished, CIA officials arrange several meetings where they criticize the report's every argument directly to Jones' face.
The CIA take credit for the successful capture of Osama Bin Laden, information obtained by the FBI.
Unauthorized CIA operatives access his work, compromise his investigation, and frame him for a crime he doesn't commit.
They charge him for hacking their system, the same crime for which they are guilty.
As soon as the summary is approved, the CIA takes a black marker to the majority of his work.

In spite of it all, Jones perseveres. He overcomes every obstacle the CIA throws at him. Nothing they do or say makes him doubt his work, because his report is factual and accurate. He believes in his work with every fiber of his being. Against all odds, he succeeds in his pursuit to expose the truth. Thanks to the support of a senator, the assistance of a report, and the compassionate advice of a lawyer, he prevails.

This is the kind of accomplishment that every writer hopes to accomplish. This is an inspiring true story that all writers must watch. As a writer, I know exactly how it feels to be bullies for my work. I understand the betrayal and despair that comes with the silencing attempts made by people on whom I'm supposed to rely. My heart bleeds for Daniel Jones and his struggles.

The pursuit of truth is a long and difficult path, but a worthy one. Do not let the bullies of the world compromise your good works. For as long as you pursue truth, your Heavenly Father will always be there to support your endeavor. You are not alone. In spite of what your opposers would have you believe.

THE SYMBOLISM BEHIND THE RISE OF SKYWALKER

Tue, 24 Dec 2019 20:07:59 GMT

The symbolism is strong with this one. We must understand it if we are to truly appreciate J.J. Abram's vision. Below is a list of symbolism that stands out. It explains the direction of the saga and its controversial ending.

THE DESCENT INTO DARKNESS

Exogal, the ancient Sith planet, is Ach-To’s counterpart. It represents the galaxy’s underworld. It calls to Ben and Rey, demanding their souls. Below awaits the greatest evil that the galaxy ever sees, Emporer Sheev Palpatine, the embodiment of evil. He rules the underworld with his countless minions.

Kylo and Rey both descend into this hell to confront the demons that plague their minds. Evil whispers in their ears, relentlessly tempting them to surrender their souls.

They nearly do, but the light is stronger. Together they stand against it. This is where the evil is purged, and they both ascend from the darkness: one in death and one in life. Rey lives to rebuild the Jedi and carry the message of the light.

SUDDENLY... A SITH FLEET

The largest fleet ever depicted on screen sit dormant in the unknown region of the galaxy. Thousands of ships, each with a planet-killing canon, await orders from the ruler who prevails. While it is physically impossible to build and staff a fleet that large under the noses of both the First Order and the Resistance, especially when General Leia and Supreme Leader Kylo Ren are so strongly connected to the Force. In fact, no member of the Skywalker bloodline seems to sense anything amiss since the fall of the Empire. Odd…

Of course, one must wonder. At this pace, all planets would be destroyed. Soon there wouldn’t be a galaxy left to rule.

Take this fleet with a grain of salt. It represents power, the driving force of the Sith. There would be no path quicker and easier than to magic an indestructible fleet into existence. Palpatine easily does it and offers it to Kylo like a piece of candy. It’s an offer that sounds too good to be true. When an offer like this comes along, there are always strings attached. First, Kylo must kill the girl. Even though neither man wants her dead. Why then does Palpatine demand this of Kylo? Because it is the hardest thing to ask of him. Kylo/Ben would NEVER kill Rey. He knows it. Palpatine knows it.

Palpatine also knows that Kylo would alter the deal and bring Rey to him alive. There he would possess a fresh, young body and take his revenge on the last Skywalker. This is the plan from the beginning.

KYLO'S SCAR

The characters Kylo Ren and Ben Solo are two separate people sharing one body. The scar on his face serves as a guide of which character takes control. In The Last Jedi, the lighting and camera angles show one half of his face at a time. Kylo rules the body when the scar is prominent. Otherwise Ben Solo is the character who shines. Slowly, but surely Rey brings Ben back. Until her rejection brings out Kylo with a vengeance who leads a ruthless battle on Crait.

The duality continues into The Rise of Skywalker where the scar shows the exact moment when Kylo Ren dies, and Ben is reborn. The Death Star duel ends with the death of Kylo Ren. He is stabbed in the same manner and weapon as Han. The punishment fits the crime. The scar disappears with Kylo. The slate and his face are wiped clean. Ben Solo takes full control of his own body.

FINISHING WHAT VADER STARTED

A Palpatine finally teaches a Skywalker the power of resurrection.

Anakin's tragic turn to the Dark Side is based on his fear of losing his mother and his wife, the two women he loves most. In spite of Palpatine’s persuasion, the Dark Side would never save Padme. The answer lies with the Jedi after all. The light gives life. Anakin fails to save Padme, but Ben does save Rey, the Healing Jedi. She shows him the saving power on the Death Star when she heals his fatal wound. In turn, he saves her. Ben is able to complete his grandfather’s mission, not for power. However, it is the most important legacy of all. SALVATION.

WHAT’S THE POINT?

Symbolism is well and good, but it comes to nothing without a meaningful end. That is what confuses much of the fanbase. The online outcry demands answers. Forty-two years of creating these films, and five years of speculation led to a single moment. Rey, a girl from the enemy bloodline, returns to the desert, a place that causes her so much pain and confusion, where she explores a home that never belongs to her and… She steals the Skywalker name.

I understand why that would confuse fans and why the accusations that Disney had no vision at the beginning of this journey. It’s a vague ending following an exposition fueled thrill ride, which followed a dark, vague tragedy fueled middle chapter. Whether it is J.J. Mystery-Box Abrams or Rian Dark-and-Tragic Johnson at the helm, we must reconsider their vision. What is the endgame here?

It was always meant to conclude the Skywalker saga. Why then did they end with a blatant act of identity theft? This is the most important symbol of all and a review for another time.

THE STAR WARS CHRONICLES

EVERYTHING STAR WARS

STAR WARS: THE RISE OF SKYWALKER (2019) Reaction (SPOILER WARNING)

Sat, 21 Dec 2019 06:01:41 GMT

A 42 year saga comes to a remarkable conclusion with " Star Wars: The Rise of Skywalker".

The Resistance continues in their desperate campaign to unite the galaxy against the tyranny seeking to destroy it.

The First Order continues in its campaign to seize control of every corner of the galaxy.

The galaxy simply struggles to survive.

Leia continues in her attempt to redeem her son.

Kylo Ren continues in his hunt for Rey.

Rey continues in her quest for identity.

Most of all, Rey continues in her struggle to fight temptation. Her past haunts her. Kylo Ren appeals to her. Palatine threatens her. Those who truly understand her fade away. Luke is dead, Leia is fading away, and the Jedi's long-since-passed have grown silent. Thus giving the dark influences room to grow inside her head. The darkness grows, threatening to consume the galaxy once more, and it seems that Rey is the one person on whom everyone rests their hope. Regardless of her company, she feels more alone than ever.

The Force has a different destiny in store for the young Jedi. In order for Rey to become a fully realized Jedi, she must overcome her fear. Otherwise, the darkness would consume her.

SPOILERS AHEAD

This is the example of Rey's journey in this final chapter. Fear plagues her, because of her growing power and no one in whom to confide except her enemy, Kylo Ren. Every passing interaction between the two enemies reveals another disturbing piece to the puzzle of her mysterious past. Until she finally learns the entire truth of her origins. Thus, she learns the origins of her uncontrolable power. Her fear quickly turns into inconsolible rage, and she loses control on the wreckage of the death star during her duel with Kylo Ren. In her rage, she nearly kills Ben Solo, the one person in the galaxy who loves and understands her most.

One thing brings her back to the light. In fact, it brings them both back. Love. The purest form of love. Sacrificial love. Princess Leia lays down her life once and for all. In doing so, she restores balance and saves the galaxy.

Why does her physical form remain in tact until the conclusion?

Because she waits to unite with her son. It is the deepest desire of her heart to bring her son home. If not in this life, then in the next. Together they ascend.

Her sacrifice is not only the catalyst for Ben's redemption, but it also set an example. Ben in turn gives his life for the woman he loves most. He feels a love so deep that he cannot bear the thought of living without her. His pure love allows him to become one with the Force. In death, his conflict and torment finds relief. As all Skywalkers eventually find relief in death.

Ben Solo is not gone. His spirit lives within Rey. Dark and light unites in one body. Two become one. This is balance. Rey becomes complete uniting with Ben. Every member of the Skywalker family are laid to rest. They finally find peace after three generations of torment. As the Skywalkers are freed, so is the galaxy. Rey survives, because her destiny is to begin a new order. Armed with good friends, Solo's ship, and Skywalker's name, she will no doubt keep the legacy alive for as long as she lives.

When the day comes for her to pass away, she will be welcome into the family she's always wanted. For she is loved by Luke, Han, Leia and Ben. The saga ends, but the legacy lives forever.

A HEALTHY, SENSIBLE REVIEW

STAR WARS: A CHARACTER STUDY OF KYLO REN (PART 2) (WITH NEW FOOTAGE)

Sat, 14 Dec 2019 22:03:35 GMT

It will be five days until the long awaited conclusion of a 42 year-old franchise, and the internet is a buzz more than ever. Disney is at the forefront of this buzz by releasing consistent trailers, clips, and TV Spots. However, it is the latest trailer that is the most telling. Kylo Ren ventures into the belly of the beast, a dark planet where Palatine hides for thirty years. What he finds is bone chilling. He finds the truth. He learns once and for all the length that the Dark Side goes to manipulate his destiny.

What will he do with that knowledge?

Throughout Episodes VII and VIII, Kylo struggles with his faith in both the Dark Side and himself. The light pulls him, but he pushes back. He is unstable. He rages. However, his doubt may run deeper. A closer look at his story in "The Last Jedi" reveals Kylo's crisis of faith, which nearly destroys his belief in the Force and sends him into a more senseless meltdown than ever before in the battle of Crait.

Does he lose faith in the process? Does it cost him a chance at redemption?

Let us analyze the sequence of events:

DOUBT (The Force Awakens)

THE ANSWER (The Last Jedi)

THE CRISIS (The Last Jedi)

THE MISTAKE (The Last Jedi)

HOPE RESTORED (The Last Jedi)

Snoke takes credit for a connection forged by the Force. Otherwise, they would cease to connect after the death of Snoke, which is exactly what Kylo fears. He cannot bring himself to lose her. Hence, his desperate proposal. At the end as he kneels in defeat, he realizes that Snoke is a liar. Their connection remains, because the Force wills it. Not Snoke. Snoke, whether intentionally or unintentionally, nearly destroys Kylo's faith in the Force. The one thing on which Kylo is always able to rely when every one else in his life lets him down.

However, love prevails. The three most important people in his life are able to bring him back from the depths of doubt. Snoke's efforts to rob Ben of his soul fail.

THE FINAL TEST (The Rise of Skywalker)

The threat he faces in Episode IX makes Snoke pale by comparison. Palpatine seeks to test resolve of Ben just as he tests Anakin before him. All of those who face Palpatine must be strong, confident and resolved. Otherwise, either Kylo or Rey could be lost to the Dark Side, and any hope of redemption is lost.

What keeps Kylo's faith in tact? Love.

For whom? Rey.

Just as she brings him back from the darkness in TLJ, she will keep him grounded in TROS.

What secrets does he learn along the way?

SEE OTHER CHARACTER STUDIES HERE .

MARRIAGE STORY (2019) Netflix Review

Mon, 09 Dec 2019 16:49:55 GMT

Colossians 4:6 - "Let your conversation be gracious and attractive so that you will have the right response for everyone."

What do we make of Marriage Story?

Charlie and Nicole, a well-to-do New York couple find themselves engrossed in a vicious legal battle over their innocent child during what should be an amicable divorce. They are both successful in their shared field. They met and worked together in the same theater in New York. Yet, out of nowhere, they decide they don't want to be married anymore.

Marriage Story like any part of the real world teaches us that appearances mean nothing. Beneath the surface of this small family festers many unaddressed issues that could easily be fixed with simple communication.

In a single attempt to work through their issues, Nicole swears at the counselor, walks out of the meeting, and moves to LA on the promise of returning. Until she serves him divorce papers at the advice of a lawyer she hired behind his back even though she promised she wouldn't. After her lawyer takes over the situation, the divorce quickly spirals out of control. Thousands, closer to hundreds of thousands, of dollars, is wasted over the cowardice of a selfish mother.

Consequences of that cowardice ensue. Charlie is forced to hire his own ruthless lawyer. Before they know it, both of them are sitting quietly in a courtroom while these two lawyers get into a pissing match with each other. Much to their mortification, their dirty laundry is laid out to a courtroom filled with strangers. All because Nicole couldn't be honest with her husband as she is with her friends and colleagues. Her coworkers learn more about her feelings than Charlie ever did.

Because she opens up to the wrong people, she falls victim to the emotional manipulation and distorted history of a woman who annihilates her husband in court. Expensive lawyer Nora drains the assets of both parties in legal fees so much that Nicole's parents go into debt and Charlies shut down his theater. The only remaining asset for the couple over which to battle is Henry, their neglected, unhappy son.

What does Henry want? Who stops to ask Henry what he wants? His wishes fall on deaf ears. All the child wants is a normal, stable life with both parents in the picture. It is a reasonable wish, one I imagine a child of divorce wants. I know I did.

None of it is necessary. None of it should ever be necessary. Had the both sat down and committed to honest communication, their story would have turned out very differently. All Nichole needs to do is cooperate in their counseling session. Instead, they allowed heartless outside influences to prey on their emotions and wallets.

The legal system is broken. It does little favors for families. Don't let the law dictate the happiness of your family.

THE OTHER WOMAN (2014) Movie Review

Sun, 01 Dec 2019 22:12:17 GMT

Joshua 1:9 - "This is my command—be strong and courageous! Do not be afraid or discouraged. For the Lord your God is with you wherever you go.” (NLT)

Three women come together to seek revenge upon the man who lied and cheated on/with them. Out of this vicious campaign emerges a deep, beautiful friendship. "The Other Woman" is the dream all scorned women want. Freedom. Friendship. Family.

What's often not apart of the dream is the amount of work that goes into the sunshiny outcome. Or the harsh reality simmering beneath the surface of the circumstances. On the surface, Kate King has the lavish, privileged life that every housewife dreams about. That is not reality, because that world is moments from completely collapsing. Her husband's affairs are the least of it. Her husband is a con man and an abuser.

He isolates Kate from the world. She has no real friends, no job of her own, and no idea how to live on her own. She barely sees her loving brother who disapproves of her marriage. The potential of her brilliant mind and open heart in the hands of a monster who nearly corrupts her divine purpose. Her husband takes her innovative ideas and turns them into scams. What she must learn (and fast) is that she is better off without her cheating husband. Only then will her ideas reach their full potential.

Enter Carly, the other woman. The cold stone lawyer is the opposite of Kate in many ways. It may not be what Kate wants, but it is what Kate needs. Together, they are "the perfect woman". Both are very intelligent, which proves to be the con man's greatest mistake. He underestimates both of them. Kate has compassion, forgiveness, and insight. Carly is cold, direct, and ruthless. She has the legal knowledge to fight the con man legitimately and protect Kate's reputation in the process.

She can help set Kate free from the lie that has become her life. First, Kate needs to accept her need to change. She must want to leave her comfortable life. In the process of Kate's journey, the two women rub off on each other until they both create surprising outcomes for themselves. The ruthless lawyer becomes a wife and expecting mother. The gentle housewife becomes an unstoppable businesswoman. In the end, they are both incredibly happy. In spite of appearance, they both harbor secret desires that become reality. They just needed a strong example to follow. Most importantly, they become family.

The dark unknown can be terrifying if we don't feel ready for change, especially when leaving an abusive relationship or a comfortable rut. However, change is often necessary to achieve our divine purpose. What we need is a support system, people to help us through the painful process. Kate and Carly are fortunate to have each other, two of the unlikeliest of friends.

A support system may be waiting for you in the last place you expect. It may not be what you want, but it's what you need. Keep your eyes open.

STAR WARS: A CHARACTER STUDY OF LUKE SKYWALKER (PART 2)

Thu, 28 Nov 2019 05:51:40 GMT

The first part of Luke’s character study details the old Jedi master as the overrated threat to the First Order, a necessary distraction while the Force prepares a new hero to rise in his stead. However, that shouldn’t suggest that Luke is inconsequential the Resistance’s success. He is essential to the Resistance. This time around, he plays the role of a teacher instead of his usual role as a warrior. There’s only one problem. Luke makes a better warrior than he does a teacher. This study details the positive effects that his limited teaching has on Rey and the future of the galaxy.

1. Teaching what he believes, not what he feels obligated to repeat.

After Luke gets over his rejection of Rey, he comes around enough to give her a crash course in the ways of the Jedi. However, his cynicism taints the lessons, and Rey doesn’t buy a word of it. She should have listened, because those three short lessons contain more belief and more heart than any lesson he gives in the temple. His teachers promise him success if he would just follow in their footsteps. Teach what he is taught, instead of what he comes to believe in his heart. He is defiant as a student. Only through that defiance is he successful in redeeming his father and defeating the Emperor.

His failure as a teacher occurs when he stops listening to his heart and follows the murderous instincts fed to him by Kenobi and Yoda. He confronts Ben the way he is encouraged to confront Vader. The results speak for themselves. By redeeming Vader, he wins. By confronting Ben, he fails. Through that failure, he learns once and for all that the Jedi were WRONG. That is the lesson he conveys to his bright-eyed young student. There is one way to achieve balance. As long as the Jedi exist, so do the Sith.

“It is time for the Jedi to end.”

2. Teaching through his experience.

The tragic mistake that leads to his ultimate failure. He pulls his lightsaber on Ben Solo. It is wrong. He knows it. Rey knows it. That is the greatest lesson he teaches Rey, and all it takes is a simple confession. He purges his heart and soul to the pair of ears that need to hear it most. Because that girl will face the same test later in her journey.

Rey expresses her desire to turn Ben the way that Luke turns Vader. She believes in Ben. She cares for Ben. After their tug-of-war in the throne room knocks Kylo into unconsciousness, she finds herself in the same position as Luke. Her decision to spare him signifies her ability to learn from Luke’s mistake. She spares him, because that example could serve as the seed that will grow into redemption.

This gives her credibility with Kylo like no one else in the galaxy has. She may still have hope to redeem Kylo in The Rise of Skywalker. Luke is the teacher that sets this lesson into motion.

3. Teaching through example.

Luke’s legacy lives in the heart of people all over the galaxy. Even several years after his disappearance, people hear the stories of his heroism as far as nowhere places like Nema Outpost. His victory against the Empire gives hope to the downtrodden like Rey.

Just as the galaxy is about to lose hope, he reappears to set another example. He faces the First Order alone. He spars with Kylo Ren, humiliating the enraged villain and giving the surviving Resistance fighters enough time to escape. Best of all, he does all of this from across the galaxy. He is not physically present, but he doesn’t need to be. He isn’t there for a fight. Instead, he appears to set an example. He gives the galaxy something to believe in.

This example gives the people of the galaxy enough courage to join the Resistance and defeat the First Order once and for all. Luke’s final act is by far the bravest act he ever makes, because he knows it will be his last. There is no act more inspiring than self-sacrifice.

4. Teaching in death.

According to the footage released for the Rise of Skywalker, Rey still has a lot to learn. She wears her rage on her sleeve. A proper Jedi can control his/her emotions. It makes her vulnerable to the Dark Side. With Kylo Ren as the only force sensitive authority figure left in the galaxy, she needs a positive influence. The possibility of Luke’s return as a force ghost is more than another theory. It is necessary for the story. Luke will continue to guide Rey in her journey to become a Jedi. Otherwise, she will be lost. Only two force users remain. Ben will rise, or Rey will fall. Rey cannot fall.

Yoda: “Lost Ben Solo you did. Lose Rey we must not.”

Luke Skywalker is no teacher of the year. He teaches what he can with what he has. Thus, he becomes the teacher Rey needs instead of the teacher Rey wants. His lessons are stronger than any lessons taught in a Star Wars movie, because his lessons are real and informed. For the first time, we see a Jedi Master evolve. He teaches what he learns from the force, not from his failed predecessors. Because of his lessons, Rey has hope to break that cycle. She will not fail. She cannot fail.

NEW TV SPOTS

STAR WARS: THE RISE OF SKYWALKER (2019) PREVIEW

Wed, 20 Nov 2019 17:32:23 GMT

It is four weeks until the premiere of Star Wars: The Rise of Skywalker, and four weeks since the final trailer dropped. It is nothing short of remarkable. Since then, an unbelievable amount of reaction and speculation has surfaced. Now, Entertainment Weekly sneaks in to have the final say with new footage, photos, and interviews. Once again, Star Wars fans are blowing up the internet with their excitement and speculation. Specifically, there is the question of the relationship between Rey and Kylo Ren.

Will Kylo Ren turn to the light?
How has Palpatine remained alive all this time?
Do Kylo and Ren form another alliance to defeat him?
Where has the Empire been hiding?
Where is the First Order?

There is a significant absence of a First Order presence in the Final Trailer. A majority of the footage revolves around Palpatine and the Empire. That shouldn't suggest that the First Order fails to remains a clear and present danger to the galaxy. In fact, it seems like everywhere the Resistance finds refuge, the First Order always follows. The speculation in the Teaser Reaction that Kylo and Rey encounter each other more than once is an understatement. In fact, there is hardly a moment when Kylo and Rey are absent from each other. It's unnerving. Every Rey turns, there is Kylo.

So much is happening within the story of this final chapter, 155 minutes hardly seems like an adequate runtime for everything J.J. Abrams intends to wrap up. Not to mention, the mysterious ending in store. What is the endgame?

One way to determine the endgame is to figure the order of the events thus far by following Rey's personal journey. The best way to do that is by reading her face. Daisy Ridley admits in her interview that Rey continues to struggle with her sense of purpose into Episode IX. She is not a fully realized Jedi. This is evident by the extreme rage she emotes in her duel with Kylo Ren.

This is where the Teaser speculation fall short. At first, I theorized the ruins would be a final scene. Instead, their duel may occur in the beginning. Whatever she seeks in the ruins is crucial for the future success of the war. Perhaps, an ancient dagger?

Here are the sequence of events so far:

1. The Resistance hides on the jungle planet where Rey trains.

2. The Resistance flies to the desert planet to recruit the horse tribe.

3. Rey scavenges the Death Star ruins for a dagger/answers for Palpatine's impending return.

4. Kylo confronts her. They fight, they talk, and he takes her with him.

5. On Kylo's starship, Rey finds Vader's helmet and destroys it.

6. The Falcon comes for her and Kylo lets her go.

7. Palpatine and his ships emerge.

8. The final battle ensues.

9. Kylo and Rey confront Palpatine in the Outer Rim.

10. Kylo is redeemed amid Rey's confrontation with Palpatine.

This chapter begins with the Kylo Ren and Rey fighting on the Death Star and ends with them fighting Palpatine together. While Kylo and Rey fight a spiritual battle against an ancient evil, the Resistance fights the Imperial Star Destroyers in space. They must protect the physical realm from an evil, whether it is the First Order or the Empire.

The war will finally end. By then, the heroes will figure how to live their lives after the war. Leia and Poe bring new management to the galaxy. Finn finds a home on the desert planet with the horse tribe. Rey becomes a fully realized Jedi. Will Kylo survive? It is difficult to say. If he does, he will find a home at Rey's side. After the war is done, there is plenty of work to do.

New Footage

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THE STAR WARS CHRONICLES

EVERYTHING STAR WARS

A SUPERFICIAL CRITIC LEARNS HIS LESSON TOO LATE IN 'VELVET BUZZSAW'.

Wed, 20 Nov 2019 00:24:02 GMT

Life is woefully unfair.

"Velvet Buzzsaw" is a film depicting the cruelties of this world in a unique, yet brutal fashion. Where the lazy, drama prone stumble upon favor and success while those who work hard struggle and suffer. However, one unfortunate soul, Artist Vitril Dease, finds a way to punish the privileged and wealthy in death. Greedy people who view his art suffers unspeakable end, while the underprivileged hard workers find inspiration from his work.

The entitled characters come in the form of gallery owners, art advisors, and one particularly offensive critic. None of these people seem to understand the value of hard work. Instead, they profit off of the hard work of others while they attend parties, sip wine, and make decisions on behalf of the world. Very little screen time is spent showing people working.

The most offensive character of all, however, is the Morf Vandewalt, so-called renowned art critic. , a so-called gateway between talent and the world. He speaks highly of his insight and fancies himself on a grand quest to discover true artistry. He is even identified as "the god of the art world."

I don't see it. What I do see is a smug, entitled rich boy turning his nose up at most works of art he encounters. He spends more time in bed with playmates or sitting by the pool than he does in front of his laptop. Yet, we're supposed to believe he writes daily reviews so renown that people fall over themselves to ask for his opinion.

It is unrealistic. Nothing worth doing in life is so easy. Real reviews take time and thought. Instead, Vandewalt can declare that he will "post a review" after rewarding a piece of work with a single glance, and it enough to make gallery owner fall at his feet. WHO IS THIS PERSON? More importantly, why should I care about a word he writes? It hurts my heart to think that he is the public image of a critic is so destructive.

Granted, he shows strong redemptive tendencies. His work as a critic bores him, so he reaches out to expand his artistic endeavors with a book. He finally steps up to research, study, and interview. He is the one to realize there is supernatural power in the artwork he studies. The artwork slowly tortures his mind until he breaks. In a heated moment, he "writes" an expose on the art's dangerous qualities. In doing so, his influence, career, and future crash to the floor. Unfortunately, it is not enough to save him, because he doesn't learn the most important lesson.

In the end, after every villain has met his/her punishment, the few survivors are free to work. The first professional effort show on screen as the credit roll. It is simple work, but it remains inspired and beautiful.

"Velvet Buzzsaw" is a complex story about two kinds of people in the world: the entitled class and the working class. Those who thrive and those who suffer. What kind of person would you rather be?

KLAUS (2019) Netflix Review

Tue, 19 Nov 2019 05:00:28 GMT

When Jesper distinguishes himself as the postal academy’s worst student, he is stationed on a frozen island above the Arctic Circle, where the feuding locals hardly exchange words let alone letters. Jesper is about to give up when he finds an ally in local teacher Alva, and discovers Klaus, a mysterious carpenter who lives alone in a cabin full of handmade toys. These unlikely friendships return laughter to Smeerensburg, forging a new legacy of generous neighbors, magical lore and stockings hung by the chimney with care.

RELEASE DATE: November 15, 2019
STUDIO: Netflix
DIRECTOR: Sergio Pablos
MPAA RATING:
SCREENWRITERS: Sergio Pablos, Zach Lewis, Jim Mahoney
STARRING: J.K. Simmons, Jason Schwartzman, Rashida Jones, Joan Cusack, Norm Macdonald, Will Sasso
GENRE: Animation, Family, Comedy

REVIEW by Cara

It goes without saying. Netflix's new holiday original Klaus takes extreme liberties with the origin story of Santa Claus. Saint Nicholas was not a frightening hermit woodsman inspired by an ambitious postman. Then again, we don't have a lot of room to complain. Society's interpretation of the non-magical monk is no less absurd.

Therefore, we must consider what the deeper meaning is behind this ambitious work of fiction.

The story follows an entitled, selfish postman named Jesper in his ambitious campaign to reach an impossible postage quota and return home to his privileged life. In the midst of his hopeless career, he stumbles upon an incredible opportunity. He doesn't appreciate it, but he eventually comes to value it above everything else in his life.

He works in a town consumed with contention. A "Romeo and Juliet" level feud split a town right down the middle. Because of this, the townsfolk lose sight of what's important. They fail to see that their lifelong feud is destroying the welfare of their children, especially education. Jesper finds the schoolhouse in ruins and its teacher resorts to selling fish just to get by. If he has any hope of processing letters, then he must begin with teaching the children to read and write.

With education, the children begin to think for themselves, tell their own stories, and make friends. The future of the town is saved thanks to a teacher, a postman, and a hermit loosely based on St. Nicholas. Education saves a town driven by hatred and intolerance. Klaus is more than a light-hearted holiday cartoon. It serves as a reminder that we need to relinquish bias. We should build bridges and form our own opinions. A good way to start is to put down the phones and pick up a book.

STAR WARS: A CHARACTER STUDY OF POE DAMERON

Wed, 13 Nov 2019 00:44:33 GMT

A character with more nonredeemable qualities than Kylo Ren.

Of all the character studies I've written over the last two years, Poe Dameron was the hardest one to understand. His arrogance is thick and infuriating, he proves himself time and again that more nonredeemable than the villain Kylo Ren. For the first time in the Star Wars universe, we see the threat come from within the Resistance, not against it. Poe Dameron single-handedly causes more damage to the Resistance than the Holdo, the New Republic, or the First Order. Simply because of his arrogance.

Here's the million-dollar question:
How does an institution built on the whole concept of defiance hold one of its soldiers accountable for the act of defiance?

Answer: It can't, and Leia knows that.

There is very little she can do to punish Poe for his disobedient behavior. It is his defiant nature and independent thinking that attracts Leia's attention in the first place. He that he can get away with anything. That lesson reflects in his behavior throughout The Last Jedi . He acts like he's invincible, because he is invincible. He doesn't realize the consequences of his actions until its too late and a majority of the Resistance is annihilated.

That is perhaps the inevitable fate of a rebellious institution. Without order, it implodes. The rebellion was never meant to last. It's a miracle that it lasts 30 years at all. Leia's erratic leadership makes the structure of the Rebellion/Resistance unstable. She should hold Poe accountable more often. If she had, so many fighters wouldn't needlessly die in The Last Jedi .

The day he is recruited he disobeys direct orders. He steals a ship and takes it on a dangerous mission that his superiors expressly forbid him to take. He hardly makes out alive, and upon return, he expects a reprimand. He deserves a reprimand. Instead, General Leia Organa is waiting in the hanger to recruit him.

In order for us to understand Poe's motives, we must look deeper than the instability of the makeshift military to which he belongs. We must look at his motivations and his passions.

Why does he join the Resistance?

Perhaps to avoid punishment the day he disobeys direct orders. More likely, he seeks to continue the glorious legend of his parents, both Rebellion fighters in the Galactic Civil War. His father tells him at the beginning of his story in “Before the Awakening” that his greatest fear is that he fought for nothing. When the First Order rises, that fear is realized. Poe is there to stop it. Every mission on which he embarks as a member of the Resistance comes directly from Leia. Each illegal task becomes essential to finding Luke and preventing the galaxy from suffering another tyranny. The rise of the First Order.

This is where his story ends in “Before the Awakening” and in “The Force Awakens”. He beats Kylo Ren to Jakku to find a map leading to Luke Skywalker . Leia’s last hope.

He retrieves it, but does he value it?

Does he value the LIGHT?

The answer here is sad but informative.

Poe Dameron is a pilot. He understands and loves starships. In the novel, his point of view is written in a dry, technical style. Poe's mind fixates on ships' features and functions. One would think he was a droid in disguise. It's a rare skill, one that Leia's seeks out. However, it gives him a limited understanding of the big picture.

He doesn't know people as well as he knows ships. He doesn't trust people, openly judging his superiors due to their appearance. He is a man stuck in the physical realm, too afraid to abandon a dying cruiser and face unknown space in a pod he cannot control. He proudly destroys a Dreadnought at the cost of the entire bombing fleet. Many lives are lost for the sake of Poe’s arrogance and pride.

He does everything in his power to hinder Holdo's plans, which are also Leia's plans. Their only hope to save themselves is to quietly slip away from the cruiser and hide in the shadows while the First Order follows the main cruiser. This is a plan that requires absolute discretion, just in case a vain and mouthy fly-boy happens to blurt out the plan in the presence of a perfect stranger... Oh, wait.

All because he couldn't part with a ship. He is so wrapped up in his arrogance that he forgets what he's fighting for. What his parents fight for. He loses sight of the Light.

Holdo nearly gets through to him when she reminds him of Leia's motivation.

That moment should have been enough to make him understand that Holdo has Leia's best interest at heart. She isn’t being vague or difficult. Instead, she is testing his loyalty to the cause. She reminds him of what they fight, hoping to see that he is there for the same reason. He fails that test as soon as he sees that she plans to abandon ship. This ship is his priority, and he cannot bear to leave. Without even asking her why, he brands her a coward and a traitor. He is the coward, too afraid to abandon the comfort of a ship and explore unknown space.

When all is said and done, Leia blasts him into unconsciousness. However, that is all the pain she dishes on him. Poe is loaded onto an escape pod while the two women giggle about liking him. He's a rebel. To punish him would be hypocrisy. In a way, however, he does receive cosmic punishment. He gets a front-row seat to the destruction of the escape pods. He must fact the guilt that his impulsive actions lead to the near annihilation of the entire Resistance. In the end, the remainder of the Resistance fits comfortably on the Millennium Falcon. The Resistance loses many good fighters than a day, too many. Only when he is humbled by his failure does he restore his priorities.

To value his colleagues and preserve the light.

It is the least he can do after the loss of Holdo .

The lesson he learns by the end of The Last Jedi appears to mold him into an effective leader according to the The Rise of Skywalker Official Trailer. Is he though? Will he play a crucial part in the Resistance to free the galaxy? Can he replace Leia? Will he make his parents proud? Does he learn to value the light over his precious ship? Does he learn to value life?

We have five weeks to find out.

GERALD'S GAME (2017) Netflix Review

Sat, 09 Nov 2019 07:26:22 GMT

Netflix brings another of Stephen King's disturbing stories to life with Gerald's Game where the sanity of a woman with unresolved trauma is tested after she is left handcuffed to a bed. Alone and secluded, Jessie Burlingame has no hope of rescue after her husband Gerald Burlingame falls to the floor dead after initiating an awkward bedroom scenario in a last-ditch effort to rekindle the spark of their dying love. Instead, the man dies of a heart attack after taking too many little, blue pills. Will Jessie follow suit?

She will die if she does manage to free herself from the bedpost. Starvation and thirst loom over her. With every passing hour, her strength fades away. Meanwhile, the solitude forces her to face the inner demons that she spends most of her life suppressing. Each one manifesting before her in a cruel, mocking fashion.

They whisper the same lies that she tells herself every day of her life:
1) She is too weak to free herself from the bed.
2) She is too weak to face the world alone.

It is a double-edged sword. Either she dies horribly, or she faces a long life without the comfort of her wealthy husband. She must decide the value of her life. Live or perish.

Tragically, the voices in her head are not the only dangers in the house. A very real dog lies in wait to eat her fresh corpse as soon as she succumbs to death. In the meantime, she must watch the animal slowly devour the corpse of her husband. It forces her to endure the reality of her fate if she fails to escape the bed. If she passes dies, it will eat her corpse. Even if she passes out, it would eat her alive, and she would be too weak to fight it.

That dog represents more than a gruesome future. It also represents her past. Every man in her life is a hungry dog. Each one devouring her bit by bit, taking advantage of her kind and timid soul. Like every dog before it, she feeds that dog fresh meat out of her fridge thinking her kindness would do it some good. She is wrong.

Instead of taking her offering with grace, the dog returns to the house for more food. The dog finds plenty. It first eats her husband before setting its sight on her. Chained to the bed, she faces the most important lesson of her life. She can no longer avoid or suppress it. She must stop allowing dogs to devour her. If she can fight the lurking in her bedroom, she can learn to fight the dogs in her past.

Her life is a lie. She pretends to be a well-adjusted housewife, while dogs knaw away at her soul. The trauma begins with her father. He molests her at the age of 13, an experience she buries. Instead of holding him accountable, she feeds that dog with her silence. She even refuses to tell her dog of a husband who cheats on her. Instead of confronting his infidelity, she buries it. Happier in her comfortable lifestyle than defending her integrity. Finally, she meets the Moonlight Man. This man lurks in the shadows while she suffers, refusing to set her free. Instead of fighting him or demanding freedom, she convinces herself that he is a figment of her imagination. She buries the reality of her situation. The Moonlight Man intends to kill her.

She must free herself. In a world filled with dogs, she has only herself on whom to rely. First, she must fight the dog trying to eat her alive. Every time she fights, her physical strength fades, but her inner strength endures. After two days of facing the dogs of her past, she finds the will to live. Her inner strength improved. However, her body is barely strong enough to slip the cuffs and escape the house. Before she escapes, there is one more dog to face. One more test. Barely conscious, she regresses and fails.

She feeds the Moonlight Man with an offering. She gives him her wedding ring in exchange for safe passage out of the house, so she can get to a hospital. After three days of starvation, hallucinations, and fighting off a hungry dog, she survives. But the dog comes back for more. He appears to her in her nightmares, feeding on her fear and demanding all she has left of herself. He wants her soul.

The only way to keep her soul is to refuse. She must face the Moonlight Man. She must tell him NO. No more dogs. No more offerings. There is so little left of her, and she wants to keep it.

Is there any strength left in her to fight off the Moonlight Man?

Will she chose to live?

PARADISE HILLS (2019) Movie Review

Tue, 05 Nov 2019 19:32:04 GMT

"Paradise Hills" is a disturbing mix between "The Stepford Wives" and "the Island of Dr. Moreau".

In a troubling future where the divide between upper and lower class becomes even wider, the expectations of society become too strict to endure. Thus, a "therapeutic" retreat for rebellious upper-class girls springs up to capitalize on those impossible expectations. The Duchess, the mistress of this program, boasts a 100% success rate for reprogramming feisty girls into submissive women through a controversial form of therapy on a secluded island. On its surface, the school is a glorified retreat complete with yoga, special diets, and reflection. On her surface, The Duchess is the kindest, most patient woman alive. Yet, something much darker simmers beneath the surface of both this woman and her program.

Psalm 139:14 New Living Translation - "Thank you for making me so wonderfully complex! Your workmanship is marvelous—how well I know it." (NLT)

In this fascinating commentary on society's expectations, "Paradise Hills" compares an unformidable girl to a thorned rose. All one must do is strip away the thorns, and the girl is miraculously healed. Of course, life is not so simple. Humanity is complex. No amount of yoga and strolls in the garden can erase the experiences that mold us into our unique, wonderfully made selves. What "Paradise Hills" seeks to do is strip away all that makes a woman unique and turn her into a pretty doll.

That concept doesn't sit well with our four heroines Uma, Amarna, Chloe, and Yu. Each girl is sent to the island for a different reason. Yet, they share the same treatment and the same dark fate. They risk losing their identities. What sets them apart from all other students is their determination. They don't want to change, and they have help. Each girl holds onto a token, an object or feature that keeps them grounded. Uma carries a locket. Amarna smokes. Chloe wears her unique shape like a shield. Yu listens to music with wireless headphones she never removes. This strategy makes them hard to crack, which is very taxing on The Duchess' patience.

As it turns out, the sweetest rose has the sharpest thorns. The only difference is that she attempts to conceal her dark side. The entire island is one big concealed thorn that the girls must escape before their identities are completely stripped away and they die. Whats remains is an empty shell of a woman. A clone. A sell-out. A lie.

Real women embrace their thorns. We must not prune them. They are a part of who we are. To strip away our thorns is to strip away our identity. Our thorns protect us from the world's greater threats. From false, dangerous people like The Duchess.

Praise the Lord for making you unique. Don't let anyone strip away any part of you: joy, pride, sorrow, comfort, anger, and suspicion. They all serve you well.

THE NIGHTMARE BEFORE CHRISTMAS (1993) Movie Review

Thu, 31 Oct 2019 09:48:35 GMT

"The Nightmare Before Christmas" quickly become one of my favorite films as soon as it premiered for Halloween in 1993. The story explores the unity of two incompatible holidays: Halloween, which revolves around horror, and Christmas, which revolves around joy and hope. These two holidays, though they share a season and overlap in retail stores, could not be more different.

That is what Jack Skellington, the pumpkin king of Halloween Town, must learn in his life journey. Tired of the rut he feels of his holiday, he seeks out something completely different. This is where he finds Christmas Town, which is completely different. He becomes obsessed with Christmas. He strives to understand it.

Despite the horrific aspects of Halloween and the color features of Christmas, the story feels more close to Valentine's Day. The story a beautifully portrayed romance. No other film properly portrays the agony of unrequited love as "The Nightmare Before Christmas". Sally loves Jack, but Jack hardly recognizes her. Little does he know that her love holds the key to his understanding of Christmas.

Jack and Sally are kindred spirits. Both feel utterly alone and trapped in their small world. They yearn for more out of life. While Jack fixates on Christmas, Sally fixates on freedom from her prison. She is not happy unless she is outside indulging her curiosity and helping others. Specifically Jack.

She gives to him out of her selflessness on three different occasions. First, she makes him a mysterious concoction to help him with his experiment. Secondly, she agrees to make him a Santa suit. However, he remains oblivious to her feelings and his understanding of Christmas. Only when she risks her life to save Santa from the Oogie Boogie Man does Jack finally see what was in front of him the entire time. Finally, he comes to understand the meaning of Christmas.

LOVE.

Christmas is a story of love. When Jack accepts Sally's love, he also accepts Christmas in his heart. Both of them find the fulfillment they seek. Neither need to be lonely again. The tragedy of Halloween end and the spirit of Christmas begins.

RATTLESNAKE (2019) Netflix Review (Spoilers)

Tue, 29 Oct 2019 23:18:30 GMT

MAJOR SPOILERS AHEAD

Matthew 10:28 - “Don’t be afraid of those who want to kill your body; they cannot touch your soul. Fear only God, who can destroy both soul and body in hell." (NLT)

How far would you go to preserve the life of your child, helpless and innocent? Would you trade it for the life of a violent, sinful man? What if taking the life of the guilty would save another? Could that be considered defense instead of murder?

Netflix Original "Rattlesnake" does a remarkable job in the deep exploration of this moral dilemma where single mother Katrina Ridgeway must decide between allowing her daughter Clara to succumb to a vicious snake bite and murdering an unrepentant domestic abuser. She loves Clara so much that she cannot bear the thought of letting her go. So, she chooses a man seemingly less worthy of life.

This impossible journey begs the question: Is anyone more worthy than another to live?

Fortunately, the Bible is very clear on this subject.

Romans 3:23 - "For everyone has sinned; we all fall short of God’s glorious standard." (NLT)

It is simply not our place to decide who lives or dies. Only God has that power. Katrina's interference may feel like justice at the moment. However, she fails to see how her decision affects God's overarching plan for the world and his message for all who live within it.

Katrina Ridgeway is no less a sinner than the abuser whose life she prematurely ends, and there is no amount of justification to explain her sin away. There is only one way.

Romans 3:24 - "Yet God, in his grace, freely makes us right in his sight. He did this through Christ Jesus when he freed us from the penalty for our sins." (NLT)

She interferes in the lives of two people she doesn't know, depriving the abuser of the opportunity for redemption and the abused woman the opportunity to find her strength and defend herself. Because she prematurely sends this man to his doom, he may never know redemption and salvation, only violence. Instead, she damns his soul by literally trading it to demonic forces. Meanwhile, her daughter would automatically be accepted into the kingdom of heaven. Sure, she would leave the world and Katrina would miss her. However, Clara's soul would be secure.

In Matthew 19:14, Jesus Christ declares, “Let the children come to me. Don’t stop them! For the Kingdom of Heaven belongs to those who are like these children.” (NLT)

The philosophy presented above is backward and irrelevant. The question should not be regarding saving an innocent life in exchange for a guilty life. Instead, we should ask, could you deprive a saved soul of being welcomed into Paradise while damning a lost soul for eternity? The answer is no. Katrina's only correct decision would be to let her daughter go.

This extremely flawed and misinformed action Katrina makes is the result of humanity's limited understanding of death. Our time on Earth is temporary, but the afterlife is eternal. Death is merely the transition from one life to the next. As long as we have God's message to guide us, there is no need to be afraid.

Katrina can not let go of her daughter, because she is ignorant of God's plan for Clara. No proper guides are present in her life, which makes her vulnerable to demonic forces seeking to claims unsaved souls. She falls directly into their greedy clutches. She not only damns a stranger, but she also damns herself.

This is the true tragedy of "Rattlesnake."

HEREDITARY (2018) Movie Review

Mon, 28 Oct 2019 13:20:02 GMT

2 Timothy 1:7 - "For God has not given us a spirit of fear and timidity, but of power, love, and self-discipline." (NLT)

Having an understanding of Ari Aster's style, Hereditary's context develops in light of its creepy sibling, Midsommar . While Midsommar focuses on the theme of overcoming a toxic relationship, Heredity is a story about a family's struggle to overcome grief. However, something much darker and more serious plagues this strange family of four.

They are cursed with mental illness , which curses three generations of women. Annie's mother passes it to Annie who passes it to Charlie. Steve who marries into the family seems to be the voice of reason. However, he struggles with his ability to lead the family when it reaches rock bottom. He lacks a backbone.

Peter, on the other hand, is the only member of the family with a fighting chance to have a normal life. He strives to have a normal social life at school and experiments with drugs. For the most part, he is normal. His major problem, the force holding him back, is his mother who traumatizes him time and again as she increasingly unravels in her fight against her mental illness. Peter's struggle is one of experience, not his bloodline. He is a "healthy male".

Annie expresses from the beginning that her family has a long, disturbing history of mental illness. She tells the story of her attempt to escape her mother and avoid mental illnesses. Though she attempts to appear like the survivor of the family's legacy, her completely erratic behavior throughout the story suggests otherwise. She lives life in a constant state of paranoia believing that people blame her for something. Eventually, she makes the irrational claim that she is a medium, able to talk to the dead.

She doesn't even want to have children, and she completely checks out as a mother. Thus, she grasps at the chance to get her children out of the house, even when neither wants Charlie to attend a party where she clearly doesn't belong. She spends all of her time building diagrams that reflect her disturbing take on the world. Worst of all, she has an incredibly frightening episode where she attempts a murder/suicide by fire. She tries to burn children and herself alive.

It begs the question: Why does she have children is she doesn't want them and lacks the mental capacity to raise them?

It is Peter who must overcome the family legacy. He, fortunately, takes after his father. He relates to his father more than his mentally challenged mother. While mental illness destroys each member of this family one by one, he must survive. The only way can overcome is through repentance. He does what no one else in the family is mentally capable of doing.

"I'm sorry."

Through repentance, he finds a way to rise above his trauma and stand victorious. He is crowned as the healthy one. He survives his family legacy, guilt, and grief. Above all, he overcomes his mother's hatred.

Why do people have children when they lack the will and capacity to properly care for them? It leads to suffering and trauma. It's a drain on resources. The solution is simple. If a person is suffering, the easiest way to end the legacy is to stop it in its tracks. If you can't handle the responsibility, then don't bring the responsibility onto yourself.

Don't have children.

STAR WARS: A CHARACTER STUDY OF BB-8

Sat, 26 Oct 2019 08:57:48 GMT

As soon as the premiere of "The Force Awakens", complaints surfaced that the film was nothing more than a fan-servicing copy of "A New Hope." It's a legitimate complaint. An evil dictatorship uses a planet-killing weapon to seize control of the galaxy. After the Jedi Order is wiped out, an unassuming orphan from a desert planet who discovers his/her unrealized inner power. The rebellion led by a feisty princess destroys the weapon after the two opposing forces fight over a little robot that contains valuable data. The formula is obvious. Even I struggled to see past the formula, taking several viewing to strike the core of the story. Only then, did the crucial differences become evident.

Those differences begin with the adorable droid containing crucial information. In "A New Hope", R2-D2 contains a blueprint for the super-weapon, while BB-8 carries the map to Jedi Master Luke Skywalker. The entire Resistance depends on the return of the Last Jedi. However, BB-8 carries something far more valuable beneath the surface.

He carries a riddle, one so intriguing that Commander Kylo Ren, who is wholly devoted to the apprehension of the droid, cannot resist the opportunity to solve it. Even as the droid is within his grasp, the story takes an abrupt, confusing turn when Kylo chooses the poor scavenger over the droid he obsesses over.

Why does he do this?

Because of a riddle that he cannot solve. Yes, he wants the map, and Rey has it. What he truly wants to know is how a girl of Rey's profession could so easily lure classified information from a defensive, frightened droid. The information he desperately wants but does not have.

"We have the rest, recovered from the archives of the Empire. We need the last piece. Somehow, you convinced the droid to show it to you. You. A simple, solitary scavenger. How is that?" (Kylo Ren, The Force Awakens, pg 226)

Answer: Kindness breeds trust, which breeds loyalty.

Kylo Ren's tackless interrogation of Rey portrays a snobby, entitled prince looking down on another person supposedly beneath him. What if he addresses her status, because of its relevance to the riddle. The purpose of a scavenger is the dismantling and destruction of machines. She is the kind of person that a droid should mistrust and fear the most. Instead, he learns to trust her so much that he offers up the information at the nod of her head.

This statement is not one of judgment or superiority. He identifies her as a destroyer of machines. It is her most basic job to dissemble droids, computers, and ships. How, then, could she win the trust of a droid to the point where he voluntarily offers her the information Kylo is so desperate to obtain. He indeed finds this scenario a perplexing puzzle.

The unusual relationship between Kylo and Rey's begins with profound curiosity. She perplexes him, not because of her connection to the force. Instead, he is confused about how Rey could so easily accomplish a mission he could not achieve, even with every resource of the First Order available.

This puzzle symbolizes the primary difference between Kylo and Rey. Between the dark and the light. Kylo's approach to obtaining the droid is through utter brutality. It is a "quick and easy path." Because of this, people resist him. Rey's approach, on the other hand, is through compassion and patience. She takes her time to EARN BB-8's trust. She even suffers for it. At the end of the day, her method produces results. Kylo's does not.

For Kylo to achieve redemption, he must solve this puzzle. Rey must answer his initial inquiry. How did she convince the droid to show her the map? Why is her method more productive than his?

He sees Rey in a unique kind of way, indeed.

The difference between "A New Hope" and "The Force Awakens" begins with the messengers: R2-D2 and BB-8. R2D2 trusted no one. He forms no attachments, not even to Luke. The message appears on accident and lies about its origin. He never strays from the mission: find Obi-Wan Kenobi. He shows the message to no one else.

BB-8 is a naive, little droid. As loyal to his master as he is to the mission. By the time he meets Rey, he is vulnerable and frightened. He is afraid of the big, empty world of Jakku. Her simple act of saving him makes him loyal to her. He rarely leaves her side. He follows her everywhere she runs, because he is certain she will always protect him.

He also represents the innocent residence of our favorite galaxy far, far away. If Kylo can learn to understand the motivations of the droid, then he can learn to apply that logic to other parts of the galaxy. That kindness produces more cooperation than tyranny. Compassion, understanding, loyalty, and love. These are the redeeming qualities of the light side. The Light is more effective than the Dark.

The answer to the riddle can lead to the redemption of Kylo Ren.

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EVERYTHING STAR WARS

ELI (2019) Movie Review (SPOILER FREE)

Wed, 23 Oct 2019 08:13:38 GMT

John 8:32 - "...the truth will set you free.” (NLT)

Netflix is on a roll with 2019 horror films.

"Eli" is no gem, but it has a surprising twist that cannot be ignored. 90% of the plot is more devoted to throwing out as many jump-scares as possible instead of developing a steady story. There is no wonder the ending is impossible to predict. Because it comes out of nowhere. On the other hand, this dissatisfied feeling parallels life. Scary events that threaten our stability, safety, and sanity often come out of nowhere.

Where the movie lacks a proper plot, it still preaches an intriguing message. Eli is a severely ill child, said to have an auto-immune disorder. Without a cure, he is doomed to a lifetime (literally) wrapped in plastic, hidden from the light of day. Hidden from the world. However, hope comes his way when his parents take him to a miracle worker to undergo a controversial treatment.

In the meantime, he is locked in a clean house. This is the only place in the world where Eli may roam free of his plastic prison. However, nothing in this house is as "clean as it seems. Spiritual darkness looms just outside the walls. Ghosts terrorize Eli driving him into near insanity.

Who are his friends? Who are his foes? What is the real cure to his ailment?

These are the underlying questions revolving "Eli". Until he learns the truth buried beneath the clean house, he has no hope of a cure. More importantly, he learns the truth buried by his own family. In the end, the truth alone sets him free. He learns the truth and he can step outside without suffocating to death.

Proverbs 3:25 - "You need not be afraid of sudden disaster or the destruction that comes upon the wicked." (NLT)

What secrets do his parents bury?

"Eli" is available on Netflix now. Watch the film to find out the truth behind the crippled child. The end will shock you. I advise you to hang onto that feeling. Such is life.

STAR WARS: THE RISE OF SKYWALKER (2019) Final Trailer Reaction

Tue, 22 Oct 2019 05:56:23 GMT

The final trailer for " Star Wars: The Rise of Skywalker" has premiered two months before it hits the silver screen. These last four years between the premiere of "The Force Awakens" and this moment have been too agonizing to express. In two months, the story will conclude. The wait will be over. The ultimate question burning in the hearts of Star Wars fans over the past forty-two years will be answered:

What fate will befall this beloved galaxy?

See more reactions for "The Rise of Skywalker" here: Teaser Trailer and D23 Special Look .

Answer: The light will prevail!

The cinematography in the trailer alone symbolizes the rise of the light. The light shines everywhere around the heads of each significant character. Even Kylo Ren . Light shines throughout the galaxy.

It must, because of darkness more powerful than Snoke and Kylo is ready to rise. The Emperor is back, and he wants his throne back. However, Supreme Leader Kylo Ren stands in his way. Once again, Rey must join Kylo at his side to destroy the pure evil threatening the galaxy. In the process, she is granted a new opportunity to pull him into the light.

There is no longer any doubt that they form another alliance.

To whom does Palatine direct these cryptic words?

Most likely, he seeks to discourage the union between Kylo Ren and Rey. They spend an unusual amount of time together in the footage of all three trailers for this movie.

What is the mission? What is Rey hoping to find within the ruins of the Death Star, and why does Kylo Ren follow her there? What do they find instead?

This must be where they confront Palpatine. He brings darkness. They bring Light.

Meanwhile, the epic space battle that Abrams promised will no doubt ensue. According to the footage of this trailer, this battle will defy expectations. Countless ships appear on both sides of the war. As if the entire galaxy is split down the middle. People finally awaken and take their place in their right to live free. This gives the Rebellion a fight chance after the Resistance is nearly annihilated in the Last Jedi.

Emporer Palpatine has an impossible fight ahead of him. He will fail. Light will prevail.

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EVERYTHING STAR WARS

WHAT DO THE WITCH'S REPRESENT IN 'HOCUS POCUS'?

Sat, 19 Oct 2019 00:00:00 GMT

HAPPY HALLOWEEN!

What better way to treat for children at Halloween is a sturdy lesson about learning lessons?

Disney's 1993 Halloween hit "Hocus Pocus" serves as a wonderful teaching tool for children. Its colorful comedy and the superb cast make it fan favorite throughout its sixteen years on screens throughout the world. Its atmosphere is timeless, and its lesson becomes more relevant with every passing year.

What lesson might that be?
What about the heartless villain, Winifred Sanderson, stands out the most?
From what horrors do the younger generation run?
What positive influence do the Sandersons leave behind?

"Hocus Pocus" is a battle between two worlds: three ancient, misunderstood women and three young, naive children where the fate of the infamous town of Salem hangs in the balance. Salem goes down in history for its intolerance and fear of change. Between the years of 1692 and 1693, nineteen innocent people were senselessly murdered for witchcraft by a town of closed-mind Bible thumpers. On its surface, Hocus Pocus explores an alternate reality where at least three of those victims are guilty and black magic does exist. Winifred, Mary, and Sarah Sanderson manage to claim the life of a little girl to achieve immortality.

They fail and die. 300 years later, Salem continues to celebrate the legacy of those guilty women. They celebrate the victory of causing the witch's demise. However, the legacy comes back to bite the town when the witch's return and reak havoc on Salem in their pursuit of immortality once more. Three young people stand in their way when they steal Winefred's beloved book and flee into town.

One thing comes to mind in Winefred's quest to reclaim her most precious possession.

What happened to that level of dedication to reading?

The younger generation in "Hocus Pocus" appears to resist the quest for knowledge at all costs. High school is referred to as "Hell" and "a prison". Meanwhile, every unlikable figure in Max's life is dress as a witch, including his little sister and his teacher. Max actively shuts himself off from the world around him. He expresses a clear hatred for the town, ignores his schoolwork, and refuses to take his sister trick-or-treating on Halloween night. Instead, he would rather think about girls and obnoxiously play his drum kit. He is a child at heart, resisting the lure to grow in knowledge.

For the remainder of his Halloween night, he resists his inevitable growth. The Sandersons represent that growth, especially Winefred. This witch, though cold and dangerous, is the most intelligent woman in Salem. She is extremely powerful. Her dark magic is effortless. Her thirst for knowledge is insatiable, which she demonstrates in her curiosity of the 20th Century and its technologies. She absorbs knowledge wherever she goes. That makes her an extremely dangerous foe, especially when she reunites with her book. Her sisters are gifted, but they do not demonstrate magic. This is because they do not read from the book. That book demonstrates power. Whoever reads from it gains the advantage in their battle.

Thanks to Allison, the "clever white witch", Max accepts the importance of reading. She convinces Max to read the book. Only when they read do they learn how to defeat the Sandersons. Without that knowledge, they would continue running around Salem in hysterics until their enemies inevitably catch up with them. Without knowledge, the young generation of Salem would perish.

Instead, the Sanderson sisters perish. In one heated moment, Winefred succumbs to her emotions. Her lust for vengeance against Max and Dani overpowers her intellect. Thus, she makes a simple but fatal mistake. Had she kept her head, she might have survived the night.

Fortunately, her legacy remains. Allison is the one to carry the torch. Her studious attitude gives Salem hope for the pursuit of knowledge and love for books. Not only does she carry on the love for knowledge, but she also bears the capacity to use her intelligence for good. She becomes a new and improved generation of intelligent young adults.

This classic movie can once again inspire humanity's love for reading. It's an art that dwindles with every generation. How can we keep the legacy alive?

FRACTURED (2019) Netflix Review (SPOILERS)

Fri, 18 Oct 2019 16:33:27 GMT

SPOILER WARNING

Proverbs 14:12 - "There is a path before each person that seems right, but it ends in death." (NLT)

This mysterious Netflix original thriller is very reminiscent of "Shutter Island" where a man finds himself thrust into a missing person's case. None of the evidence makes sense, and the world around him actively tries to sabotage the investigation. However, the end reveals an unexpected twist. "Fractured" delivers on all counts.

A family of three travel cross country over the Thanksgiving holiday when an unexpected tragedy strikes. Ray and Joanne Monroe struggle to find happiness in their marriage when their young daughter Peri hits her head after falling into a construction pit. It's an uncontrollable accident that happens in the blink of an eye. Yet, the experience causes a serious change in Ray. It is as if the horror of that experience snaps him into the father, husband, and provider that his wife longs for him to be. He rushes his daughter to the nearest hospital and demands quality care for his daughter, and his wife suddenly learns to appreciate him. For the first time, it seems like his family has a stable future.

Until Joanne and Peri disappear.

They board an elevator and never come back out. Not a single hospital employee acknowledges their existence. Thus, Ray embarks on a desperate campaign to locate his wife and daughter. He becomes convinced that the hospital kidnaps them for the purpose of harvesting their organs. He obsesses over his unproven theory. The deeper he digs, the more evidence and facts point to the possibility that his family never accompanied him into the ER. They may be a figment of their imagination.

Where are they? What happens to them? Do they even exist?

In light of all these questions, he continues to fixate on remaining the protector and provider his family needs. That need drives him throughout the entire investigation. He strives to be a hero for his wife and daughter, and he fights every person who stands in his way.

However, such a drive can be dangerous. In no way does he handle his investigation like a hero. Instead, he becomes irrational and impulsive. His emotions drive him to the point where he behaves like the very lunatic that the hospital staff insists he is. He has violent episodes that drive him to hold police officers at gunpoint, shoot a doctor in the doctor, and murder a security guard. His inability to behave rationally does him no favors in the end.

He becomes so obsessed that he refuses to listen to reason.

"Of all acts of man repentance is the most divine. The greatest of all faults is to be conscious of none." (Thomas Carlyle)

SPOILERS AHEAD

In the end, there is no hospital-wide conspiracy, only an over-crowded hospital that has neither the time nor the resources to deal with a raving man and his delusions. His family is real. They are indeed on a return trip from a family Thanksgiving before his daughter falls into a pit. However, neither Peri nor Joanne survive the accident. He makes his trip to the hospital alone, the bodies of his troublesome family lying cold in the back of his car. Hiding in plain sight the entire time.

His desire to protect his family is nothing more than a fantasy. He is never a hero for his family. Instead, he becomes a loose cannon, dangerous and violent. In reality, he is the very perpetrator he desperately tries to prove to the contrary. The harder he tries to prove his innocence the guiltier he becomes.

He never accepts his guilt over the fatal fate of his family. He refuses to repent. Thus, he continues to hurt other people: doctors, police, security guards, and an innocent patient. His actions lead them all to suffer, and some to die. Meanwhile, his heart suffers. As long as he does not set himself free with repentance and refuses the help he needs, he will continue to suffer.

Acts 3:19 - "Now repent of your sins and turn to God, so that your sins may be wiped away." (NLT)

There is only one way to alleviate oneself from guilt: repentance. Ray Monroe follows another path where there is no freedom, only suffering. He succumbs to a fantasy world where his violent actions are conveniently justified. Let us learn from his example. Take responsibility for your actions and repent. God is forgiving. He will set you free.

REBIRTH (2016) Netflix Review (SPOILERS)

Thu, 17 Oct 2019 02:15:49 GMT

SPOILERS AHEAD

"The product sells itself."

That's all I need to hear to identify a pyramid scheme when I see one. The Rebirth program is nothing more than a pyramid scheme on crack. Disguised as a self-help seminar, the program focuses on targeting men with a weak will and juicy bank accounts. The program's focus is to isolate, brainwash, and recruit people. Meanwhile, they acquire evidence worthy of blackmail and hack their victims' bank accounts. This leaves their targets with no choice but to take the job offered to them to earn back their money and keep their embarrassing information under wraps. Thus, they are trapped in the scheme indefinitely.

This intriguing Netflix original, "Rebirth", follows a young social media specialist Kyle. At the surface of his life, he is a cliche businessman in a rut with his desk job, suburban home, and fancy car. After digging deeper, we see just how lucky he is to have a career within the realm of his chosen field and a care-free boss. With a degree in creative writing, his job in social media gives him an easy, well-paid outlet for his skills. As a writer, I can say how difficult a lucrative career in writing can be to obtain. Kyle is extremely fortunate. Not just in his employment, but also his home life as well. He has a beautiful home and a devoted family. He has love.

Matthew 7:15 “Beware of false prophets who come disguised as harmless sheep but are really vicious wolves." (NLT)

Only when his old college friend Zach appears out of nowhere and pressures him to partake in his twisted seminar "Rebirth" does his life fall apart. The seminar is a lie. All of the marketing videos paint the picture of a beautiful get-away with fun activities and outgoing people. Instead, a dark building with boarded windows and a never-ending maze of doors awaits. He becomes a prisoner to the manipulation of this "cult". They humiliate him, beat him, and wear down his resolve with claims that he lacks a backbone.

Perhaps not. There is, however, one thing he knows in his heart. He wants out, and they refuse to set him free. He finds that backbone by finding his escape and taking it. That should be the end of Kyle's nightmare. That is when the predator Zach reappears, this time in his home after cleaning out his bank account and all his property. In the place of Kyle's earned money is an inventory of "Rebirth" brand products ranging from clothes to food.

"Even small cults are a serious cost on the world economy, to victims, their families, employers, friends, and credit-card companies." (Keith Henson)

Thus, Kyle is given mere minutes to chose in the small window before his wife and daughter enter the house. Will he take the job offered to him or risk losing his financial security and family? Will he sell his soul to a pyramid scheme or work hard to secure his freedom? The tragic outcome of this poor man is more terrifying than any monstrous horror film. These kinds of schemes run rampant in today's society. I've seen the financial devastation they cause with my own eyes. It is a true horror of our time.

Let this film act as a lesson: STAY AWAY FROM PYRAMID SCHEMES.

IN THE SHADOW OF THE MOON (2019) Netflix Review

Sun, 06 Oct 2019 01:16:04 GMT

"In the Shadow of the Moon" follows a Philly police officer who struggles with a lifelong obsession to track a mysterious serial killer whose crimes defy explanation.

Release date: September 27, 2019
Studio: Netflix
Director: Jim Mickle
MPAA Rating: TV-MA
Screenwriters: Gregory Weidman, Geoff Tock
Starring: Michael C. Hall, Cleopatra Coleman, Bokeem Woodbine, Boyd Holbrook
Genre: Drama, Crime

REVIEW by Cara

John 8:32 - "And you will know the truth, and the truth will set you free.” (NLT)

The year is 1988, and technology is subpar. When unexplained death begins to occur all over town, it takes an incredibly open mind to fathom the possibilities. Officer Thomas Lockhart is that mind, especially when he has a lot to prove in light of his ambitions to earn a promotion. All he wants is a better life for his wife and unborn daughter.

At least that is how it begins. Until he endures a tragedy. His wife dies in childbirth, and he accidentally kills the suspect on the scene. He eventually loses his partner. With the suspect dead and no one to back him up, his career stumbles. He goes from officer to detective to Private Investigator. Poor, disgraced and alone, he never stops investigating. He never ceases his pursuit of the truth.

A new clue arises every nine years, but what does he do with the remainder of that time? Ambition becomes an obsession. His obsession to clear his costs him custody of his daughter. He loses sight of his priorities entirely. In the end, the truth sets him free. He finally discovers the identity and motive of the killer. The revelation teaches him to rearrange his priorities and accept the unexpected turns his life takes. Above all, he learns to appreciate his few blessings: a family.

Thomas never ceases in his pursuit of truth. He stumbles upon a case that no one understands. Yet, he is the only person motivated to see it through to the end while the world around him continues to turn. People let it go. Others blame an innocent party. Only he knows better, that a supernatural game is at play. He feels an urge to understand it. His perseverance rewards him with the truth. With that truth, he learns to live his best life.

What truth drives you?

STAR WARS: A CHARACTER STUDY OF THE MILLENNIUM FALCON

Mon, 30 Sep 2019 17:38:42 GMT

A great deal of time in the Sequel Trilogy is spent with characters looking up the sky in times of crisis, because a ship is approaching in the distance. There are three kinds of ships that could appear to them: First Order/Imperial ships, Resistance/Rebellion ships, or neutral/freighter ship. Each ship has a different meaning. Each ship invokes a different emotion.

Which ship would the good people of a galaxy far, far away rather see on the horizon? What emotions do they feel at the sight of each ship?

OR

The look of a ship determines the reaction from the people who see it coming. The First Order insights fear, because their ships bring nothing but destruction. Meanwhile, the Resistance inspires hope, because their ships defend the helpless against the First Order. As long as there are X-wings in the air, the galaxy has hope for salvation.

Where, then, does that leave the Millennium Falcon? She is built to be neutral. She belongs to neither side. She is a freighter. Simple, small, and old. Her unique round design sets her apart from any other ship in the Star Wars franchise. She is the most distinguished ship in the galaxy. The Falcon also has a strong reputation: “It’s the ship that made the Kessel Run in less than twelve parsecs.” Her has superior speed and thanks to L3-37, her integrated partner, she has superior navigation.

People judge her for her small size and old age unaware that inside of her computer simmers the unquenchable thirst for liberation and justice. Those who do her understand her incredible capabilities and form an emotional bond with her, especially Lando, Han, and Chewie. They know the Falcon, because they know L3-37 (aka Elthree), a piloting droid with the extensive map of the galaxy and a passion for liberation.

In Solo: A Star Wars story, the Falcon and Elthree become integrated. More than Elthree’s superior navigation system become a part of the ship. Her sassy obsession for liberation also becomes part of the ship. The two computers become something entirely new. Thus, the Millennium Falcon becomes a one-of-a-kind vessel.

"We are something different, now. Not just the Falcon. Not just L3. We are new." (The Falcon to L3-37, Solo Novelization)

Solo: A Star Wars Story is not about Han Solo at all. Instead, the story revolves around the Millennium Falcon, and how she becomes the underrated hero that she is. Han just happens to be along for the ride. He is the body in the pilot's seat, but how much credit can he really take for the ship's incredible accomplishments?

Lando and Han are attentive and caring owners, while Unkar Plutt treats her like an inferior machine. This makes her reunions with Han, Chewie, and Lando so sweet. In the teaser trailer of IX, Lando returns to the pilot seat with absolute joy. He not only reuniting with his ship, but also with his copilot Elthree with whom he shares a strong, unconventional bond. This reunion may put Han's reunion in the Force Awakens to shame.

To Han Solo, she is more than his old ship. She is his home and his partner. He struggles in the seat of any other ship. The Falcom belongs to him as it previously belongs to Lando and eventually falls into the hands of Rey. Every proud owner shares a connection to the ship. Because she is more than a ship. She is sentient.

When people look up they would prefer to see X-wings than tie fighter. People learn to run from the sound of tie fighters, because destruction always follows. The Falcon is an independent ship with a rebellious droid simmering in the very controls. She takes orders from no one. She chooses her side: liberation and freedom. It inspires the Resistance and downtrodden. It threatens the First Order and Empire. Kylo Ren flies into an inconsolable rage at the mere sight of her. It inspires awe to all who sees it in action, whether the recipient is friend or foe.

The sight of x-wings and the Millennium Falcon insight celebration. People cheer at the sight of the Falcon, because they identify her with liberation. If a battle ensues for the good of the galaxy, she is there.

SOLO: A STAR WARS STORY

The Falcon parks front and center to Kessel in order for Han's team to steal hyperfuel. Instead, L3-37 complicates the mission by liberating every slave in the mine, both mechanical and biological. This is where the first rebellion against the Empire takes place. It is the moment she finds her true calling, and she continues to fight for that calling as the Falcon partner.

A NEW HOPE

She arrives on the Death Star to save the rebellion’s most crucial member, Princess Leia, which is the first official mission for the three Original Trilogy heroes. The Falcon then smuggles the Luke, the princess, and the Death Star plans to its original destination. Once they arrive at the rebellion base, Han must make a choice. Stay and fight or take his money and run. He decides to abandon the rebellion without hesitation. Why, then, does he return at the eleventh hour to save Luke from Darth Vader’s blaster? Was it Han decision? Or Elthree’s?

THE EMPIRE STRIKES BACK

Darth Vader relentlessly pursues the Millennium Falcon. He becomes obsessed. The Falcon is famous to the Empire as a serious enemy. Her reputation takes form as she provides safe passage for Han and Leia out of the Empire's ruthless clutches.

THE RETURN OF THE JEDI

She leads the fleet into and out of the attack on the second Death Star before it is completed and provides the Empire with a new level of tyranny to the galaxy. Her canons deliver the fatal blow, and she emerges with barely a scratch. Her old friend Lando Calrissian is all too excited to be back behind the controls again. He flies her so naturally, it feels as if they never part ways in Solo.

THE FORCE AWAKENS

She embarks on a similar mission as A New Hope with new young heroes and a lovable droid carrying vital information to the Resistance’s secret base. She provides Finn and Rey safe passage off Jakku and leads them to Han Solo, her beloved owner from whom she is stolen. Additionally, in a deleted scene, Han’s son and First Order commander boards the ship and becomes overcome with childhood memories of learning to fly. Will this experience contribute to Kylo’s inevitable redemption?

THE LAST JEDI

She intervenes in the battle of Crait (once again) in the eleventh hour before the remaining Resistance is wiped out by tie fighters. Kylo Ren is so overcome with rage that all fighters focus on her and she draws them away from her comrades. The shadow she casts on the ground is cause for celebration and hope in the resistance fighters before it is depleted entirely. In the end, she is the only vessel remaining to escort the remainder of the Resistance to safety. Without her waiting at the end of their escape route, the First Order would eventually catch up to them and wipe them out. Luke's effort's and sacrifice would be pointless.

THE RISE OF SKYWALKER

According to the teaser trailer, she shares a joyful reunion with her original (rightful) owner Lando. Together they join the final battle in space against countless Star Destroyers. No doubt, she will play a crucial role in the Resistance’s victory.

The ultimate question is will she survive? Or will the legend of the Millennium Falcon end with this final battle? Will L3 find rest at last? Either way, she is a hero indeed. A true undeniable hero. Let us never forget what the Falcon stands for and her true calling. Look to the horizon. What inspiration and hope will appear?

SEE OTHER CHARACTER STUDIES HERE .

HUSTLERS (2019) Reviews

Tue, 24 Sep 2019 00:00:00 GMT

The Jessica Pressler penned true-life Robin Hood tale centers on a crew of former strip club employees who turn tables on their Wall Street clientele. Lopez is set to play the ringleader of the group of ambitious women who take their plans of getting their full cut too far. The film takes place in the late aughts of New York City in the wake of the financial crisis and explores the toll it took on the livelihood of the dancers who relied on their Wall Street clients.
Megan Ellison, Will Ferrell and Adam McKay will produce the adaptation of NY Mag's true Robin Hood tale centered around a crew of former strippers.

Release date: September 13, 2019
Studio: STX Films
Director: Lorene Scafaria
MPAA Rating: R
Screenwriters: Lorene Scafaria
Starring: Jennifer Lopez, Constance Wu, Cardi B, Lili Reinhart, Keke Palmer, Julia Stiles
Genre: Drama, Comedy

REVIEW by Cara

Philippians 4:19 - “And this same God who takes care of me will supply all your needs from his glorious riches, which have been given to us in Christ Jesus.” (NLT)

The world became a darker place between 2008 and 2011. Those were the years between my college graduation and my wedding day. I remember the crash of 2008 like it was yesterday, because it was the same year I graduated from college. Simply put, there were no jobs. My degree meant nothing to employers. What they looked for were experience and connections. No one cared about me, except how much money I could bring to the table. What got me through were two people: my father and my dear friend who would become my husband. Without those two undeniable support systems in my life, I may not have survived.

Hustlers serve as a bracing reminder of that dark time, illustrating a brutal dog-eat-dog world. Lives were destroyed. The story revolves around four former strippers who target wealthy men that profit off the economy crash, drug them, and clean out their bank accounts. They call it justice. They call it karma. They say anything they can to justify victimizing these unsuspecting targets. At the end of the day, it is fraud, theft, and assault. Period.

There is no justice in the actions of these four women. These women fancy themselves modern-day Robin Hoods. Yet, they don’t give back. They don’t give to charity. They don’t help the other people destroyed by the crash. They don’t set up savings or invest in higher education. They instead spend the ill-gotten gains faster than they can steal it: designer clothes and accessories, over-priced cars, and lavish homes. They don’t care about others in need any more than they care about the men upon whom they prey. All they care about is money.

Matthew 6:19-20 says, “Don’t store up treasures here on earth, where moths eat them and rust destroys them, and where thieves break in and steal. Store your treasures in heaven, where moths and rust cannot destroy, and thieves do not break in and steal.” (NLT)

Predators never care about others.

To this day, I’m still picking up the pieces of my financial destruction during those dark times. Meanwhile, the person that victimized me continues to flaunt her materialistic lifestyle buying obscenely large flat-screen televisions and planning to mortgage a brand new house fresh on the market. That’s life, I suppose.

Eat or be eaten.

Philippians 4:19 - “And this same God who takes care of me will supply all your needs from his glorious riches, which have been given to us in Christ Jesus.” (NLT)

The world has done a fantastic job chewing me up and spitting me out. Let it. I have integrity and faith. I know who my friends are. My salvation is secure. Most importantly, I know my calling, and I value my education. There is nothing any of my predators can say that will convince me otherwise.

Sadly, Destiny never knows the comfort of a real friend and a true support system. She spends the early part of her life stripping just to get by. She never knows the love of a mother or father. Ramona claims to be her family (her mama), but she is nothing but a user. Destiny’s emotional need for a mother figure sets her up to be Ramona’s prime target. Because she doesn’t understand love, she doesn’t know any better. She never learns.

Proverbs 22:4 - "True humility and fear of the Lord lead to riches, honor, and long life." (NLT)

So, what happens when the money dries up? Strip it all away and what remains? Ramona is left with a single wallet with four sentimental pieces of her past, no friends, and a heart filled with regret. Most people have a tragic story to tell following the crash of 2008. What’s yours? Were you a predator, a victim, or a support system? What more can we do to help one another the next time darkness shrouds our lives?

THE DARK CRYSTAL: AGE OF RESISTANCE (2019) TV Review

Mon, 16 Sep 2019 02:57:48 GMT

SPOILER WARNING: THE DARK CRYSTAL (1982)

Netflix presents a refreshing blast from the past with a prequel series to icon 80s fantasy, The Dark Crystal.

The Dark Crystal: Age of Resistance, set an unknown number of years before the events of The Dark Crystal, Before the war and the Gelfling genocide, the peaceful creatures live in blissful ignorance. They believe the Skeksis, lords of the Crystal, serve Thra. However, their only goal is to achieve immortality.

Three Gelfling heroes from rivaling clans join together to expose the Skeksis’ evil deeds for the first time:
Rian - a royal guard and trained fighter
Brea - a well-read and insightful princess
Deet - a cave dweller and connected to the earth

The pioneers of truth for the good of their people and Thra. Their efforts result in criticism, false accusations, and exile. They also suffer tremendous loss. Their loved ones are murdered by Skeksis, oftentimes in front of them. They use their loss to give them strength and motivation. The more the Skeksis attack them, the harder they fight back. Gelfling prove themselves to be a resilient race.

What they must learn along the way is that traditional battle is the answer to defeating the evil Skeksis. The importance of their journey relies on what they discover instead of who they kill. In this beautiful series lies the first steps of Jen and Kira’s journey in the film.

The biggest challenge this series faces is the trouble most prequels. How is the audience supposed to connect with a world full of character who inevitably perish? How do we root for their success? According to The Dark Crystal film, Jen and Kira are the only surviving Gelfling in the entire world. It’s undeniable. Everyone is doomed.

Why bother? What’s the point?

Because that is life. We ALL inevitably perish. The point of life is not about how much time we have. What matters is what we do with the time we have. The Gelfling’s accomplishments are abundant. They are passionate, dynamic characters who devote their remaining days fighting for a divine cause. What could be more inspiring than that?

The Dark Crystal: Age of Resistance is a beautiful reminder to the world that none of us should waste our precious time on Earth. Let us never forget.

GOOD BOYS (2019) Movie Review

Sat, 14 Sep 2019 00:00:00 GMT

Philippians 4:8 - "Finally, brothers and sisters, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things." (NLT)

Good Boys is a modern coming of age story for a six-grade boy named Max with two best friends, Thor and Lucas. Each friend serves as a different influence on his decisions. Lucas is his angelic influence with a compassionate and honest heart, while Thor serves as his demonic influence where destruction follows him everywhere.

Max struggles throughout the story to make decisions on his own without his two friends. Lucas leads him down a productive path, even though he risks failing his ultimate goal. Meanwhile, Thor tempts down an easier path where he is guaranteed to achieve his goal, but the cost is too great. Countless laws are broken, expensive equipment is destroyed, and Lucas becomes severely injured. It ends with an accomplished goal, but Max finds dissatisfaction with his victory.

What he learns on the journey is more important. He grows up, and he learns to think for himself. Both Thor and Lucas' influences cease to be his driving force. He understands the consequences of his poor decisions, and he accepts them with grace.

That is what it means to be an adult: independence and responsibility. It has nothing to do with swearing, drug use, drinking, or the understanding of sex. These are adult-level issues, not the sign of maturity. Children have no business exploring these issues, because innocence once gone is gone for good. We should allow our children to be children. They should understand how to enjoy their childhood while they have it. Let the children be children.

STAR WARS: A CHARACTER STUDY OF HAN SOLO

Thu, 12 Sep 2019 06:11:40 GMT

In the entire Star Wars franchise, the character of Han Solo undergoes the most development. There is hardly a moment in his story where his actions do not surprise the people around him, especially Luke and Leia. He goes from mercenary to a friend, from cold-hearted to a caring husband, and from skeptical unbeliever to martyr.

Beginning in A New Hope , he claims that money is the only motivator that drives his decisions, but that is untrue. He is always in need of it, always losing it, and always in need of his wealthy princess to bail him out of the sticky situations he brings upon himself. This is a plague that follows him throughout his entire life until his sudden death in The Force Awakens . Simply put, he is bad at his job.

In his anthology, Solo: A Star Wars Story , he proves his failure at smuggling. In fact, it nearly kills him. On the other hand, he also expresses his deepest passion for piloting.

He says, "I'm going to be a pilot, best in the galaxy."

Well... not so much. His legacy is the Kessel Run, but the credit belongs more to the Millennium Falcon and the droid trapped inside of it than to him. What follows is a career filled with failure, debt, and fear. He must always look over his shoulder for bounty hunters and Hutts. Had it not been for his extraordinary luck, he would never have met Princess Leia and would have died much earlier in his life.

However, his destiny takes him down a different path. His destiny goes far deeper than that of a failed smuggler and a pilot of questionable skill. His destiny begins with Luke Skywalker, a teenage farm boy, accompanied by an old hermit and irritating droids. By the events of A New Hope , Han Solo is an insistent unbeliever of the Force, jaded by a hard upbringing and a life of crime.

The similarities between the stories of Episode IV: A New Hope and Episode VII: The Force Awakens lack any and all subtlety. Han’s career is no exception. He is just as much a wanted man drowning in debt at the end as he is in the beginning. There is only one difference: faith.

He begins by swimming in doubt and doesn’t hesitate to advocate for the merciless execution of his future wife. Thirty years later, he believes without a shadow of a doubt. He dies to save their son. Thus, he becomes a martyr for his faith and the Force.

Only when he reunites with the Falcon (and the memories within), does he return to his purpose: a messenger.

He gives three vital messages in the Force Awakens:

MESSAGE #1

This he gives to Finn and Rey, the two young stowaways on his ship, who believe the legend of the Force, the Jedi, and Luke Skywalker are all myth. He confirms the truth. He tells the stories. He gives both of them HOPE. Thus, he becomes the guide for these budding heroes.

Not only does he give them a message, but he also gives them safe passage to the Resistance. He provides them with weapons, offers Rey an enjoyable escape from her poor conditions, introduces them to Maz Kanaata, and personally helps Finn save Rey from Starkiller Base.

He is the person to guide both of these lost lambs out of their hopeless situations and give them both momentum. He acts as a chauffeur, protector, and spiritual guide. His acceptance of Rey is what makes her consider him an acceptable father figure.

MESSAGE #2

He gives this warning to his son Kylo Ren/Ben Solo after rescuing Rey from Starkiller Base. He knows his son is suffering and conflicted, and he wants to rescue him from his impending destruction at Snoke's hands. It is direct and obvious, which Ben already senses. Deep down, Ben knows it's true. This line is the ultimate foreshadowing for the Last Jedi. Snoke admits to Kylo and Rey that he does exactly what Han says. He uses Kylo Ren.

In other words, "I used you."

At this moment, Han's words echo in Kylo's head, and it sends him spiraling into an avenging rage and desperate self-defense. He kills Snoke to save both Rey and himself. All because of Han's message, Snoke is defeated. Kylo becomes absolutely livid with Snoke for hurting Rey and ALSO for using him. Kylo is embarrassed for falling victim to Snoke's lies, empty promises, and cheap affection.

MESSAGE #3

This the most most vital message of all; enough for Rey to repeat it in The Last Jedi . Salvation never comes too late. Every sin can be forgiven. All Kylo must do is accept the love in front of him. The words "it isn't too late" resonate in Kylo through one hero to the next, from Han to Rey. Unable to escape the message, Kylo slowly breaks down until he finally realizes the truth of his father's message. In that moment, he doesn't hesitate to kill his manipulative, abusive master.

As soon as Han encounters Ben, he makes a final desperate attempt to save Ben's life and soul, to bring balance to the Force, and to save the galaxy. Han dies so that Snoke may die. He frees the galaxy of a sadistic monster.

Han, one of the three iconic Star Wars heroes, gives his life to ensure the redemption of Ben Solo preceding the efforts of his fellow heroes Luke and Leia. All three risk their lives to save the young Solo from the evil clutches of a snake and his disgusting influence. Would their sacrifices go to waste?

There is more to the Force than war and violence. Take away the lightsaber battles, what tools do the Jedi have left? They have foresight. They are meant to be messengers of the Force. Their visions guide them. Their messages are undeniable. Rey sees Snoke's downfall. Luke sees the destructive nature of Kylo Ren, while Kylo sees Rey's origin. All of these characters have a direct link into the Force.

Han, on the other hand, tells his message based on faith, experience, and love. He has no power and no visions. (He certainly has no skills.) His love is the most powerful asset in his arsenal. Snoke indeed crushes Kylo Ren's spirit, but Han puts a stop to Snoke's campaign of terror before the complete annihilation of Ben Solo, both physically and spiritually.

What about Ben's faith? Han helps Kylo lose faith in Snoke, but will Kylo lose faith in the Force?

KYLO REN PART 2 COMING IN NOVEMBER

SOLO: A Star Wars Story Official Trailer

The Force Awakens Official Trailer

The Last Jedi Official Trailer

The Rise of Skywalker Trailer #2

DON'T LET GO (2019) Movie Review

Mon, 09 Sep 2019 00:00:00 GMT

The film focuses on a detective named Jack Radcliff, who receives a call from his niece Ashley … which is strange because Ashley was recently murdered. Together, the duo work across time and race to solve her murder before it happens.

Studio: Briarcliff Entertainment
Release date: August 30, 2019
Director: Jacob Aaron Estes
MPAA Rating: R
Screenwriter: Jacob Aaron Estes
Starring: David Oyelowo, Storm Reid, Byron Mann, Mykelti Williamson, Alfred Molina, Brian Tyree Henry
Genre: Thriller, Horror, Mystery

REVIEW by Cara

Matthew 18:10 - “Beware that you don’t look down on any of these little ones. For I tell you that in heaven their angels are always in the presence of my heavenly Father." (Jesus Christ, NLT)

What would you do with the chance to save the ones you loves from certain death?

A grieving uncle must struggle with a murder case where he is emotionally compromised and faces suspicion. His brother, sister-in-law, and favorite niece Ashley are all murdered in their own home. Like all intriguing murder cases, not everything is as it appears. In light of his brother's mental illness and history of drug abuse, Detective Jack Radcliff must determine who is innocent and who is guilty.

More importantly, he prays for the chance to undo the murders, so his family may live. How far would he go to save them? Even at risk of incriminating a brother in blue or risk his destruction.

God grants him that opportunity by providing a method of communication between his living niece two weeks prior and his present self. The communication begins as an escape from his grief. He embraces the chance to tell her everything he wants to tell her. Then, he realizes he has the chance to change their fate. He becomes obsessed with saving Ashley's life. She is the only person who can help him solve her murder before it happens.

They cannot see each other in person, nor can they see what the other sees. They help each other through verbal communication only. He must ask many questions, but he cannot explain the reason. It is an agreement that relies on absolute trust. Worst of all, he cannot intervene in the attempt of her murder as much as he wants. He must be her savior in a limited way.

Even sacrifice himself. Her salvation would wipe his reality from existence. He would change. His relationship with her would change. His career would change. Jack loses everything to save his niece. A man with nothing to lose is a dangerous animal. Every bridge he burns brings him closer to solving the mystery.

Will it be enough? Does he save the innocent one he loves?

THE BAD BATCH (2017) Netflix Review

Sat, 07 Sep 2019 04:45:44 GMT

Psalm 23:4 - "Even when I walk through the darkest valley, I will not be afraid, for you are close beside me. Your rod and your staff protect and comfort me." (NLT)

The Bad Batch is no particular Netflix gem. Yet, within this convoluted, violent story lies a subtle, intriguing lesson. Intrigue keeps bringing me back to it. Curiosity seems to be its running theme.

Set in a dystopian future, The Bad Batch is a patch of uninhabited desert located in Texas where criminals are sealed off from society. Convicts are thrown behind a fence with nothing more than a sandwich and a jug of water. Expected to fend for themselves with no guards and no laws to protect them. Life becomes a terrifying game of survival of the fittest, and the weak are eaten alive - literally.

Arlen becomes a victim of cannibalism like many other newcomers. She loses an arm and a leg. In spite of her captivity, she survives and escapes to a more civilized community called Comfort. While the people of comfort don't eat each other, they become burnt out druggies. Arlen may have protection there, but she is not satisfied. She searches for meaning and a real connection.

John 14:27 - "I am leaving you with a gift—peace of mind and heart. And the peace I give is a gift the world cannot give. So don’t be troubled or afraid." (NLT)

Thus, she wanders outside of Comfort's walls to the open, empty desert. It is the one place in the Bad Batch where she finds true comfort. It is also where she meets Miami Man and his daughter Honey, two of the cannibals responsible for her attack. She should hate them, just as the vast empty desert should frighten her. Instead, she finds the connection she craves.

Many residents of the Bad Batch find contentment in their hopeless situations. They do what they must to survive and cope. Comfort accommodates all of Arlen's needs. She receives free housing, food, clothes, and a gun. That should be more than enough. Yet, a grander purpose calls her. Most people see the desert as a death trap. She sees beauty. That is the only place where she finds real comfort and love.

IT CHAPTER TWO (2019) Movie Review

Tue, 03 Sep 2019 23:06:25 GMT

Because every 27 years evil revisits the town of Derry, Maine, IT CHAPTER TWO brings the characters—who’ve long since gone their separate ways—back together as adults, nearly three decades after the events of the first film.

Release date: September 6, 2019
Studio: New Line Cinema, Warner Bros.
Directors: Andy Muschietti
MPAA Rating: R
Screenwriters: Gary Dauberman, Stephen King
Starring: Bill Skarsgård, Jessica Chastain, James McAvoy, Bill Hader, James Ransone, Andy Bean, Jay Ryan, Isaiah Mustafa, Xavier Dolan, Will Beinbrink, Teach Grant
Genre: Horror
Official Website: ITthemovie.com | Facebook | Twitter | Instagram

REVIEW by Cara

Psalm 115:11 - "All you who fear the Lord, trust the Lord! He is your helper and your shield." (NLT)

It Chapter 2 concludes the reign of terror on Derry's young people by an evil alien monster taking the form of a terrifying clown. Twenty-seven years pass since the final encounter between Pennywise and the Losers Club in the first chapter, IT . However, their victory is short-lived. Pennywise comes back, and more children die. Thus, the Losers Club must return to Derry and complete the deed: destroy the monster.

Not only is the monster still alive, but also each member is haunted by inner demons. To face Pennywise, they must first defeat their demons. Only then can we be free of their fear. Pennywise represents their childhood trauma, and he preys on their fear.

While the film hammers the theme of unity on the head, a more important theme lingers beneath the surface, the theme of preparation. It is a theme that the film shares with the book. Pennywise strives to defeat the six struggling adults by preying on their emotions. Not just fear, but their anxiety, guilt, and anger. He drives them into the caves before they are ready, thus increasing the risk of their defeat.

However, all of the preparation in the world would not prepare them for their confrontation with the monster beneath the clown make up. Will conducts decades of research. He steals an artifact that supposedly contains it. He follows every rule. However, the ritual amounts to nothing.

1 John 4:18 - "Such love has no fear, because perfect love expels all fear. If we are afraid, it is for fear of punishment, and this shows that we have not fully experienced his perfect love." (NLT)

The one true way to defeat the monster is to face IT without fear. They must become empowered with love. Deep, selfless love. The act of following the steps of an ancient ritual is not enough.

Love empowers us. There is no fear in love. It cannot be planned or prepared. It just is. Love defeats fear, just as the Losers Club use their love for one another to defeat a monster.

PHOTOS

READY OR NOT (2019) Movie Review

Tue, 03 Sep 2019 16:52:19 GMT

"Ready or Not" follows the story of a young bride who is invited on the night of her wedding by her rich and eccentric in-laws to participate in a time-honored tradition that turns into a lethal game of survival with everyone fighting to stay alive.

Studio: Fox Searchlight
Release date: August 21, 2019
Directors: Tyler Gillett, Matt Bettinelli-Olpin
MPAA Rating: R
Screenwriters: Guy Busick, Ryan Murphy
Starring: Samara Weaving, Andie MacDowell
Genre: Thriller

REVIEW by Cara

1 Timothy 6:10 - "For the love of money is the root of all kinds of evil. And some people, craving money, have wandered from the true faith and pierced themselves with many sorrows." (NLT)

When Grace marries into a wealthy gaming empire, she expects it to be the happiest day of her life. Instead, she finds herself in a desperate fight to stay alive. Ready or Not is the story about nightmare in-laws taking a family battle to a whole new level. Time and again, the theme is addressed: "Is she one of us?"

What does that mean? What distinguishes # from the rest of the family? It boils down to one distinguisher, a distinguisher chosen by the dark spirit ruling the family. Yet, they don't understand what truly distinguishes their family from the rest of the world. They believe the dark spirit chooses easy, weak prey, and they would do anything to protect their empire from these outsiders.

The entire family resents Grace believing she's an opportunistic gold digger. On the contrary, she is the only self-sufficient and resourceful person in the house. That is what makes her a true competition. That is what makes her worthy to play the deadliest game in the Le Domas arsenal: Hide and Seek.

Those willing to sell their soul for wealth are accepted, while the humble and selfless people become prey in a ruthless hunt.

This dark spirit wants a challenge. It wants a player that would defeat the family with his/her soul intact. It WANTS the family's reign to end. It pays respect to the one who wins the game.

Grace spends the night in excruciating pain and undefined terror fighting for her life. However, she engages in an even more important battle for her soul. Will she survive? Is she worthy enough to win the hunt and defeat the enemy?

Matthew 5:5 - "God blesses those who are humble, for they will inherit the whole earth." (NLT)

Much like Grace struggle, life plays a similar game. The ruthless and selfish thrive while the humble struggle to survive. Let the selfish one have their money and games. Those who understand the game of life keep their souls intact, because their rewards await in the next life. Salvation is our victory. Heaven is our reward.

SCRIPTURE READ IN ELVISH - SO BEAUTIFUL

Thu, 29 Aug 2019 22:29:49 GMT

Ephesians 5:18b-19 - "be filled with the Holy Spirit, singing psalms and hymns and spiritual songs among yourselves, and making music to the Lord in your hearts." (NLT)

This video is a beautiful merger between Scripture (truth) and fantasy (fiction). JRR Tolken invented his own languages from his franchise "Lord of the Rings". This one is the Elvish language. He intended for the language to sound like music, and he succeeded. This language spoken in the words of scripture is one of the most beautiful things I've ever heard. Scripture spoken in music, almost is if the God's word is meant to sung. It adds depth the story. It makes our creation joyful and full of beautiful, as God sees it. As he sees the world. As he sees us. As he sees music. "And God saw that it was good."

Listen to the song while reading along with the words below. Experience scripture as you read.

The Account of Creation - New Living Translation ( Bible Gateway )
1 In the beginning God created the heavens and the earth.
2 The earth was formless and empty, and darkness covered the deep waters. And the Spirit of God was hovering over the surface of the waters.
3 Then God said, “Let there be light,” and there was light.
4 And God saw that the light was good. Then he separated the light from the darkness.
5 God called the light “day” and the darkness “night.”
And evening passed and morning came, marking the first day.
6 Then God said, “Let there be a space between the waters, to separate the waters of the heavens from the waters of the earth.”
7 And that is what happened. God made this space to separate the waters of the earth from the waters of the heavens.
8 God called the space “sky.”
And evening passed and morning came, marking the second day.
9 Then God said, “Let the waters beneath the sky flow together into one place, so dry ground may appear.” And that is what happened.
10 God called the dry ground “land” and the waters “seas.” And God saw that it was good.
11 Then God said, “Let the land sprout with vegetation—every sort of seed-bearing plant, and trees that grow seed-bearing fruit. These seeds will then produce the kinds of plants and trees from which they came.” And that is what happened.
12 The land produced vegetation—all sorts of seed-bearing plants, and trees with seed-bearing fruit. Their seeds produced plants and trees of the same kind. And God saw that it was good.
13 And evening passed and morning came, marking the third day.
14 Then God said, “Let lights appear in the sky to separate the day from the night. Let them be signs to mark the seasons, days, and years.
15 Let these lights in the sky shine down on the earth.” And that is what happened.
16 God made two great lights—the larger one to govern the day, and the smaller one to govern the night. He also made the stars.
17 God set these lights in the sky to light the earth, 18 to govern the day and night, and to separate the light from the darkness. And God saw that it was good.
19 And evening passed and morning came, marking the fourth day.
20 Then God said, “Let the waters swarm with fish and other life. Let the skies be filled with birds of every kind.”
21 So God created great sea creatures and every living thing that scurries and swarms in the water, and every sort of bird—each producing offspring of the same kind. And God saw that it was good.
22 Then God blessed them, saying, “Be fruitful and multiply. Let the fish fill the seas, and let the birds multiply on the earth.”
23 And evening passed and morning came, marking the fifth day.
24 Then God said, “Let the earth produce every sort of animal, each producing offspring of the same kind—livestock, small animals that scurry along the ground, and wild animals.” And that is what happened.
25 God made all sorts of wild animals, livestock, and small animals, each able to produce offspring of the same kind. And God saw that it was good.
26 Then God said, “Let us make human beings[b] in our image, to be like us. They will reign over the fish in the sea, the birds in the sky, the livestock, all the wild animals on the earth,[c] and the small animals that scurry along the ground.”
27 So God created human beings[d] in his own image.
In the image of God he created them;
male and female he created them.
28 Then God blessed them and said, “Be fruitful and multiply. Fill the earth and govern it. Reign over the fish in the sea, the birds in the sky, and all the animals that scurry along the ground.”
29 Then God said, “Look! I have given you every seed-bearing plant throughout the earth and all the fruit trees for your food. 30 And I have given every green plant as food for all the wild animals, the birds in the sky, and the small animals that scurry along the ground—everything that has life.” And that is what happened.
31 Then God looked over all he had made, and he saw that it was very good!
And evening passed and morning came, marking the sixth day.

STAR WARS: THE RISE OF SKYWALKER (2019) Special Look Reaction

Tue, 27 Aug 2019 16:20:07 GMT

The internet is once again abuzz with speculation about The Rise of Skywalker thanks to controversial footage in the new Sizzle Reel Trailer. It merges all of the upcoming finale's previous eight episodes with beautiful fluidity before revealing brand-new, awe-inspiring footage. Abrams guarantees a satisfying ending that concludes the entire Skywalker saga.

This trailer delivers that feeling.

Disney seems to have perfected a lucrative marketing strategy of Star Wars possibilities, and fans eat it up every time. One would think we learned our lesson by now. Provocative footage will entice regardless of whether or not the final product delivers. Yet, here we are, and I grow tired of repeating myself. Instead, let the legendary reviewer MatPat explain here.

On that happy note, let's examine what we know so far: trailers, posters, and interviews as logically as possible. Four observations stick out to me in light of this new footage:

1. At least four different environments appear on the screen.

A jungle terrain:
This is most likely the secret location of the Resistance base. Not only do we see Rey train here, but it is also the only place that Leia appears in any footage. Given her extreme limitations, we may see Leia take the side bench in any important battle scenes. It is after all her turn to relinquish her role to the young people like Han and Luke before her. Poe Dameron will most likely be the one to take her place.
A city, possibly Cloud City:
This will be where Lando joins the fight. The Resistance will seek him out where we last saw him residing and working in Cloud City. Eager to sit at the Falcon's controls again, he will gladly join the fight.
A desert planet:
A good amount of the trailer footage revolves around this terrain. This will probably be a parallel to the battle of Endor in the Return of the Jedi. After Finn recruits a large tribe of disgruntled desert dwellers to join the cause, a battle against the Resistance commences. Meanwhile, Rey is off on her own to confront Kylo Ren for either the first and final time. It would appear that the galaxy is finally getting fed up with lifetimes of tyranny.
A water planet (harboring the ruins of Death Star 2):
What brings the group of heroes to this cold, haunted relic? One can only guess. War hardly provides the time for the new Jedi to brush up on her scavenging skills. Whatever they hope to find there must be crucial for their victory. Unfortunately, Kylo arrives and interrupts Rey's mission.

2. Kylo Ren and Rey confront each other more than once.
This is the first Star Wars film where the villain and the hero face off more than once. The predecessors of Episode IX always provide one epic final battle, which usually ends in tragedy. Like everything else in the franchise, Kylo and Rey love to brush off the rules of their masters and do what they want.

The opening shot of the teaser trailer shows Rey disrupting Kylo's early morning test run of his new silencer. She aims to disarm the ship jumping on top of it and jamming her newly repaired lightsaber into it. Thus, he makes an emergency landing and exits the vehicle, quite unhappily. The new trailer now teases a second battle on the remnants of the Death Star 2. This time, Kylo has no intention of holding back. They both swing at each other as if their lives depends on it, or perhaps each other's lives depend on it.

I can only hope Kylo would stop fighting and tell her that he loves her before something awful happens.

3. The image of Dark Rey appears.
It is unlikely that this is nothing more than a vision, because every other shot reveals her in her signature Jedi white. There is little chance that Rey would turn to the Dark Side with enough time to acquire new clothes and construct a new double-bladed lightsaber. Also, her surroundings in the shot appear dark and metallic, like the inside of the Death Star 2. Somehow, Kylo enters the ruins and has a vision of Rey's downfall. This is the most likely explanation. Unless...

This really happens to Rey, which leads me to my final and most shocking point.

4. Palpatine returns.
There can be little doubt that Palatine will have a pivotal role in this film. With Snoke dead and Kylo Ren remaining conflicted between the light and dark, the story needs an unrepentant villain. The downside is that he's dead. If his spirit remains attached to the ruins, he would be looking for a host. Who better than the beautiful, young, and powerful Rey? She would be a perfect opportunity for him to start over and rebuild the Empire after the fall of the First Order.

Conclusion:

Simply put, three minutes of trailer footage does not provide enough information to determine the story-line of a massive feature film, one that will no doubt have a 2-3 hour run-time. In fact, the new trailer has me more confused than ever. There appears to be so much planet hopping and so many battles, it is difficult to decide where the events fall on the timeline. One can only speculate. Boy oh boy, are we speculating.

Let me say this. I sincerely doubt Rey will turn to the Dark Side. Instead, Kylo Ren has a vision of her uncertain future should she enter the Death Star. This will lead him to finally decide between the Dark Side and the Light Side. Will he chose the dark and allow Palpatine to possess her. Or will he chose the light and save her?

That is the ultimate question.

D23 SPECIAL LOOK/SIZZLE REEL TRAILER

TEASER TRAILER

NEW POSTER

THE STAR WARS CHRONICLES

EVERYTHING STAR WARS

FINDING JUSTICE FOR A SILENCED WRITER IN "SCARY STORIES TO TELL IN THE DARK".

Mon, 19 Aug 2019 00:00:00 GMT

Based on the children's anthology book series by Alvin Schwartz. First published in 1981, the first book of what became a three-book series (it was followed by "More Scary Stories to Tell in the Dark" and "Scary Stories 3

Studio : CBS Films
Release date : August 9, 2019
Director : André Øvredal
MPAA Rating : PG-13
Screenwriters : Kevin Hageman, Dan Hageman, Guillermo del Toro
Starring : Zoe Colletti, Austin Abrams, Gabriel Rush, Michael Garza, Austin Zajur, Natalie Ganzhorn, Dean Norris, Gil Bellows, Lorraine Toussaint
Genre : Thriller, Horror

REVIEW by Cara

Romans 1:18 - "But God shows his anger from heaven against all sinful, wicked people who suppress the truth by their wickedness." (NLT)

Indeed, this is not a film for the faint of heart or a weak stomach. The horror of these short stories come to life in a grotesque way. Yet, beneath the moments that made me gag, there is a tragic story that squeezed my heart and boiled my blood. The angry ghost of Sarah Bellows comes to life to victimize Stella Nicholls and her friends for meddling with her most precious possession, a book of her original stories. However, like any good story not is as it seems.

As terror looms over each new person, Stella's motivation becomes stronger to defeat the angry ghost determined to kill everyone she loves. She searches for the truth behind the myth of the Bellows family, and she finds that Sarah is no monster. She becomes the victim of monsters, because her voice is a threat to the family's sinister secrets. Still, Sarah finds a way to express herself in another way, through horror stories based on the people who wrong her. Until her untimely death.

She comes to life on a fateful night that Stella and her friends break into her home and find her book. Does she simply come to life to terrorize a group of unsuspecting teenagers? No. Instead, she finds an opportunity in the curious girl who shares her love for writing story. Like her, Stella is bullied and abandoned. She uses her despair to create. Stella becomes her opportunity to discover the truth and restore her reputation.

The act of silencing a writer can happen in many forms. Stella is silenced through self-doubt caused by bullying. Sarah is silenced in a much more violent way through imprisonment and torture. Sometimes, it can be an indirect method: causing such a toxic and noisy environment that the writer's creative flow is blocked indefinitely. All of these methods are despicable. For who are you to tell another child of God what his/her purpose can or cannot be.

This movie is a reminder that evil should never silence those that are born to tell stories. A true writer is never silenced. The harder one tries, the more devastating the repercussions. One way or another, the truth comes out.

TIME TRAVEL CLAIMS TO EVOLVE THIS FAMOUS AUTHOR IN "TIME AFTER TIME".

Thu, 15 Aug 2019 03:51:58 GMT

Though canceled after a fast-paced, confusing beginning, ABC allowed the airing of " Time After Time 's" remaining Season 1 on July 31, 2017, where the episodes slowly improve in preparation for its finale, rich with resolve and a mind-blowing cliff hanger that would certainly hook a dedicated fan into a second season. After two full years, there is no second season. Therefore, the battle between good and evil comes to a grinding halt in a war-torn 2021 where Dr. John Stevenson (aka Jack the Ripper) reigns as a medical revolution and H.G. Wells' legacy hangs in the balance.

Many questions come to mind in the end. Here, we will focus on two of those questions.

1. How far ahead does John plan for this victorious outcome?

This is the lesson that H.G. Wells learns at that moment as he stands in front of a man who ought to be dead. It is Wells' fault. Throughout the event of the finale, it would appear that John is the impulsive, dangerous one after he craftily murders Jane in two separate realities. In his grief, Wells travels back in time in a desperate attempt to save her life. H.G. is the impulsive one. By saving the girl, he also sets John on the path to victory.

In the reality where Jane dies, John is caught, arrested, and convicted as the serial killer he is. Justice prevails, and his reign of terror ends. Jane's sacrifice leads to justice.

In the reality where John dies, Jane is spared, but at great cost. Everyone lets their guard down. John's immortal body is carried away with far less security, and Wells goes home. That is the perfect moment for John to strike. Vanessa is murdered. Jane suffers a fate "worse than death." World War 3 ensues.

Had H.G. Wells accepted Jane's sacrifice, the world would be better off. Instead, it is Wells' impulsive actions that shatter the timeline he spends the entire season fighting to protect. Yet, one moment of grief brings it crashing down and evil prevails.

Due to its cancellation, fans will never know what follows that horrifying moment. That curiosity will never be satisfied. Let us instead learn from this lesson: not to give in to temptation, not to take the easy road, not to let our emotions rule our convictions. It could be an opportunity for evil to snare our fate.

2. What motivates John's behavior toward Jane Walker?

His treatment of Jane could not be more erratic if he were bipolar. Throughout the season, he murders her three times. However, each murder is undone thanks to Wells' time machine making her the only woman to survive the Ripper's blade.

Time altering events aside, their chronic interactions provide John with a multitude of opportunities to kill her. Yet, he passes up all but three. At times, he talks to her as if he would an old friend. Other times, he poorly flirts with her. In (three) most uncharacteristic moments of all, he saves her life. Even in his final moment of victory, he spares her life. Many times he bluntly admits to being "fond of" or feeling "affection" for her. This is evidence that Jane is special to him. She is different and "fascinating."

But is it love?

The villainous crush trope is complicated. Motivation always depends on the individual story. In this case, John's motivation is the oldest in the book: jealousy. He wants her, because his enemy wants her. He murders her three times and attempts twice more. Each of these five times his motivation is the same: to hurt his enemy.

More intriguing are the moments he spares, protects, and saves her. It is difficult to read his face or anticipate his thoughts when their eyes lock and she begs him for mercy. Instead, what we have are his motivations.

What does he want out of life? What makes this serial killer so jealous of his dearest friend? The answers are the same. He wants a legacy, one more glorious than H.G. Wells and one for which he gets credit.

He finds his legacy as Jack the Ripper unacceptable, because John Stevenson gets no credit. Additionally, his genealogical legacy dies with his son in a terrible bombing. Both times, Jane is there to serve as a messenger. She is determined to make him strive for more in life. She desperately appeals to the doctoral side of him. She reminds him of his humanity. Many times in the series, she is the only person to advocate on his behalf. She never wants him dead, even though it would be the easiest solution.

Unfortunately, her message works too well. Because that is exactly what he does. With H.G. Wells out of the picture, he achieves a grand legacy by using his medical genius. However, his motivation is no more human than his legacy as a gruesome serial killer. Stevenson Industries profits on human experiments. He turns men into bloodthirsty monsters, just like him.

One could argue that Jane helps inspire this accomplishment. He can't bring himself to murder his muse. She is the key to his success, but she is also his undoing. Should H.G. Wells set her free, together they can defeat him. Unfortunately, the audience will never know.

John "adapts well to the times". He is greedy and ambitious. He seeks to spread his savagery throughout the world. He turns other people into monsters. Meanwhile, H.G. is idealistic, naive, and childlike. Above all, he lacks life experience. He seeks to spread his good through his writing.

Whose works will prevail?

Who would think that Jack the Ripper would be the man to inspire him?

For H.G. Wells to succeed as a writer, he needs to be, he needs life experience. He must accept the truth: There is no Utopia. He must embrace the world as it is before he can strive to inspire it. That is when he becomes the author he needs to be.

Utopia exists, but not on Earth. It exists as the kingdom of God, available to the righteous in the Afterlife. We should all strive for a good, strong legacy. We can either inspire like H.G. Wells or destroy like Jack the Ripper.

What kind of legacy are you leaving behind?

Thread of Truth

THE BASIC RULES COULD HAVE SAVED THEM IN "TAROT"!

IS THIS TERRIBLE SCRIPT SALVAGABLE? -MY FIRST NEGATIVE REVIEW

CAN TAROT AND HOROSCOPE MERGE?:

A DIFFERENT POINT-OF-VIEW:

SHOW SOME RESPECT:

MAINTENANCE RULES:

VICTORY:

CHECK OUT MY NEW CHANNEL!

NETFLIX GIVES EDGAR ALLEN POE A MODERN TWIST.

WHO IS VERNA? THE DEVIL OR DEATH?

THE CAREFULLY CHOSEN SURVIVORS

HOW 'WEDNESDAY' EVOLVES AS AN AUTHOR BY LIVING HER OWN MURDER MYSTERY.

HOW CRUELLA'S STORY ISN'T SO BLACK AND WHITE.

The truth shall set you free.

TWO MOTHERS; TWO PATHS ﻿

THE SMEAR CAMPAIGN ﻿

THE TRUTH SHALL SET YOU FREE

THE DALMATIANS’ FATE

WHAT’S NEXT? ﻿

HOW 'DEATH BECOMES HER' ILLUSTRATES THE DECLINE OF WRITING SINCE THE 90S.

WHAT DOES THE OPENING SCENE SAY ABOUT FEMALE LEAD IN "101 DALMATIANS" (1961)?

LEIA'S CRUCIAL DEVELOPMENT IN 'OBI-WAN KENOBI'

KENOBI IS A TEACHER FOR ALL SKYWALKERS.

'THE INVITATION' SHOWS US THE DEFINITION OF A TRUE FAMILY.

THE LOVE OF THE DEAD MEANS MORE THAN THE DISAPPROVAL OF THE LIVING.

A LOOK BACK ON THE RED FLAGS IN SEASON 2 OF 'YOU'

TRUTH TELLERS SILENCED

FORTY – The failed writer.

CANDACE – The risk-taking truth-sayer.

DELILAH - The real writer. Good for Joe.

LOVE – The Great Liar, not a Writer

AN ELEMENTARY TEACHER TAKES AN OBSESSIVE FRAUD TO SCHOOL IN 'GLASS ONION'.

WARNING: SPOILERS AHEAD

ALIBI OR SOMETHING MORE?

"I want be responsible for something that gets talked about in the same breath as the Mona Lisa." (Myles Bron)

SWEET REVENGE IS BEST SERVED HOT IN "THE MENU".

This is a subtitle for your new post

THERE'S NO LIMIT TO THE LESSONS FOR DOCTOR STRANGE.

WHAT IS THE CRUCIAL DIFFERENCE BETWEEN WANDA AND STEPHEN?

WHAT MAKES A HERO VS. VILLAIN?

MORE THEORIES:

WHO IS THE REAL LEADER OF THE SANDERSON COVEN IN 'HOCUS POCUS 2'?

What happens when Whinny ignores her love for reading? A continuation of my past review of 'Hocus Pocus'.

THE SANDERSONS' PREDECESSOR

THE SANDERSONS' REPLACEMENT

MAGICAE MAXIMA - Book's Final Test

MULTIPLE, UNHEEDED WARNINGS

MORE ON HOCUS POCUS 2

THE UNSPOKEN TRAGEDY OF 'THE WHITE LOTUS'.

Eight VIP guests on vacation. Only one is reborn.

IMPORTANT NOTE: Content is triggering for customer service workers. Proceed at your own risk.

RACHEL: DESPERATE FOR APPROVAL

SEASON 2 IS COMING THIS MONTH.

IS LOKI THE LEAST APPRECIATED MARVEL (ANTI)HERO?

THE GRAND ILLUSION

LOKI’S GLORIOUS PURPOSE:

SYLVIE, LOKI’S LIKE-MINDED PARTNER

HE WHO REMAINS (KANG)

PSYCHOPATH ESTHER LEVELS UP IN THIS CHILLING 'ORPHAN' PREQUEL. (Spoiler Warning)

Everything that makes her such a frightening manipulator begins here.

SPOILERS AHEAD

HIDING TALENTS

KILL THE INVESTIGATOR AND HIDE THE BODY

MANIPULATING THE THERAPIST

BLACKMAIL

DESTROY HER CREDIBILITY

DON'T TRUST BROTHER

CONCLUSION

WHAT'S THE MEANING BEHIND THE ANTICLIMACTIC ENDING OF LIFETIME'S 'DIRTY LITTLE SECRET'?

AVOIDANCE

ISOLATION

DENIAL

REFUSAL TO SELF-CARE

A COLLEGE "DROPOUT" FOOLS THE NATION IN MEDICAL FRAUD.

ANOTHER WONDERLY-BASED, HORRIFIC TRUE STORY OF ELIZABETH HOLMES HITS STREAMING (HULU).

SO MUCH WORK...

APING HER HERO, STEVE JOBS

ERIKA CHEUNG, THE REAL HEROINE OF THE STORY

DOCTOR MIKE REACTS.

TWO MOTHERS; TWO PATHS

THE SMEAR CAMPAIGN

WHAT’S NEXT?